NEW MUSIC: Jakson – hey jeff come to bendigo i just want to chat i totally won’t punch you in the head i promise // guillotine

In the words of Bendigo VIC artist Jakson, “this song is a call to arms against the world’s richest. Eat the rich.” In a colloquial accent he reels off some of the world’s richest and their associated estimated wealth.

Over jagged, scratching guitar and a dub-influenced post-punk rhythm section, the song builds intensity, bursting into see-sawing distorted guitars that sound like a cross between 3Ds and Jesus Lizard before it all collapses like a drunken game of Jenga. For fans of Squid, Black Country, New Road.

The song comes from his new five song EP Filth.

REISSUE NEWS: Jack Ladder signs to Endless Recordings, reissues Hurtsville

Photo: Mclean Stephenson

Endless Recordings has announced the signing of Australia’s Jack Ladder to its label roster.

2021 marks the 10th anniversary of his watershed album ‘Hurtsville’, originally released on the venerated Spunk Records. Recorded in the dead of winter in a rural NSW mansion, it left behind the shuffling soul of its predecessor (the Australian Music Prize shortlisted ‘Love is Gone’) for an austere chronicle of longing and loss. Produced by Burke Reid (The DronesCourtney BarnettJulia Jacklin), it also marked his first collaboration with backing The Dreamlanders – an idiosyncratic group comprised of Kirin J Callinan (guitar), Donny Benet(bass) and Laurence Pike (drums). The album achieved damning reviews and widespread critical acclaim, again being shortlisted for the Australian Music Prize. It’s centre piece, the remarkable ‘Cold Feet’ was awarded Song Of The Year by Mess and Noise (RIP).

To celebrate the anniversary of ‘Hurtsville’Endless is releasing a limited edition vinyl repressing of the album, out April 23rd 2021. This will be accompanied by ‘Hurt Book’, a collection of never before seen photos, lyrics and other ephemera, combined with essays and testimonials about the album from the likes of Sharon Van EttenLloyd Cole and Alex Cameron. The re-issue will also include Ladder’s original ‘Hurtsville’ demos, a intriguing document of the album’s genesis.

PREORDER HURTSVILLE TENTH ANNIVERSARY VINYL REISSUE

Jack Ladder and The Dreamlanders will be revisiting ‘Hurstville’ for the first time since its release this May, taking you through the depths of despair, and lifting you into the great heights of self-actualisation. Featuring the original band members, this is a performance for return travellers and new arrivals alike. Special guest performing at both shows will be Sarah Mary Chadwick.

May 6th @ The Forum, Melbourne with Sarah Mary Chadwick

TICKETS

May 27th @ Factory Theatre with Sarah Mary Chadwick

TICKETS

Bats Galore… New music from within and around The Bats

Dunedin and indeed NZ music royalty The Bats have been pretty busy of late. They released their new LP Foothills last year, to wide acclaim, and earlier this month they also intriguingly released an instrumental version of the album on Bandcamp which gives a really interesting twist on the songs, allowing the rhythm section of perpetual motion and those sparkling guitars to take centre stage.

During the pandemic, Bassist Paul Kean and guitarist Kaye Woodward have formed a humble supergroup of sorts by teaming up with Alec Bathgate (Tall Dwarfs, The Enemy) and Hamish Kilgour (The Clean) to record a couple of songs of darkly hypnotic, underground psychedelia. Hopefully more recordings are on the way!

Robert Scott always seems to be working on something new and he’s teamed up with Dallas Henley to release Level Four, an album of low-key, mostly acoustic songs that wind through some lovely melodies. The 14 tracks feature bass, Omnichord, guitar, vocals and keyboards. 

Facebook Update

FEB 22ND UPDATE: We’re back baby!! Looks like the FB oracle has come to its senses and reinstated our FB page!

Unfortunately Doubtful Sounds has been caught up in the Facebook / Australian Government stoush over news content on the platform today. It’s the perfect example of the collateral damage that has occurred with a large number of non-news sites having their content stripped from their FB pages.

We are a music blog, not a news outlet that would be involved in negotiations with FB over being paid to have our content on their platform. We are an independent, non-profit music blog who does not run or place any paid advertising or have any employees. It’s solely an outlet for my music reviews and interviews, done solely for the love of music and the desire to contribute to the community of musicians and music fans, primarily in Australia and New Zealand but also right across the world.

Fingers crossed that sanity will prevail and we’ll back up and running very soon. In the meantime, subscribe here on the website and if you don’t already, follow us on Twitter and Instagram.

cheers,

Chris

Dry Cleaning Announce debut album New Long Leg

photo by Steve Gullick

Following their run of sublime EPs, Dry Cleaning have announced details of their debut studio album and have shared a new single ‘Strong Feelings’. I’ve been a huge fan of their releases to date and the way the blend deadpan poetry with taut post-punk riffs and rhythms. ESG meets Life Without Buildings meets Black Country, New Road.

