Dry Cleaning Announce debut album New Long Leg

photo by Steve Gullick

Following their run of sublime EPs, Dry Cleaning have announced details of their debut studio album and have shared a new single ‘Strong Feelings’. I’ve been a huge fan of their releases to date and the way the blend deadpan poetry with taut post-punk riffs and rhythms. ESG meets Life Without Buildings meets Black Country, New Road.

The South London group of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) will release New Long Leg on 2 April via 4AD / Remote Control Records. The 10-track long-player, which includes ‘Strong Feelings’ and last year’s single ‘Scratchcard Lanyard’, was recorded over two weeks last summer at Rockfield Studios in rural Wales with producer John Parish (PJ Harvey, Aldous Harding).

Following on from their 2019 EPs Boundary Road Snacks and Drinks and Sweet Princess, New Long Leg is more ambitious and complex, with Shaw’s spoken vocals tightly intertwined with the band’s restless instrumentals. With lyrics preoccupied by themes like dissociation, escapism, daydreaming, complicated feelings of love, anger, revenge, anxiety, the kitchen, lethargy, forgetfulness, and survival, Shaw says, “the title is ambiguous; a new long leg could be an expensive present or a growth or a table repair.”

New single ‘Strong Feelings’ is a love song, of sorts. Shaw says, “it’s about secretly being in love with someone who doesn’t know it, and Brexit’s disruptive role in romantic relationships.” Its accompanying visuals, directed by guitarist Dowse, came about after Google searches brought together an informational video on road building basics from New Zealand and Massachusetts-based glitch artist, Sabato Visconti. Watch the video here.

Dry Cleaning was formed by friends Tom Dowse, Nick Buxton and Lewis Maynard after a karaoke party in 2017 inspired a collaboration. They wrote instrumentally to begin with until six months later Florence Shaw, a visual artist, university lecturer and picture researcher by day – with no prior musical experience – turned up to a band rehearsal armed with reams of her own collected writing and a copy of Michael Bernard Loggins’ Fears Of Your Life to read out over the music. Before long she was the group’s frontperson, contributing words of her own, and serving as the perfect foil to the band’s music.  

New Long Leg will be released on 2 April digitally and on CD, cassette, standard black vinyl and limited-edition yellow vinyl. 

NEW MUSIC: Iceage – The Holding Hand

News in today today Iceage have signed with Mexican Summer and released a brand new single ‘The Hold Hand’.

“The song lives in a slurred world, movements are elastically stretched out and strength is found in weakness while you find it hard to tell the difference between fume and matter. Gently the swaying intensifies, feel it escalate. Reach out for the holding hand, it seems almost within scope now.” – Elias Bender Rønnenfelt

Lead singer and lyricist Elias Bender Rønnenfelt’s voice crawls over slow-marching percussion, and as scorching guitar and Nils Gröndahl’s piercing violin layer in, the song rises to a noisy peak. Listen to the song now + watch the Anders Malmberg directed video below.

NEW MUSIC: Gim Kordon – Betoni Kukkii

photo by Pia Koskimaa

Aside from the none too subtle nod to the Sonic Youth icon, this is a heavy slab of coruscating guitars, a rhythm section that twists and tumbles with a gnarled density and vocals that careen across the sonic maelstrom with a howling psych rock nihilism. Think Exterminator-era Primal Scream and you’re heading in the right direction with Gim Kordon.

Given they’re singing in their native Finnish tongue, I’ve got no idea what they’re singing but the the title translates as ‘Concrete Blooms’ and singer-guitarist Aleksi Pahkala explains that “Betoni kukkii is a story of how often life growing up in the suburbs is a roll of the dice, a struggle and trying to get by, but also of how a sense of community in even the roughest areas is so often the only thing that provides a sense of security.”

This is the return of the band, six years after their debut album and a sign of new music to come in 2021.

NEW MUSIC: Van Vleck – Morning Page

This recently released track by US group Van Vleck caught our ear with it’s mix of frantic post-punk and a dark gothic sonic aesthetic. It reminded us of everything from Black Angels to Interpol to Sisters Of Mercy in its insistency and doomy yet melodic riffs.

