NEW MUSIC: Orchestra Gold – Maribayassa

a2528575703_10

The sounds of Africa have been explored, excavated and reissued with great enthusiasm in recent years – from the Soundways compilations to Soul Jazz’s Nigeria series and many more. The sound has filtered through into plenty of contemporary acts too – Goat come to mind with their mix of African, psych and Krautrock sounds and this Oakland CA USA group Orchestra Gold are another fine example, with singer/dancer Mariam Diakite and the arranger and guitar player Erich Huffaker, plus an all-star cast comprised of musicians from the Bay Area and Santa Cruz.

II is their third EP, following 0 and I which were released in April this year. Authentic sounds and production, endlessly rhythmic and infectious sounds!

For fans of Khruangbin and Goat.

NEW MUSIC: Gold Dime – My House

0016518322_10

New York trio Gold Dime recently released this video for the title track of their new album My House. The sum of their parts but each distinctly carving their own niche in the band’s sound – Andrya Ambro (drums/vocals), Ian Douglas-Moore (bass), John Bohannon (guitar) all play with/off each other in a heavily rhythmic and mantra-like way. There are dense, pummelling sections, punctuated by squalls of textural noise and Ambro’s tense, and dramatic intonements.

RIYL: Gothic post-punk, Krautrock, avant jazz, noise rock and post-rock.

My House is out now on Fire Talk RecordsBandcamp and streaming services.

NEW MUSIC: Burning House – Her Vowel No

71565611_2401013003279399_7178976975577415680_o

A blistering sonic harmonic scree is the order of the day on this new track from the Southampton, UK band Burning House. You can hear the spirit and verve of bands like Swervedriver, Trail Of Dead, My Bloody Valentine, Smashing Pumpkins and Sonic Youth as they careen across the speakers, leaving vapour trails of melody and distortion.

‘Her Vowel No’ comes from their debut LP Anthropocene which came out mid year.

 

NEW MUSIC: Charcoal Burners – The Verlaines and Husker Du

a3950922034_10

We posted another Charcoal Burners track earlier this year and this one also hits the spot with its warm buzz and jangle of guitars, interlaced with piano (that reminded us of Able Tasmans). I like that they reference the sound of the song in its title, you can definitely hear both bands that they mention, more so their Dunedin counterparts. I’d also throw in a comparison with the less caustic side of Swervedriver in the way the song gently churns and drones.

‘The Verlaines and Husker Du’ follows their 2019 album The Best Day You Could Imagine.

 

NEW MUSIC: CJ Stranger – Strange One

Screen Shot 2019-11-08 at 11.20.01 am

“A stream-of-consciousness ramble of a day living in the inner-west”

Hooks and riffs abound with laidback verve and hypnotic charm on this new single from Blue Mountains, NSW resident CJ Stranger. That’s the nom de plume of songwriter and guitarist Cameron James Henderson and on this track he hits a sweet spot between The War On Drugs and Kurt Vile with a cool blend of his voice and the guitars that surge and swagger beautifully.

Expect an album called Hey Stranger in 2020 and you can catch Henderson playing these upcoming shows:

November 14 – LazyBones Lounge, Marrickville
w/ Gavin Bowles, Liam Gale (fb event)

November 21 – Django at Camelot, Marrickville
w/ Pat Tierney (fb event)

ALBUM REVIEW: Underground Lovers – A Left Turn

A_Left_Turn_iTunes_Cover_2048x.jpg

Underground Lovers
A Left Turn
Rubber Records
★★★★

Underground Lovers are back with their ninth studio album, their third since they reactivated after a hiatus through the first decade of the 21st century. That return showed they were still in fine form with their blend of psychedelic indie rock and electronica and they’ve again produced a strong album that brings those elements together in perfect hypnotic harmony.

Their last album Staring At You Staring At Me focused on the guitar sound of the band, giving it more of a rock feel. This time around they’ve ushered their electronic explorations back into the fold, placing the album close to the work they produced on Cold Feeling at the end of the ‘90s. 

Early on, Bells sets the psych controls for the heart of the mind and just as viably, the dance floor, with its droning Krautrock sprawling across more than six wonderful minutes. They have the ability – like Spiritualized and Wooden Shjips, to find the sweet spot of a groove and ride it endlessly. Hooky ups the rock ante yet still in a warm embrace with the melodies of Glenn Bennie’s guitar and Vincent Giarrusso’s vocal incantations.

Shoegaze has always been another mainstay of the band’s sound and on Dunes and Lusher, Philippa Nihill sounds like a dream sister to My Bloody Valentine and Cocteau Twins as the music shimmers, glows and gently shudders behind her. The single Seven Day Weekend is anthemic in its drum machine-powered rhythm and distorted see-saw guitars as Giarrusso trips out in full Shaun Ryder mode on the ode to carefree socialising. 

By the time we reach the conclusion of the epic nine minute closer Rocky Endings, there’s a sense of post-rollercoaster exhilaration in the wake of the album’s propulsive peaks and floating valleys. The song winds its wistful way for four minutes before taking off into the stratosphere on an interstellar space-rock mission of chiming guitars, pulsing bass and metronomic drumming that billows and expands gorgeously. A Left Turn is another sonic gem from one of Australia’s psychedelic finest.

Chris Familton

 

NEW MUSIC: ACUA – Keep Spinning

ACUA_Keep_Spinning_Cover

ACUA are a post-punk band from Cologne who sit somewhere in the sweet spot between the aforementioned genre and the more hypnotic side of dream-pop, shoegaze and indie rock. ‘Keep Spinning’ is the their latest single and finds the fairly new band blending synths and guitars into a really nice sound (reminiscent of RIDE), balanced between drift and drive, where texture is everything.

NEW MUSIC: Caoilfhionn Rose – Being Human

a0971456604_10

‘Being Human’, by Manchester songwriter and producer Caoilfhionn Rose (pronounced Keelin) is one of those tracks that combines mystery, beauty, lush production and a voice that possesses effortless melodic qualities. It comes from her debut LP Awaken, out now on Gondwana Records.

Mixing pastoral folk, light psychedelia and indie sensibilities the song is a good reflection of the overall strength of Awaken as an album. Recommended!