NEW MUSIC: Bensnburner – Meanwhile

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Deep rhythms, warm tones and hypnotic glitches collide with hypnotic synth mantras and smears of post-rock guitar on this track from German composer Bensnburner. It comes from his new album (late September release) which was recorded in an empty 400 square metre hangar with a 30 metre high ceiling that created a seven second reverb.

NEW MUSIC: Rhian Sheehan – Last Time We Spoke

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New Zealand musician and ambient/electronic composer Rhian Sheehan has built a name for himself with nearly a dozen releases plus a wealth of soundtrack work and appearances on numerous compilations.

Fans of Nils Frahm will appreciate the nuance and blending of organic and synthetic elements in this piece. The way it pushes and pulls with it’s drifting piano melodies and mechanically-inclined rhythmic pulse.

‘Last Time We Spoke’ comes from Sheehan’s most recent album A Quiet Divide. He’s also composed the original score for the just-released Capcom Go!: The Apollo Story, an immersive 3D Planetarium Dome show documentary that showcases the historical achievements of the Apollo program and what it took to put the first human on the Moon.

NEW MUSIC: PCM – Ma

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Some hypnotic ambient composition to round out the week on Doubtful Sounds. PCM is an Italian ambient trio comprised of musicians Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M). They’ve come together to record this non-album single ‘Ma’, ahead of a full-length release. It shimmers and drifts, it’s aqueous and cloud-like in the way it moves and transitions gently across nearly eight hypnotic minutes.

Matteo Cantaluppi probably most known for his independent pop production duties has released, as a musician, a symphonic-ambient album with Baffo Banfi (“Biglietto per l’Inferno” founding member and Klaus Schulze’s collaborator) called “Frontera.” Francesco Perra is an ambient musician who often utilizes the guitar for his rich soundscapes. He’s published 3 albums, Music to Disappear (Idealmusik), The Neptune Sessions (Clubland Records), and Soundscape Box 1 (Tranquillo Records) under the name of Perry Frank. Matteo Milea is a sound engineer and sound designer who is also responsible for the trio’s art direction, giving visual representation to PCM’s liquid sounds.

 

NEW MUSIC: Christopher Willits – Sunset

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Christopher Willits is an acclaimed ambient composer and musician who has opened for the late Jóhann Jóhannsson and released two albums with Ryuichi Sakamoto and productions with Tycho as part of his impressive back catalogue.

The five compositions on his new album Sunset move from warm to cool designed as a soundtrack to embrace the day’s end. ‘Coast’ rises and falls like the ocean currents, a tidal blend of synth and field recording that conjures up a sense of immense space and the calming zen-like hypnotic nature of the sea.

Written by Christopher Willits 
Recorded at SnowGhost in Whitefish, Montana
Produced by Christopher Willits
Mixed at The Dojo in San Francisco, California and Overlap Studio in Oakland, California

 

 

NEW MUSIC: Windy & Carl – Forest Trails

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A while ago we posted about a track from Joey Beltran called Childhood Memories which was our first taste of this new compilation Pure Sounds of Michigan, an ambient album that invites listeners to take a sunrise-to-sunset tour of Michigan from coast to coast as interpreted by some of the state’s most talented musicians. The album came out a few weeks ago on Detroit-based Assemble Sound, and was imagined, created, and released by Michigan’s tourism arm, Travel Michigan.

This track is by ambient stalwarts Windy & Carl, and it’s a beautiful piece, soaked in environmental sounds and melancholic wanderings through a real and digital landscape. There’s a sense of wonder and curiosity that permeates the sounds coming out of the speakers.

“I am a musician. I am in love with sound, and parks offer me so much of what i am in love with. […] To this day, Carl and I would rather be outside than in. We would rather see the wind cause the trees to sway and dance, listen to all the voices of the forest animals, and hear the chorus of insects, than be stuck inside […] I cannot tell you how grateful I am to have been invited to be involved in a project to celebrate the anniversary of State Parks in Michigan– To have been given a way to say THANK YOU to everyone along the way who said that this space needed to be preserved and protected; to every one who understood how a human body and mind needs to sit in the trees and see the sky and listen to the sounds of a park; listen to the sounds our body knows and understands. What a wonderful gift we have all been given in the creation of our state and local parks. It’s a gift we can all share in, everyday, all year long. We are all so lucky.”

– Windy Weber of Windy & Carl

NEW MUSIC: John Beltran – Childhood Memories

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It’s the tension and mood of this piece that caught our ear when we came across it online. The way that John Beltran sonically suspends the mood before introducing the tentative snippets of piano that flutter and suggest, like a butterfly unfurling wet wings. The back half emerges with greater weight on the back of swells of synthetic drift that rise and fall with heavy emotion.

This piece comes from Pure Sounds of Michigan an ambient album that invites listeners to take a sunrise-to-sunset tour of Michigan, from coast to coast. The album is set for a May 22nd release on Detroit-based Assemble Sound, and was imagined, created, and released by Michigan’s tourism arm, Travel Michigan as a part of the Pure Michigan campaign, in conjunction with the label.

The music was executive produced and mixed by composer Blair French, mastered by Eddie Logix, and features songs composed by the likes of Michigan-based heavy hitters John Beltran, Waajeed, and Windy & Carl, along with up and coming names such as Greater Alexander, Dave Graw, Todd Modes, and more.

 

NEW MUSIC: Kyle Dixon & Michael Stein – Affluenza

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Two of the guys from S U R V I V E, Kyle Dixon & Michael Stein, who are best known for the soundtrack work on Stranger Things, have composed the music for Rashid Johnson’s dramatic directorial debut Native Son, which was Sundance’s opening night film.

Based on Richard Wright’s seminal novel of the same name, the modern reimagining of Wright’s 1930’s coming-of-age drama chronicles Bigger Thomas, a young African-American man who takes a job working for a highly influential Chicago family — a decision that changes the course of his life. HBO Films and A24 released the film on April 5th with Milan Records releasing the score on the same day.

‘Affluenza’ is a billowing, gaseous synth bed that envelopes the listener with a tense and foreboding quality.

NEW MUSIC: Forest Management – Blue Leaves

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Forest Management is the work of Chicago, IL experimental artist John Daniel, a producer who knows how to expertly blend dissonance and ambience, finding that middle ground between harmonious hypnotic drones and something more unsettling and foreboding. ‘Blue Leaves’ is comprised of pulsing waves of warm distortion that push and pull at the surface of the track, eventually dissipating into the sonic ether.

‘Blue Leaves’ comes from Forest Management’s five track 2019 LP Passageways.