NEW MUSIC: Flaccid Ashbacks – On and On

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What at first sounds like a generic noisy indie rock song from New York psych-pop explorers Flaccid Ashbacks takes some really interesting twists and turns over its five minutes. From a Sunny Day Real Estate emotive outlay through to a mid section with sharper edges and into its contrasting country strum that sounds like Pavement. It adds up to a restless yet still captivating sound and comes from the Flaccid Ashbacks’ new album Come On Come On, a record that jumps all over the place, normally with constantly inventive and appealing results, like The Strokes and Mac DeMarco covering Arctic Monkeys songs through a hallucinogenic lens.

NEW MUSIC: One Sentence. Supervisor – Acedia

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For fans of Fujiya & Miyagi, Neu!, Hot Chip

Here’s a crazy, wild yet totally controlled Krautpop sound from Swiss band One Sentence. Supervisor. ‘Acedia’ is a metronomic delight, galloping along and fizzing with handclaps, a vocal sound reminiscent of The Charlatans, guitar that explodes and surges skyward and the unique blend of virtuoso oud player Bahur Ghazi.

EXCLUSIVE ALBUM STREAM: Fleeting Persuasion – Forever Caught

 

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We’re very pleased to be able to premiere a stream of the brand new album from Fleeting Persuasion, the latest nom de plume of Melbourne songwriter James Spencer Harrison. He’s previously released music under the name J M S Harrison but now, with a richer and denser full band sound on Forever Caught he’s launched it under Fleeting Persuasion.

Sonically persuading it is too, with echoes of The Cure, tightly woven post-rock and Australian acts such as Bluebottle Kiss filtered through Harrison’s own brand of heart-on-sleeve melancholia. It’s indie rock but the kind that resides in the shadows, always carving out new angles and creating interesting dynamics. Whether it’s the chiming sounds and clever shapes of ‘Written Out’, ‘Set Afoot’s urgent, aching melodies or ‘Make Plans’ which recalls the dark rock of Afghan Whigs, there’s plenty to explore and go deep with on this strong new iteration of Harrison’s music.

TOUR DATES:

Sept 7th – Labour In Vain, Fitzroy VIC with Del Boca Vista
Oct 18th – Botany View Hotel, Newtown NSW with Donna Amini and Foxlore
Oct 19th – Gasoline Pony, Marrickville NSW with Buddy Glass and The Finalists

NEW MUSIC: Mazoulew – Shogun

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For fans of Four Tet, dub techno, Burial, Photek

These days our electronic music tastes veer towards the avant garde, experimental, dark and ambient end of the spectrum. This recent release from UK producer Mazoulew hits the spot, nimbly managing to combine a four to the floor rhythm with some sci-fi programming and textures that conjure up late-night, streetlight-lit city streets. It’s alive and vibrant but definitely on the darker tip.

Head over to his Spotify page to hear a couple of other recent singles that show the range of his work.

NEW MUSIC: Johnny Conqueroo – Rock and Roll

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Struttin’, shimmering, hard-hitting, vocal shredding, pouting, soulful rama-lama rock ‘n’ roll of the highest form is the order of the day on this track from Johnny Conqueroo (a Lexington, KY trio). Riff rock, MC5-styled shakedown, funk and groove-laden garage rock are all thrown in the musical blender. There’s nothing intellectual about this, there doesn’t need to be. It’s ROCK AND ROLL.

Johnny Conqueroo have a new upcoming EP, Taking it Easy.

NEW MUSIC: Reunion Island – Erasto Dream

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Texans Reunion Island (now based in Brooklyn and Dallas) deliver a finely tuned and sparkling synth swathe on this track of instrumental electronica, recorded at Soma Studios with John McEntire (Tortoise), who also contributed drums to the album the song comes from – Collapse.  There’s a Krautrock and kosmiche vibe to the song with it’s metronomic rhythm but over the top of that digital sounds spark and scatter across the stereo spectrum, giving life and perpetual motion to the track.

Reunion Island is Ashley Cromeens, Matt Leer, and Brad Loving.

NEW MUSIC: Holy Void – I Will Never Be Again

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Rising out of the sonic mist come Holy Void (Canada) with this heavyweight piece of psych rock that lumbers and sways along. It’s heavy without being HEAVY, has melodies that drip from it like sickly sweet toffee and  possesses enough rust and peeling paint to make it sound like it was beamed in from another time. Great stuff and an intoxicating  introduction that will drag into the rest of their recently release album Naught.