NEW MUSIC: Pip Blom – Come Home

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Today we’ve got some great new music from the Netherlands, in the form of the track ‘Come Home’ by Pip Blom. Indie rock styles aplenty, built on a wonderfully insistent and pulsing rhythm section, guitars that snake about and create all kinds of interesting sonic shapes. Vocally the voices overlap and intertwine giving ‘Come Home’ a distinctly hypnotic feel.

Pip’s Paycheck EP was released 5th October digitally with a 12” vinyl release due in November, via Nice Swan Records. She’s supported Franz Ferdinand and The Breeders.

UK NOVEMBER TOUR DATES

14 – Hyde Park Book Club, Leeds

15 – Sneaky Pete’s, Edinburgh

16 – Think Tank? Underground, Newcastle

17 – The Night and Day Café, Manchester

19 – The Sunflower Lounge, Birmingham

20 – Clwb Ifor Bach, Cardiff

21 – The Prince Albert, Brighton

22 – The Lexington, London

24 – The Shipping Forecast, Liverpool

25 – Whelan’s (upstairs), Dublin

26 – The Cookie, Leicester

27 – The Boileroom, Guildford

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ALBUM REVIEW: The Goon Sax – We’re Not Talking

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They were young when they formed, young when they recorded their first album and they’re still only just sloping out of their teens as they release their sophomore album. At its strongest, We’re Not Talking still reaches the same impossibly catchy jangle-pop heights that they impressed with on their debut, but across its 30 minutes some minor risk-taking doesn’t quite pay off. 

Their trademark innocence and honest dives into the realities of approaching and entering adulthood is still intact and if they were previously singing about those things from an observational POV, now they’re reporting from the inside, as they experience them. Other changes include the three band members take a greater share of lead vocals, with Riley Jones’ voice particularly impressing on the tender Strange Light. They’ve also experimented with different instrumentation such as strings, piano and a drum machine, widening their palette from the straight rock trio format.

When the album works it’s a thrilling dash through young love and self-doubt. Opener Make Time 4 Love is brisk, fun and infectious, She Knows is reminiscent of the rough and barely contained sugar rush of The Strokes while Sleep EZ and Get Out recall the golden heyday of Flying Nun’s skewed pop moments. In contrast, other songs such as Now You Pretend are only partly formed interludes. They add variety to the album but they feel like filler before the next primitive, melodic pop explosion occurs.

The many highlights on We’re Not Talking suggest that The Goon Sax are still evolving and successfully exploring the art and craft of confessional, catchy and quirky songwriting.

Chris Familton

NEW MUSIC: Heartthrob Chassis – Sister

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Here’s some blank-eyed, gutter-glam noise-rock from Heartthrob Chassis out of Detroit. The band is headed by Margaret Doll Rod, former songwriter and member of the stage-smashing Demolition Doll Rods.

The track lurches and staggers along with an almost Suicide-like drone quality. Babes in Toyland and early Hole are reference points too, with some added Sonic Youth squalls, dirge and dissonant causticity.

The track comes from Heartthrob Chassis’ recently released full length LP Arrhythmia, out on Milan Records and available to purchase HERE.

ALBUM REVIEW: Suede – The Blue Hour

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Suede are this deep into their career and have flirted equally with the charts and the arthouse that they have earned the right to be the masters of their own destiny. Hence they’ve realised that the best Suede albums have a mix of grandiose, sweeping music and dissertations on the minutiae and unease of modern life. The Blue Hour is the third album in a trilogy that includes Bloodsports and Night Thoughts, set in the dark blue-hued twilight of the evening, the deepening shadows the heart and the oncoming dark night of the soul.

Strings sweep across the rural landscapes and the trash littered motorways that Brett Anderson sings of. He’s talked about viewing the world through the eyes of his son and much of this album deals with the terrors of childhood. You can hear it both in the tension of the music and literally in Anderson’s songs of broken homes, fractured family relationships, fear of the future and finding one’s self and place in society. It’s powerful and dramatic stuff. In other’s hands it would be overwrought and pretentious but this is Suede’s home ground advantage, their musical stock and trade.

Interspersed between the songs, recorded sound effects and sonic vignettes suggest dead birds and lost children and give the record a sense of a concept album, though it’s more of a collection of sketches or short stories rather than one linear tale. Wastelands, Cold Hands, Don’t Be Afraid If Nobody Loves You and Beyond The Outskirts are highlights of the glam, indie-rock variety and provide a good balance to the arch and avant garde tracks.

It all amounts to a fascinating and rewarding album with plenty to revel in on its surface whilst also offering a deep well of poetry and drama to explore at length.

Chris Familton

NEW MUSIC: Diana Radar – Growing

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A new track and clip from Melbourne quartet Diana Radar. ‘Growing’ is their third single this year, taken from an upcoming LP or EP from recording sessions engineered by Lachlan Wooden (Primary Colours, Archie Roach), and mastered by Mikey Young (Total Control, Eddy Current Suppression Ring). ‘Growing’ is a tumbling cache of sparkling and jangling guitars and melodically rolling bass. It has that New Order, Smiths kind of vibe, definitely placed in an Anglophile 80s world but also in the same orbit as Real Estate.

 

NEW MUSIC: Dom Tivadar – Bottle Go Bang

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In my travels on ye internets I came across this intriguing track by Dom Tivadar from the UK. It’s got a warbly lo-fi wooze and shimmer about it. Primitive yet damn catchy and filled with little twists and intricate details that add up to a great slice of psychedelia. Part Chris Knox, part Jay Reatard. Dom has a 10″ lathe cut called Sings & Plays Vol. 2 available to order HERE and you can check out his earlier releases on Bandcamp and streaming services.

NEW MUSIC: Interpol – If You Really Love Nothing

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So far this is our favourite track from the new Interpol album. The record shows flashes of their early brilliance and though it doesn’t hold up across all tracks it’s well worth spending some time with these songs. ‘If You Really Nothing’ is Banks doing falsetto over trademark Interpol slashing guitars and tumbling drums.