‘Dog Days’, the brilliant new track from The Lonesomes starts off as post-punk by numbers with it’s straight drums, bass pulse and doom-laden shadowy vocal but then, after the straight-line/tension-build it all goes snaky riffs and a lull in proceedings before a dark 80s video game synth takes over proceedings and ratchets up the intensity, kicking the song into sonic pulverising overdrive. Intense and manic like a robot on a spiralling bender, it all crashes down in monolithic hard rock chords before the final oxygen-depleting run to the finish line.
The Lonesomes are a trio from the Gold Coast, QLD and as vocalist/drummer Matt Callan explains, the songs direction a marked change for the band. “We wanted to write an atmospheric track, that kept toying with the idea of gradual additions of sound. Starting the song with a robotic drum-beat that just rolls along and a bass line that follows the same structure as each element gets added the song gets more intense and climaxes into a wall of heavy sound. We wanted to create a dark sense of unease in the track, A car in a forest driving through the fog, coming or going, running from something or towards it. Nobody knows. As dumb as it sounds that’s the visual we got from it straight off the bat.”
There hasn’t been a lot of heavy music this year that has moved us and it was a refreshing surprise when we came across this track from instrumental Irish group A Burial At Sea. It’s post rock at the metallic end of the spectrum where changes happen in an instant amid the guitar crunch and clever drumming.
What makes these guys standout from many other exponents of the same kind of thing is that they have a two-piece horn section. When they enter for a defining mid-song interlude, the pummelling metropolitan chug is replaced with desert vistas under wide open skies, like Calexico jamming with Isis. It all collides in the final third where the sound billows and blossoms in an eruptive, cascading coterie of guitar notes.
The track comes from A Burial At Sea’s sea-titled album that came out last month. Check it out on Bandcamp.
‘Dear Liars’ is a new track from Melbourne post-rock duo Champion Motorist. Andrew McLaughlin (guitar & synths) and Paul Shea (drums) are clearly at the atmospheric post-metal end of the post-rock spectrum and this track, from their new EP Slight Return, travels a magnificent arc from the scene-setting tension and slow build dynamics through to the four minute mark, where that dissipates into the aether before returning with even more crunch and muscular intent.
McLaughlin spent a decade treading the boards with Melbourne group Radiant City after having played in band with Shea when they were younger. Reconnecting after twenty years, these songs apparently came quickly. You can hear it too, in the way they favour simplicity and a steady sense of order and control in their compositions.
Bands such as Smashing Pumpkins, Mogwai and Russian Circles come to mind when listening to Champion Motorist. Check out the full EP over on their Bandcamp page.
We loved ‘Blue State’, the first new single from the band and this one kicks with the same dark intent. Choppy verses that emerge into a widescreen rock chorus that swings like a heavyweight. Shades of QOTSA with a side serving of Fugazi just below the surface.
“’Close to the Edge’ is a commentary on a communication breakdown” states Joel Byrne, “it’s essentially the soundtrack to a really bad argument, in particular the kind that tend to be carried out over social media. The main riff (and overall track) is intentionally a bit nasty and vulgar because it represents the uglier side of people’s personalities that tend to come out in the heat of the moment, particularly when their opinion or ego is challenged.”
The track comes form their forthcoming new album NIL which is set for release on Friday 20 November via Part Time Records / Remote Control.
New York metal trio Mockcharge deliver in spades on their recent single ‘Marauder’, with its breakneck speed riffs, deadly screams and at its mid-point it drops gears and gets low-slung and sleazy before a hi-hat count-off sends the song to its crashing conclusion. To our ears it sounds like a beautiful collision between Motörhead and White Zombie.
Of the track the band say: “This song was inspired on classic action movies and games such as Doom and Call of Duty. It tells the classic story of the Rambo like guy who is the only one that can win the war. It’s a fun song to play and it’s been fun to listen, just like watching Rambo II and playing Call of Duty.”
Simple music done well, with fire and passion, great production, hooks and attitude. German group Pabst have it in spades on their recently released single ‘Hell’, taken from their brand new album Deuce Ex Machina. The song has a glam stomp that bristles and surges impressively. Alt rock that sounds like it belongs on radio and in sweat-soaked dive bars.
Japanese genre-destroyers Boris return with a new album, NO, due out July 3rd, self-released on Bandcamp. Check out the searing, careening distortion punk-fest that is ‘Loveless’.
A message from BORIS:
“International borders are ‘closed’ now.
All kinds of anxieties, fear, sadness, anger, and hatred have arisen to drive the world apart.Everyone is in a process of trial and error, doing what they can to live.The critical state of the world has placed culture, art, and other means of expressing ourselves into a dilemma as well.We decided to start managing our band ourselves again a few years ago, so we even more keenly aware of the current situation.
It was our actions up to this point and our methodology, various cultural influences, as well the connections and support we received from people around the world that led us to create this latest album.
Culture is lore that is not bound by blood, in other words ‘Non Blood Lore.’
We have put all of our influences and connections into this album so that they may be passed on circulated.That is our current stance now as Boris, our role and mode of action.
The title of this album is NO. People have a system whereby they unconsciously grow accustomed to things and adapt to them.But, this same system is also cursed in the way it allows inconvenient or troubling things to be disregarded as if they were never there to begin with and goes by other names such as ‘resignation,’ ‘subordination,’ and ‘forgetfulness.’We renounce this system.‘Is this something I felt on my own? Is this idea something I came up with on my own? Is this something I chose to act upon myself?’Everything begins with questioning and denying oneself.That is the proper stance for people to adopt.
Music and culture possess incredible power.The anger and discontent we had no outlet for in our youth shone through in our music, helping us to channel negative energy channeled towards creative ends and leading us to new means of expression and artistry.We hope this latest album can be a mirror that gathers and reflects people’s negative energy at a different angle, one that is positive.That is the power and potential of the dark, extreme, and brutal noise music that we have experienced up to this point.Today’s society is littered with words that may or may not be true, making it easy to want to just not listen to what anyone has to say.But, that’s all the more reason why we hope that you will at least open your ears to these songs sung in the language of another land.These shouts that have no proper meaning as words will help release the raw, unshaped emotions within you.This is ‘extreme healing music.’
International borders are ‘closed’ now.When we’re able to travel again, it will be proof that the world has moved forward.We pray for the day when we can share the same time and place again.
Dei Lucrii are a psychedelic noise-punk quartet based in Los Angeles California who’ve just released their new EP Devil’s Thumb.
Below you can check out the first two tracks from the release, both of which hit the accelerator and burn ominous rubber across the melting highway bitumen. There are shades of stoner rock and punk, with a dark and heavy underbelly, in their sound. You can also hear the desert influence, giving it a western-noir vibe amid the distortion and weighty rhythms.