NEW MUSIC: Alaskan Tapes – Views From Sixteen Stories

70318522_2421693961255862_2336933220907483136_n

Last month, Canadian composer Alaskan Tapes (Brady Kendall) released his new album Views From Sixteen Stories. Check out the title track below, a warm, dream-like, swelling piece of music that rises and falls with a certain weightlessness. There’s sonic depth to it too. Turn up the volume and the richness of the bass tones resonate wonderfully through the track.

Hit the Bandcamp link to stream and buy the album on vinyl/CD/digital or stream on the other usual platforms.

Michael A. Muller – Lower River

0017196066_10

Michael A. Muller is a co-founder of Balmorhea who have released six albums over the last 13 years. ‘Lower River’ is the title track of his solo album and it’s a wonderfully immersive and hypnotic piece of ambient, droning music that hangs in the air, draped in resonating, melancholic chords.

The press releases describes the track as being inspired by his own remote travels throughout the US and Europe and the personal exploration of a meditative practice, it’s a sonic exploration of what it means to hear versus to listen, to immerse oneself in navigating the subconscious plane of pure energy and deep, immersive creativity.

Lower River is out October 25th on Beacon Sound (vinyl) + 1631 Recordings (digital).

NEW MUSIC: Christopher Tignor – The Resonance Canons

1565991590402

Christopher Tignor is a New York composer with an impressive CV. In his early days he mixed sound at CBGBs, was an assistant to La Monte Young. He gained a Masters in computer science from NYU, proceeded through Princeton’s PhD program in music composition, and was later recruited for a software engineering position at Google. He’s released nine albums and collaborated with a range of other artists including Keith Kenniff (Helios), Jefre Cantu-Ledesma, John Congleton, and This Will Destroy You.

Tignor’s latest album A Light Below features this track ‘The Resonance Canons’, an 11 minute instrumental journey that is based around the sound of tuning forks. It sparkles and glistens, clangs and pulses with bell-like qualities and both melancholic and slightly ominous undertones. Lovely stuff!

“Since the last LP, my technique for tuning forks also earned some attention (and an honest-to-God tuning fork sponsorship). Again, I wanted to push the musical possibilities here, dialing those gestures in to create locked, luminous polyrhythms alternating with left hand pizzicato. I combined these methods with cascades of triggered synths in “The Resonance Canons”, an 11 minute trip ending in complete vulnerability—as the tuning fork loses its resonance, I continue knocking it against my bridge, a final ostinato built from processed noise and resonant wood.”

 

NEW MUSIC: Bensnburner – Meanwhile

9IjF9aJ7CxE8r0

Deep rhythms, warm tones and hypnotic glitches collide with hypnotic synth mantras and smears of post-rock guitar on this track from German composer Bensnburner. It comes from his new album (late September release) which was recorded in an empty 400 square metre hangar with a 30 metre high ceiling that created a seven second reverb.

NEW MUSIC: Rhian Sheehan – Last Time We Spoke

36188111_10157772256118066_2585744193942978560_n

New Zealand musician and ambient/electronic composer Rhian Sheehan has built a name for himself with nearly a dozen releases plus a wealth of soundtrack work and appearances on numerous compilations.

Fans of Nils Frahm will appreciate the nuance and blending of organic and synthetic elements in this piece. The way it pushes and pulls with it’s drifting piano melodies and mechanically-inclined rhythmic pulse.

‘Last Time We Spoke’ comes from Sheehan’s most recent album A Quiet Divide. He’s also composed the original score for the just-released Capcom Go!: The Apollo Story, an immersive 3D Planetarium Dome show documentary that showcases the historical achievements of the Apollo program and what it took to put the first human on the Moon.

NEW MUSIC: PCM – Ma

1560267758541

Some hypnotic ambient composition to round out the week on Doubtful Sounds. PCM is an Italian ambient trio comprised of musicians Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M). They’ve come together to record this non-album single ‘Ma’, ahead of a full-length release. It shimmers and drifts, it’s aqueous and cloud-like in the way it moves and transitions gently across nearly eight hypnotic minutes.

Matteo Cantaluppi probably most known for his independent pop production duties has released, as a musician, a symphonic-ambient album with Baffo Banfi (“Biglietto per l’Inferno” founding member and Klaus Schulze’s collaborator) called “Frontera.” Francesco Perra is an ambient musician who often utilizes the guitar for his rich soundscapes. He’s published 3 albums, Music to Disappear (Idealmusik), The Neptune Sessions (Clubland Records), and Soundscape Box 1 (Tranquillo Records) under the name of Perry Frank. Matteo Milea is a sound engineer and sound designer who is also responsible for the trio’s art direction, giving visual representation to PCM’s liquid sounds.

 

NEW MUSIC: Christopher Willits – Sunset

1557341313065

Christopher Willits is an acclaimed ambient composer and musician who has opened for the late Jóhann Jóhannsson and released two albums with Ryuichi Sakamoto and productions with Tycho as part of his impressive back catalogue.

The five compositions on his new album Sunset move from warm to cool designed as a soundtrack to embrace the day’s end. ‘Coast’ rises and falls like the ocean currents, a tidal blend of synth and field recording that conjures up a sense of immense space and the calming zen-like hypnotic nature of the sea.

Written by Christopher Willits 
Recorded at SnowGhost in Whitefish, Montana
Produced by Christopher Willits
Mixed at The Dojo in San Francisco, California and Overlap Studio in Oakland, California

 

 

NEW MUSIC: Windy & Carl – Forest Trails

kaylan_puresounds

A while ago we posted about a track from Joey Beltran called Childhood Memories which was our first taste of this new compilation Pure Sounds of Michigan, an ambient album that invites listeners to take a sunrise-to-sunset tour of Michigan from coast to coast as interpreted by some of the state’s most talented musicians. The album came out a few weeks ago on Detroit-based Assemble Sound, and was imagined, created, and released by Michigan’s tourism arm, Travel Michigan.

This track is by ambient stalwarts Windy & Carl, and it’s a beautiful piece, soaked in environmental sounds and melancholic wanderings through a real and digital landscape. There’s a sense of wonder and curiosity that permeates the sounds coming out of the speakers.

“I am a musician. I am in love with sound, and parks offer me so much of what i am in love with. […] To this day, Carl and I would rather be outside than in. We would rather see the wind cause the trees to sway and dance, listen to all the voices of the forest animals, and hear the chorus of insects, than be stuck inside […] I cannot tell you how grateful I am to have been invited to be involved in a project to celebrate the anniversary of State Parks in Michigan– To have been given a way to say THANK YOU to everyone along the way who said that this space needed to be preserved and protected; to every one who understood how a human body and mind needs to sit in the trees and see the sky and listen to the sounds of a park; listen to the sounds our body knows and understands. What a wonderful gift we have all been given in the creation of our state and local parks. It’s a gift we can all share in, everyday, all year long. We are all so lucky.”

– Windy Weber of Windy & Carl