There’s not much else to report about the band, who appear to be a trio who used to operate under the name More and have released the one three-track EP, The Wait, as Van Vleck.

NEW MUSIC: Cederick Knox – Back In The Box

Cederick Knox hits cosmic mystery mode on this new track ‘Back In The Box’. There’s a shadowy creep to the sound he’s created. Part jazz, part avant-experimentalism, initial drum tracks were recorded with cerebral palsy drummer ​​​’Spack​ ​in​ ​the​ ​Box’, on​ ​top​ ​of​ ​which​ ​a​ ​series​ ​of​ ​players (including members of Squid and Pelican Man) ​ ​were​ ​invited​ ​to improvise. These recordings were then used as raw material for the project.

You can hear the collaborative process at work, elements feeding off each other, sometimes in harmony, sometime in contrast. The end effect is a hypnotic and transfixing one that pulls the listener in, draws the curtains and frees the mind.

ALBUM REVIEW: Cable Ties – Far Enough

Cable Ties

Far Enough

Poison City Records

Cable Ties’ debut album introduced a band built on fiery punk passion and melodic post-punk intensity. Now, three years later, they taken that template and made the loud parts louder, the hooks catchier and pushed their visceral and primitive 70s rock shapes more to the fore.

Sonically, the band’s sound still recalls the stinging guitar leads and interesting song shapes of Sleater-Kinney and the brittle energy of Bikini Kill, but things are most interesting when they counter the short sharp bursts of punk energy with deep digs into repetition and heavy riffing. Krautrock insistency combined with the distorted wash of guitars on the seven minute Lani and the pummelling, deconstructed noise aspects of the equally long Anger’s Not Enough make for hypnotic listening.

Jenny McKechnie’s howls of critique and dissent still ring loud and clear, blending with the personal when she sings lines such as “My uncle Pete, he’s complaining ‘bout the Greenies, he says they’ve gone too far and I say Pete, they don’t go far enough.” She’s been writing political songs since she was singing folk songs in her bedroom but now she has the perfect vehicle for them. Far Enough is the sound of a band locked in total unison, taking chances and playing with righteous clarity. Anger is indeed an energy.

Chris Familton

NEW MUSIC: 100 – Psych

“Pull your head in ya flamin’ galah” are the first words you hear on this new track from Sydney band 100. The first release on the new label Endless Recordings, founded by Bad Dreems guitarist Alex Cameron, it rips and snarls like an inner-city delinquent. Part belligerence, part studied sneer. It reminds us a bit of much missed bands like The Scare, and Witch Hats with its sonic swerves and guitar racket that’s as much alt-rock and punk as it is informed by the noisy, dissonant end of shoegaze.

“It is a sort of open letter towards the anti-social behaviour that we’ve seen on the rise in Sydney over the past 10 years” explains Jaryd Lee. He and fellow frontman Rowen Tucker moved to Sydney’s inner west after growing up in Gosford, where they met at high school.

NEW MUSIC: Sprints – Manifesto

‘Manifesto’ is the second Sprints track we’ve posted in the last few months and much like ‘Drones’, this one hits in all the right places. Wild guitar noise, mantra-like vocals and a rhythm section that knows its Krautrock and post-punk – taut and unrelenting, funky and tough. This is the title-track from the Dublin quartet’s new EP coming in 2021.

Of the song, singer and songwriter Karla Chubb says:

“Manifesto is all about control, and the seeming lack of it we have sometimes – control over our own lives, our own bodies, our own societies. Written during the time of the Repeal the 8th referendum in Ireland, it’s a call for equality. 

Life can feel like it’s unravelling around you. We see our countries fall in and out of economic crisis, we see the homeless crisis worsen by the day, we see the rapid rise of addiction and drug problems, and nothing is being done about, yet when it comes to telling women what they can do with their own bodies, that’s when people (the bigots) step in and show up? It baffled me.

 Manifesto is about turning your cheek to the critics and bigots and those who judge and doubt, to  try shake the shackles of everyday existence and mundanity and go carve your own path. “