NEW MUSIC: Childmind – Island Of Lambs

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Psychedelic explorations of the electric kind are the order of the day on this new single from Childmind – Sweden’s Hannes Glans. ‘Island Of Lambs’, a dark story about the Swedish island of Gotland, excels in its constantly changing vistas. One second it’s pulsing kosmiche electronica and the next it ramps up into a heady rock mantra worthy of comparison to King Gizzard and the Lizard Wizard. It bodes well for his upcoming album, set for release on limited vinyl on September 25th via Black Hair Records.

NEW MUSIC: Shifting Sands – The Intensity

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Brisbane band Shifting Sands recently released the video clip for their track ‘The Intensity’. It’s a haunting, heavy and steady marching song of solemn reflection on the slow decay of the emotional impact of love. It carries the same kind of bruised romanticism that artists such as Mark Lanegan and Leonard Cohen do so well.

Shifting Sands are Geoff Corbett (SixFtHick) and Dylan McCormack (Gentle Ben & his Sensitive Side, The Polaroids), Isabella Mellor (Jeremy Neale, Catalano), Anna Clifford, Dylan McCormack, Dan Baebler and Liam Campbell.

The song comes from the album Crystal Cuts which was released in April on Spooky Records (Melbourne) and Beast Records (France).

NEW MUSIC: 3ft – Mantra

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Swirling, driving, insistent psychedelia is the order of the day on ‘Mantra’, the new track from Detroit band 3ft. It’s one of those songs that feels like it could spiral on endlessly, much like Wooden Shjips or Stereolab at their most hypnotic moments. 3ft have more of a droning psych-rock edge though, filtered through Krautrock, The Clean and Velvet Underground style jangle and verve.

The song comes from their recently released album 21st Century Drone which has plenty of great tracks like this one.

NEW MUSIC: Blain Cunneen – Feelin’ Kinda Fragile

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Here’s the debut single from Sydney singer-songwriter (and guitarist for Julia Jacklin), Blain Cunneen. ‘Feelin’ Kinda Fragile’ comes from his four track EP The Prizes We Demand which is due out later this year and finds him crafting a fine line in art-pop that reminds us of Beck, Sparklehorse and dEUS .

The song’s melodic hooks are draped over some wonderful angular and interwoven instrumentation, where a light psychedelia is built on simplicity and strong musical ideas rather than being oversaturated in effects or weirdness for weird’s sake. We’re looking forward to hearing the rest of the EP later in 2019.

NEW MUSIC: Hail!Maggiedacat – Gemini Moon

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The wonderfully named Hail!Maggiedacat is a London producer and visual artist and this track, ‘Gemini Moon’, comes from her new EP Impossible Woman. It’s got a great, woozy 80s vibe about it like a lost video game or a soundtrack to a melancholic sci-fi TV series. The rest of the EP has a similarly dream-psych analog synth vibe to it too. Highly recommended.

 

 

EP REVIEW: Body Type – EP2

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Body Type
EP2
Inertia Music / Partisan

The Sydney quartet are releasing this, their second EP, on the eve of a UK tour, another sign of the band’s rising star status on the international stage. Of course, they’ve been the local talk of the town for a couple of years, building a solid following via their own shows and some fine support slots. 

If EP was their calling card, their first real statement of intent beyond a couple of earlier singles, then EP2 is another step forward. It solidifies their reputation as incisive songwriters and fine players. They’ve got an ear to the ground but a widescreen songwriting vision.

Opener and first single ”Stingray bursts from the gates with a spray of guitar notes, sparkling and cascading over the nimble rhythm section. It’s a great example of the rush of energy they can invest in their songs, the retention of the rough edges to the music and the economy of their songs. Pop in structure but noisy and damn catchy by nature.

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‘Free To Air’ initially dials things back to a wistful and melancholic slice of dream pop before choppy drums and their swirling jangly guitars take flight. It’s a song apparently inspired by an old neighbour of Annabel Blackman’s and his life as witnessed remotely from her bedroom. Musically the song captures that mood of both intimacy and disassociated observation. ‘Insomnia’ inhabits a similar atmospheric place, the highlight being Blackman’s vocal melody which is heavy-lidded and drowsy yet still irresistibly catchy.

‘Sad Wax’ weaves more of the same snake charmer guitar lines into the song’s DNA but it lacks the same impact and physicality of the other songs on the EP. It’s a pleasant enough track but it sounds under-formed as it repeatedly circles the same musical idea without building or elaborating on it. The final track ‘UMA’ gets things back on track with a different sonic palette. The bass comes to the fore, leading the song into grungier territory akin to Pixies with a dash of Hole. It works wonderfully, all tension and quirks courtesy of shrieks and sneered, gang vocals, capping off an impressive batch of songs from a band that just keep getting better and better.

Chris Familton