NEW MUSIC: Torrid Horror – To Tear At The Sea

Pummelling is an apt description of this new post-punk track from UK duo Torrid Horror (Caine and Maud). Across seven minutes they dispatch frantic organ-led ‘carnival in hell’ riffs and rhythms while the singer howls and barks across the maddening crowds. At its mid point it pauses to get it’s sonic breath back, inhaling, hands on knees before the waves settle amid a spoken word passage. It’s only temporary though, things quickly ratchet up again – chopping, twisting and squealing before an exquisite saxophone-led section of heavy funk (courtesy of Pete Fraser) fills the room.

File these guys alongside Black Country, New Road, Black Midi and Viagra Boys.

NEW MUSIC: The Holy Soul – 747

Sydney band The Holy Soul are back with ‘747’, the new single from their forthcoming Robyn Hitchcock-produced LP Get Old! Coming six years after their superb album Fortean Times, the track has a heavy psych garage feel with a bassline that lurches and rumbles with melody and menace in the verses before the song blossoms out of the shadows into a damn sweet descending, jangly chorus.

SHOWS:

Tickets: https://linktr.ee/DY_R

NEW MUSIC: Nonagon – The Family Meal

See-sawing tension and a mix of post-hardcore and post-punk styles makes this new track from Chicago trio Nonagon a real delight. On ‘The Family Meal’ there’s the knottiness and angles of Fugazi mixed with the reaching melodies of Sunny Day Real Estate as the song lurches and churns.

This new single comes from their full-length LP They Birds, released on March 3rd, 2021.

NEW MUSIC: The Lonesomes – Dog Days

‘Dog Days’, the brilliant new track from The Lonesomes starts off as post-punk by numbers with it’s straight drums, bass pulse and doom-laden shadowy vocal but then, after the straight-line/tension-build it all goes snaky riffs and a lull in proceedings before a dark 80s video game synth takes over proceedings and ratchets up the intensity, kicking the song into sonic pulverising overdrive. Intense and manic like a robot on a spiralling bender, it all crashes down in monolithic hard rock chords before the final oxygen-depleting run to the finish line.

The Lonesomes are a trio from the Gold Coast, QLD and as vocalist/drummer Matt Callan explains, the songs direction a marked change for the band. “We wanted to write an atmospheric track, that kept toying with the idea of gradual additions of sound. Starting the song with a robotic drum-beat that just rolls along and a bass line that follows the same structure as each element gets added the song gets more intense and climaxes into a wall of heavy sound. We wanted to create a dark sense of unease in the track, A car in a forest driving through the fog, coming or going, running from something or towards it. Nobody knows. As dumb as it sounds that’s the visual we got from it straight off the bat.”

NEW MUSIC: Pansy – Woman of Ur Dreams

Wonky, wobbly guitar lines tumble and cascade out of the speakers with a li-fi charm on this new track from Pansy. It’s got that ramshackle vibe that reminds me of Australia’s RVG and Blank Realm. A 60’s backbeat and garage/surf-pop chime and jangle makes this a real gem.

More than three years ago, Vivian McCall, of the band Jungle Green, began transitioning, a process which inspired the songs that make up her self-titled debut album as Pansy. It comes out on the Earth Libraries label on April 2nd.

NEW MUSIC: Alaskan Tapes – The Sky Sings Its Chorus (For Us Alone) [Pt. 1]

Ambient / post-rock / drone / soundtrack / soundscape

There’s a beautifully ponderous lumber and sway to this new post-rock track from the Toronto, Canada artist Alaskan Tapes (Brady Kendall). The lulls and gentle washing peaks are perfectly paced and giving a sense of movement that carries the listener through an emotionally melancholic six minutes. What I like is that the piece never gets heavy for heavy sake. Like Dirty Three, Kendall balances free-form explorations with repeating themes and motifs that foster familiarity and a cyclical swell to the music as the crashing drums and aching, soaring strings dance in unison.

“It is my attempt at creating a track that’s contrasted with the other tracks in the context of the album. When it’s compared to my other tracks it’s very heavy and I think you can hear the ‘Metal’ side of my writing coming out.”

Alaskan Tapes’ music has features in a variety of short films, including “Birth Pangs”, “Childhood Trauma” and “Mag Sein” by Director Eliot Rausch, “ABADDON” by Director Rogerio Silva, and “Harvest Season”, a new documentary by Bernardo Ruiz.

The new Alaskan Tapes album For Us Alone, will be released on April 16, 2021.

NEW MUSIC: Loco Tranquilo – Golden Flower

Here’s a really nice upbeat slice of indie folk-rock from San Francisco artist Loco Tranquilo (Julian Gervasi). Surf guitars wobble, shimmer and jangle over the bubbly punch of the rhythm section. Gervasi adds the psychedelic folk vibe with a vocal style reminiscent of Devendra Banhart – that free-spirited, trippy, grinning-at-the-sun kind of sound.

Recorded at Coyote Hearing Studios in collaboration with local producer Mackenzie Bunch (French Cassettes and Tino Drima) – it comes from his upcoming concept album being released later this year through eclectic, post-genre label Text Me Records.

Loco Tranquilo’s soft and dreamy melodies were apparently inspired by nights spent on top of coloured mountains making songs about the stars, being inspired by the beauty of nature, and meeting fellow musicians and artists on a bohemian journey towards California.

NEW MUSIC: Mt. Mountain – Peregrination (Official Video)

Perth, WA quintet Mt. Mountain released their new album Centre last week and earlier this year this great clip for the record’s second single ‘Peregrination’ was posted on YouTube. It shows the slow-build mastery of dynamics and interplay that the band have built into their music. Elements of post-rock, stoner, psych, Krautrock and more. They all intertwine and combine to form a wonderfully immersive and hypnotic listening experience where the power comes from the metronomic groove, not needing to hit a multi-pedal crescendo – but knowing they can if they want.

They say of the song: “‘Peregrination’ is a classic example of how we write together. Songs like this one generally start off as a ‘jam song’ that evolves slowly over months of playing with no real direction in place until it finds its own structure. At the end of recording, the path to get there has been stretched so long that there is barely any recollection of how the song came into existence in the first place.”

Mt. Mountain is Stephen Bailey (vocals/organ/flute), Thomas Cahill (drums), Glenn Palmer (guitar/synth), Brendan Shanley (bass), and Derrick Treatch (guitar). Centre is the band’s fourth album.

Centre is out now via Fuzz Club Records