The South London group of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) will release New Long Leg on 2 April via 4AD / Remote Control Records. The 10-track long-player, which includes ‘Strong Feelings’ and last year’s single ‘Scratchcard Lanyard’, was recorded over two weeks last summer at Rockfield Studios in rural Wales with producer John Parish (PJ Harvey, Aldous Harding).

Following on from their 2019 EPs Boundary Road Snacks and Drinks and Sweet Princess, New Long Leg is more ambitious and complex, with Shaw’s spoken vocals tightly intertwined with the band’s restless instrumentals. With lyrics preoccupied by themes like dissociation, escapism, daydreaming, complicated feelings of love, anger, revenge, anxiety, the kitchen, lethargy, forgetfulness, and survival, Shaw says, “the title is ambiguous; a new long leg could be an expensive present or a growth or a table repair.”

New single ‘Strong Feelings’ is a love song, of sorts. Shaw says, “it’s about secretly being in love with someone who doesn’t know it, and Brexit’s disruptive role in romantic relationships.” Its accompanying visuals, directed by guitarist Dowse, came about after Google searches brought together an informational video on road building basics from New Zealand and Massachusetts-based glitch artist, Sabato Visconti. Watch the video here.

Dry Cleaning was formed by friends Tom Dowse, Nick Buxton and Lewis Maynard after a karaoke party in 2017 inspired a collaboration. They wrote instrumentally to begin with until six months later Florence Shaw, a visual artist, university lecturer and picture researcher by day – with no prior musical experience – turned up to a band rehearsal armed with reams of her own collected writing and a copy of Michael Bernard Loggins’ Fears Of Your Life to read out over the music. Before long she was the group’s frontperson, contributing words of her own, and serving as the perfect foil to the band’s music.  

New Long Leg will be released on 2 April digitally and on CD, cassette, standard black vinyl and limited-edition yellow vinyl. 

NEW MUSIC: Simon Robert Gibson – Song For Gyn

Gynia Favot was a much loved and respected Sydney musician (DisneyfistHalf Miler,Modern Giant) who sadly lost her battle with cancer in 2020. There was an outpouring of love from her fellow musicians and friends, both during fundraising efforts for her treatment and in the wake of her passing. 

Simon Robert Gibson, who firstplayed with her in Disneyfist, was compelled to write and record this heartfelt tribute to Gynia, initially in stripped-back solo form. Upon hearing it, John Willsteed of Halfway and The Go-Betweens (one of Gynia’s favourite bands) contacted Simon and added some stunning guitar parts and atmospheric elements. The memory and spirit of a departed friend, immortalised in song.                                  

“Gyn and I were close friends and bandmates for my whole adult life. I first met her when I joined the band that would become Disneyfist in the early 90s. I loved that band, great chemistry and I thought we were pretty special live. That was mainly due to Gyn’s presence on-stage. Off-stage she was extremely warm and funny. We got along from the first moment and stayed close until the end. We played together in various bands, swam together, travelled together, lived together, wrote together…she was a constant in my life in one way or another since we met. (I was still sending her my demos for her opinion right up to the final couple of months). Even though she had been sick for a couple of years, her passing last year still came as a massive shock, one that I still haven’t fully processed. I don’t remember writing the lyrics of this song, I guess I scribbled them down in a cafe quickly. When I wrote the whole thing a few days later, it all came very quickly. I didn’t second guess, just sang and played what felt right. Played it into my phone, left it a few days then recorded it. It was emotionally very tough to do it but I knew I needed to and I felt better once I had. I did it for me really, but then I sent it to my brother, who also loved Gyn, and he was overwhelmed. That’s when I realised it might be something special that a lot of her friends might also appreciate.”

“One of the last things she said to Mark Hyland (Disneyfist bass player) was “Don’t forget me”, I guess this is my way making sure she’s not forgotten.”– Simon Robert Gibson

NEW MUSIC: Iceage – The Holding Hand

News in today today Iceage have signed with Mexican Summer and released a brand new single ‘The Hold Hand’.

“The song lives in a slurred world, movements are elastically stretched out and strength is found in weakness while you find it hard to tell the difference between fume and matter. Gently the swaying intensifies, feel it escalate. Reach out for the holding hand, it seems almost within scope now.” – Elias Bender Rønnenfelt

Lead singer and lyricist Elias Bender Rønnenfelt’s voice crawls over slow-marching percussion, and as scorching guitar and Nils Gröndahl’s piercing violin layer in, the song rises to a noisy peak. Listen to the song now + watch the Anders Malmberg directed video below.