NEW MUSIC: Interbellum – Ready To Dissolve

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This is most likely the first music we’ve featured from Lebanon and it’s a wonderful slice of downbeat indie guitar pop courtesy of the group Interbellum. ‘Ready To Dissolve’ comes from the recently released album Dead Pets, Old Griefs and is primarily the work of songwriter Karl Mattar (aka Charlie Rayne) as well as multi-instrumentalist and producer Fadi Tabbal and other musicians from the Beirut music scene.

‘Ready To Dissolve’ bears some hallmarks of the NZ indie music scene in it’s relaxed feel, gentle jangle of guitars and understated vocals. It’s a familiar and comforting sound that wraps itself around with its pastoral shimmer of a sound.

sun goes black
the picture cracks
and folds with the falling ceiling
echoes crawl around what remains of the walls
and I can hardly describe the feeling

everything tastes like ashes
the very sky could crash
it’s strange to watch the day slip
we’re going where the wind blows
out of the hatchback window
cars in the tunnel look like spaceships

and we’re speeding away
I can’t hear a word that you say
catch anything your glances imply
the tail lights dance before my eyes

I watch the air glow and the particles decay
still and all I wish I’d stayed

kiss my eyes and sing me to sleep
we won’t be around within weeks
hold me through the fog and the fall
I’m almost ready to dissolve
we haven’t learned much of anything at all

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NEW MUSIC: Umifozi – Asterkross

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Umfozi (Elias Araya) hails from Sweden and is the former drummer for indie band Junip. His solo project sees him channelling self-confessed influences such as Alice Coltrane, Neurosis and Sylvester and creating these hypnotic instrumental pieces that are built on percussive elements yet they possess floating, drifting avant-jazz and electronic qualities that take the pieces to quite interesting and subtle places.

You can listen to the rest of his EP Asterkross on Spotify.

NEW MUSIC: Niki Moss – There Must Be Something In The Water

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Plenty of cosmic twists and turns in this track, the second taste of the solo work of Portuguese musician Niki Moss, who previously has worked with the band Savanna. ‘There Must Be Something In The Water’ drips with psychedelia and a kaleidoscopic quality that sound like a futuristic Doors if they were on different drugs.

Moss’ debut album Gooey is slated for release early 2019.

 

NEW MUSIC: Skelatin – It Takes The Pain Away

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If you ever wondered about the lasting influence of The Strokes then a sure sign of their ongoing infiltration in the songwriting and sound of young bands can be found in this quickfire and clever slice of indie rock, one that finds a sweet spot between blank-eyed slacker rock and knotty musical intellectualism.

Skelatin, led by Sam Levine,  hail from New Orleans and this track is one half of their 2018 two-track EP of the same name.

NEW MUSIC: Lennard Rubra – L’archetipo di Artemide

 

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Here’s a great track from Lennard Rubra, a 21 year old multi-instrumentalist from Riccione, Italy. ‘L’archetipo di Artemide’ recalls the sparkling knotty and intertwined guitars of Television and the avant-indie post-rock of the 2000s such as Dirty Projectors and Ponytail.

‘L’archetipo di Artemide’ is the opening track on his recently released debut album Paracusie Notturne.

NEW MUSIC: The Original Cowards – Curse Of The Commander

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Here’s some searing panoramic dust storm countrified rock from The Original Cowards, a trio from Northampton, MA whose self-proclaimed influences include Dinosaur Jr., Neil Young and Crazy Horse, sacred herbs, garage and psych, fuzz, The Who, and thunder. They live up to those lofty aspirations on ‘Curse Of The Commander’, a seven minute track that rumbles, sways and lumbers along with paint-peeling solos and a bedrock rhythm section. They call this song a sonic flip-off the orange American Satan in chief.

SONIC KICKS: Peabody

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Peabody are now five albums deep in a career that has seen them become a stalwart of the Sydney indie rock scene over the last 24 years. Their latest, A Redder Shade Of Rust (produced by Jamie Hutchings) finds them in fine form yet again. It’s heady, poetic and a really great balance of melody, rhythm, momentum and knotty guitars. It’s dark and churning one minute, on songs such as ‘Perfectly Fine’, before hitting a spirited punk sprint on ‘Prosthetic Heart’. Elsewhere, ‘Sometimes’ is a murky tumble through post-punk shadows and ‘Too Many Days’ heads to the desert with a Morricone twang and an exquisite chorus.

Singer and guitarist Bruno Brayovic kindly took the time to take a swing through our Sonic Kicks: Albums That Shaped Me Q&A and talks G’N’R, Ween and buying cassettes in Ashfield Mall.

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The first album I bought.

The Divinyls  – What a Life

I bought this on cassette (which I still have) at a small record shop next to Franklins supermarket in Ashfield Mall, when I was in Year 5. I’d seen an ad for it on TV which included snippets of Good Die Young and of course, Pleasure and Pain. I was mesmerised, and if I’m honest, probably quite excited by Chrissy Amphlett. I still am.

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An album that soundtracked a relationship.

The blue album by Weezer was a a favourite of mine and my first girlfriend. I wore Buddy Holly glasses but I’m pretty sure neither of us knew what Mary Tyler Moore looked like.

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An album that inspired me to form a band.

It’s a cliche but Nirvana’s Nevermind really solidified my resolve to write songs and perform them with a band (we’d already performed live at school in some capacity). The simplicity of the songs and Kurt’s vocal approach both appealed to me because they both seemed achievable. I was wrong.

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An album that reminds me of my high school years.

Guns N Roses – Appetite For Destruction

I’d gone overseas with my parents so I managed to get it before it came out in Australia. I taped it for heaps of my friends so I was popular for about two weeks. It’s still the very copy I listen to when I whack it on the record player.

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An album you’d love to hear live and played in full.

I thought Kell’s (from Singing Skies) suggestion of John Cale’s Paris 1919 was awesome. I’d love to hear that. But if I have to choose something different I think I’ll say Ween’s Chocolate & Cheese.

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My favourite album cover art.

So many to choose from. Hard to go past Midnight Oil’s Red Sails in the Sunset.

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A guilty pleasure album.

The Traveling Wilburys self-titled debut album. Is this cool again, or is it still daggy? I dunno, but I do know there are some killer songs on it. Some of Bob Dylan’s best songwriting moments are on here, too, including ‘Tweeter & the Monkey Man’, which George Harrison said was actually largely written by Tom Petty. Each song is better than the last, with the exception of ‘End of the Line’ which is still passable.

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The last album I bought.

A vinyl reissue of Paul Kelly’s Post.

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The next album I want to buy.

Piss-Up by local punk band C.O.F.F.I.N. The vinyl is sold out but I’ve been streaming it like crazy. Anyone wanna sell me a copy? Will drop pants for food… or album. These guys are insane live.