NEW MUSIC: Jacaszek – November Late

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Polish composer Michal Jacaszek has just released his new album Music For Film on the Ghostly International label and it’s a wonderfully immersive and contemplative collection of compositions that showcase his amalgamation of ambient, classical, and musique concrete styles. He deploys field recordings, acoustic samples, poetry, and baroque instrumentation to paint pictures, oftentimes melancholic, nostalgic, tragic.

‘November Late’ begins tentatively before slowly morphing, swelling and rising into a dramatic invocation of both an intimate space and a grand scale that traverses the tone and texture from ambient to modern classical. That ability to weave disparate moods and contrasting, yet coexisting, emotive entities is impressive. His work is custom-made for soundtracks but it also is a wholly rewarding solo listening experience where the music creates the imagery rather than accentuating pre-existing visuals.

 

NEW MUSIC: Akkor – Durma

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Akkor is Turkish electronic composer Üstün Lütfi Yıldırım who has just released his new album Durma, an electroacoustic narrative in a progressive cinematic sound universe through piano, synthesizers, soundscapes and recorded/found noises from Istanbul.

The title track is an immersive track that starts shrouded in atmospheric and ominous sonic mist, eventually gaining clarity with micro-percussive elements that give the piece structure and forward motion. Piano adds haunting melodies as the composition gains momentum over ten minutes, through late-night city streets and the flickering lights of shop signs. It’s certainly cinematic in style and quality, a great example of building a piece of music without losing its core emotionality.

 

 

NEW MUSIC: Ben Neill – Auricle

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Working at the junction of ambient, avant garde jazz and electronica, Ben Neill has just reissued his 1995 album Green Machine, an album that received widespread critical acclaim on its original release on the Astralwerks label.

The music on the album is performed on his self designed, electro-acoustic Mutantrumpet, skilfully navigating a netherworld between organic and synthetic composition and playing. This track ‘Auricle’ is the perfect example of that, in the way the sounds rise and fall, blending together in harmonic hypnosis.

Neill has recorded eleven CDs of his music on labels including Universal/Verve, Thirsty Ear, Astralwerks, and Six Degrees. His electronic opera The Demo, inspired by computer pioneer Douglas Engelbart and created with composer/performer Mikel Rouse, was premiered in 2015 at Stanford University’s Bing Concert Hall. Other performances include BAM Next Wave Festival, Lincoln Center, Whitney Museum of American Art, Cite de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival, and the Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt, and Nicolas Collins. Neill also leads concerts of La Monte Young’s The Second Dream with an international brass ensemble; performances have recently been presented in New York, Amsterdam, Paris, Amsterdam, Huddersfield, Oslo, Krems, Koln, and Warsaw.

NEW MUSIC: Past Present & Tortusa – Black Mist

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Out of Norway comes this fascinating piece of experimental dubbed and smeared atmospheric jazz fusion from Past Present & Tortusa. The trio of trumpet, upright bass and live sampling is composed and performed by Simen Kiil Halvorsen, Alexander Hoholm and Tortusa respectively. Space is the key to what makes ‘Black Mist’ so compelling as the digital details flicker and dance around the edge of the music, creating texture and nuance quite wonderfully while the trumpet and bass deftly interweave ghostly melodies and rhythmic pulses.

‘Black Mist’ comes from the album Eternal Return:

“Eternal Return is a dystopian tale told in three chapters. It starts with the track ‘Nowhere’ representing a beautiful utopian dream, followed by ‘Black Mist’, where conflict and despair have become a norm, and the final chapter, ‘Dawn of Hope’, brings light and hope for a new and better future.”

NEW MUSIC: Alaskan Tapes – Views From Sixteen Stories

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Last month, Canadian composer Alaskan Tapes (Brady Kendall) released his new album Views From Sixteen Stories. Check out the title track below, a warm, dream-like, swelling piece of music that rises and falls with a certain weightlessness. There’s sonic depth to it too. Turn up the volume and the richness of the bass tones resonate wonderfully through the track.

Hit the Bandcamp link to stream and buy the album on vinyl/CD/digital or stream on the other usual platforms.

Michael A. Muller – Lower River

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Michael A. Muller is a co-founder of Balmorhea who have released six albums over the last 13 years. ‘Lower River’ is the title track of his solo album and it’s a wonderfully immersive and hypnotic piece of ambient, droning music that hangs in the air, draped in resonating, melancholic chords.

The press releases describes the track as being inspired by his own remote travels throughout the US and Europe and the personal exploration of a meditative practice, it’s a sonic exploration of what it means to hear versus to listen, to immerse oneself in navigating the subconscious plane of pure energy and deep, immersive creativity.

Lower River is out October 25th on Beacon Sound (vinyl) + 1631 Recordings (digital).

NEW MUSIC: Christopher Tignor – The Resonance Canons

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Christopher Tignor is a New York composer with an impressive CV. In his early days he mixed sound at CBGBs, was an assistant to La Monte Young. He gained a Masters in computer science from NYU, proceeded through Princeton’s PhD program in music composition, and was later recruited for a software engineering position at Google. He’s released nine albums and collaborated with a range of other artists including Keith Kenniff (Helios), Jefre Cantu-Ledesma, John Congleton, and This Will Destroy You.

Tignor’s latest album A Light Below features this track ‘The Resonance Canons’, an 11 minute instrumental journey that is based around the sound of tuning forks. It sparkles and glistens, clangs and pulses with bell-like qualities and both melancholic and slightly ominous undertones. Lovely stuff!

“Since the last LP, my technique for tuning forks also earned some attention (and an honest-to-God tuning fork sponsorship). Again, I wanted to push the musical possibilities here, dialing those gestures in to create locked, luminous polyrhythms alternating with left hand pizzicato. I combined these methods with cascades of triggered synths in “The Resonance Canons”, an 11 minute trip ending in complete vulnerability—as the tuning fork loses its resonance, I continue knocking it against my bridge, a final ostinato built from processed noise and resonant wood.”

 

NEW MUSIC: Bensnburner – Meanwhile

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Deep rhythms, warm tones and hypnotic glitches collide with hypnotic synth mantras and smears of post-rock guitar on this track from German composer Bensnburner. It comes from his new album (late September release) which was recorded in an empty 400 square metre hangar with a 30 metre high ceiling that created a seven second reverb.