NEW MUSIC: UK Apache with Shy FX – Original Nuttah 25

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UK Apache and soundman, DJ and UK pioneer, Shy FX have released ‘Original Nuttah 25’ – a re-recorded and re-mastered seminal anthem ‘Original Nuttah’ that shook dance floors back on 1994 with its hard-hitting seminal jungle beats. It still sounds gloriously heavy and madcap. The re-mastered and re-recorded 2019 version of the all-time classic features an original vocal from actor Idris Elba,

Shy FX says of ‘Original Nuttah 25’: “This record changed my life and I still can’t believe its 25 years ago! For the anniversary we wanted to do something special, so we re-recorded the ‘Original Nuttah 25’ version, added a speech from an actor friend of mine and called in a remix from Chase & Status to freshen it up in time for Carnival. And trust me they came through with the goods! Here’s to another 25!”

ALBUM REVIEW: Underground Lovers – A Left Turn

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Underground Lovers
A Left Turn
Rubber Records
★★★★

Underground Lovers are back with their ninth studio album, their third since they reactivated after a hiatus through the first decade of the 21st century. That return showed they were still in fine form with their blend of psychedelic indie rock and electronica and they’ve again produced a strong album that brings those elements together in perfect hypnotic harmony.

Their last album Staring At You Staring At Me focused on the guitar sound of the band, giving it more of a rock feel. This time around they’ve ushered their electronic explorations back into the fold, placing the album close to the work they produced on Cold Feeling at the end of the ‘90s. 

Early on, Bells sets the psych controls for the heart of the mind and just as viably, the dance floor, with its droning Krautrock sprawling across more than six wonderful minutes. They have the ability – like Spiritualized and Wooden Shjips, to find the sweet spot of a groove and ride it endlessly. Hooky ups the rock ante yet still in a warm embrace with the melodies of Glenn Bennie’s guitar and Vincent Giarrusso’s vocal incantations.

Shoegaze has always been another mainstay of the band’s sound and on Dunes and Lusher, Philippa Nihill sounds like a dream sister to My Bloody Valentine and Cocteau Twins as the music shimmers, glows and gently shudders behind her. The single Seven Day Weekend is anthemic in its drum machine-powered rhythm and distorted see-saw guitars as Giarrusso trips out in full Shaun Ryder mode on the ode to carefree socialising. 

By the time we reach the conclusion of the epic nine minute closer Rocky Endings, there’s a sense of post-rollercoaster exhilaration in the wake of the album’s propulsive peaks and floating valleys. The song winds its wistful way for four minutes before taking off into the stratosphere on an interstellar space-rock mission of chiming guitars, pulsing bass and metronomic drumming that billows and expands gorgeously. A Left Turn is another sonic gem from one of Australia’s psychedelic finest.

Chris Familton

 

NEW MUSIC: Alaskan Tapes – Views From Sixteen Stories

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Last month, Canadian composer Alaskan Tapes (Brady Kendall) released his new album Views From Sixteen Stories. Check out the title track below, a warm, dream-like, swelling piece of music that rises and falls with a certain weightlessness. There’s sonic depth to it too. Turn up the volume and the richness of the bass tones resonate wonderfully through the track.

Hit the Bandcamp link to stream and buy the album on vinyl/CD/digital or stream on the other usual platforms.

Michael A. Muller – Lower River

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Michael A. Muller is a co-founder of Balmorhea who have released six albums over the last 13 years. ‘Lower River’ is the title track of his solo album and it’s a wonderfully immersive and hypnotic piece of ambient, droning music that hangs in the air, draped in resonating, melancholic chords.

The press releases describes the track as being inspired by his own remote travels throughout the US and Europe and the personal exploration of a meditative practice, it’s a sonic exploration of what it means to hear versus to listen, to immerse oneself in navigating the subconscious plane of pure energy and deep, immersive creativity.

Lower River is out October 25th on Beacon Sound (vinyl) + 1631 Recordings (digital).

NEW MUSIC: Christopher Tignor – The Resonance Canons

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Christopher Tignor is a New York composer with an impressive CV. In his early days he mixed sound at CBGBs, was an assistant to La Monte Young. He gained a Masters in computer science from NYU, proceeded through Princeton’s PhD program in music composition, and was later recruited for a software engineering position at Google. He’s released nine albums and collaborated with a range of other artists including Keith Kenniff (Helios), Jefre Cantu-Ledesma, John Congleton, and This Will Destroy You.

Tignor’s latest album A Light Below features this track ‘The Resonance Canons’, an 11 minute instrumental journey that is based around the sound of tuning forks. It sparkles and glistens, clangs and pulses with bell-like qualities and both melancholic and slightly ominous undertones. Lovely stuff!

“Since the last LP, my technique for tuning forks also earned some attention (and an honest-to-God tuning fork sponsorship). Again, I wanted to push the musical possibilities here, dialing those gestures in to create locked, luminous polyrhythms alternating with left hand pizzicato. I combined these methods with cascades of triggered synths in “The Resonance Canons”, an 11 minute trip ending in complete vulnerability—as the tuning fork loses its resonance, I continue knocking it against my bridge, a final ostinato built from processed noise and resonant wood.”

 

NEW MUSIC: Nina Harries – Will, I’m Not

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Nina Harries is a British double bassist and vocalist hailing from Northampton and trained in classical music at the Royal College of Music. She dials into a nice dark and moody trip-hop vibe on this track. “I’ve got a bad feeling” she sings in a haunted, Portishead style before the skies darken and thunderous percussion arrives and her vocal is blasted with distortion. The production comes courtesy of Peter Miles.

NEW MUSIC: Mercvrial – Pink Frost

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‘Pink Frost’ stands as one our favourite singles, certainly a contender for our favourite New Zealand song of all time. With that in mind we approached this cover by Mexican quartet Mercvrial with caution but they definitely pull it off. They retain that haunting, swirling melancholic mood, inject some electronic elements (sounding like mid-period Depeche Mode) but without sacrificing the sad heart of the song.

The cover comes from their new EP The Stars, Like Dust, out now.

MEW MUSIC: Intenso – Meek

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Short-circuiting digital post rock and scattered fragments of jazz inhabit this track from Intenso, a trio from Perth, Western Australia. ‘Meek’ starts glitchy – insistent yet tentative – before swelling and morphing into a heaving polymorphic mass of synthetic scree and noise manipulation. Fascinating, disturbing and hypnotic sounds that will pummel you into sonic oblivion over seven intense(o) minutes.