NEW MUSIC: Marble Arch – I’m On My Way

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More new shoegaze sounds today! This time it’s courtesy of Frenchman Yann Le Razavet who, as Marble Arch, records music that draws heavily on the likes of New Order and Ride. He makes it sound effortless with cascading melodies, obscured vocals and synths and guitars that blur into one billowing vapour of 80s indie pop.

Marble Arch have a full album on the way in 2019.

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NEW MUSIC: Aaron Taos – Loneliness

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The idea of loneliness is explored beautifully on this track from Aaron Taos. He places the vocals right in the middle of the mix while drum machine, atmospheric guitars and other effects swirl and drift around the central vortex of the song.

Taos says of the song… ‘Loneliness’ is a song I wrote when I was going through a really rough patch. I was in the midst of a bout of depression brought out by a stagnation of my career and wasn’t really leaving the house. It was winter, which made things worse. What really helped me feel better was remembering that career/music isn’t everything and appreciating the relationships around me, specifically that of my girlfriend at the time. She was a shining light through my dark time, reminding me that as important as your goals are, connection and love is the foundation of feeling good and whole. 

NEW MUSIC: Joe McKee – I’ll Be Your Host

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Joe McKee used to be the main guy in Snowman but now he’s based in Los Angeles and has recorded a new album, An Australian Alien, under his own name, alongside members of Ariel Pink, Drugdealer and The Pixies.

‘I’ll Be Your Host’ is a beautiful hazy, dream-like drift of avant-pop, complete with a heavenly sax solo. Check out the video and then hit the Bandcamp link to stream and buy the album in digital and vinyl formats.

ALBUM REVIEW: Suede – The Blue Hour

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Suede are this deep into their career and have flirted equally with the charts and the arthouse that they have earned the right to be the masters of their own destiny. Hence they’ve realised that the best Suede albums have a mix of grandiose, sweeping music and dissertations on the minutiae and unease of modern life. The Blue Hour is the third album in a trilogy that includes Bloodsports and Night Thoughts, set in the dark blue-hued twilight of the evening, the deepening shadows the heart and the oncoming dark night of the soul.

Strings sweep across the rural landscapes and the trash littered motorways that Brett Anderson sings of. He’s talked about viewing the world through the eyes of his son and much of this album deals with the terrors of childhood. You can hear it both in the tension of the music and literally in Anderson’s songs of broken homes, fractured family relationships, fear of the future and finding one’s self and place in society. It’s powerful and dramatic stuff. In other’s hands it would be overwrought and pretentious but this is Suede’s home ground advantage, their musical stock and trade.

Interspersed between the songs, recorded sound effects and sonic vignettes suggest dead birds and lost children and give the record a sense of a concept album, though it’s more of a collection of sketches or short stories rather than one linear tale. Wastelands, Cold Hands, Don’t Be Afraid If Nobody Loves You and Beyond The Outskirts are highlights of the glam, indie-rock variety and provide a good balance to the arch and avant garde tracks.

It all amounts to a fascinating and rewarding album with plenty to revel in on its surface whilst also offering a deep well of poetry and drama to explore at length.

Chris Familton

NEW MUSIC: Diana Radar – Growing

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A new track and clip from Melbourne quartet Diana Radar. ‘Growing’ is their third single this year, taken from an upcoming LP or EP from recording sessions engineered by Lachlan Wooden (Primary Colours, Archie Roach), and mastered by Mikey Young (Total Control, Eddy Current Suppression Ring). ‘Growing’ is a tumbling cache of sparkling and jangling guitars and melodically rolling bass. It has that New Order, Smiths kind of vibe, definitely placed in an Anglophile 80s world but also in the same orbit as Real Estate.

 

NEW MUSIC: Interpol – If You Really Love Nothing

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So far this is our favourite track from the new Interpol album. The record shows flashes of their early brilliance and though it doesn’t hold up across all tracks it’s well worth spending some time with these songs. ‘If You Really Nothing’ is Banks doing falsetto over trademark Interpol slashing guitars and tumbling drums.

ALBUM REVIEW: Mudhoney – Digital Garbage

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It’s hard to believe but Mudhoney are now in their 30th year of active service and on Digital Garbage, their 10th album, they show they’re still the kings of fuzzed-out punk and garage rock. Their disdain for everything fucked up about the world is still vital and biting and they don’t hold back one iota.

No topic is out of bounds as they rail against social media, the rich getting richer at everyone else’s expense, gun control, religion and environmental destruction. Mark Arm has sharpened his pencil with more scathing intent than he’s ever done before. “Fuck the planet, screw your children, get rich, you win,” he sings on Prosperity Gospel while on Paranoid Core he throws barbs of sarcastic truths at an unnamed Donald Trump and his supporters. Musically the band are as economical as ever but in addition to their trademark buzzsaw guitars and MC5, Stooges shakedowns, they also get dark and moody with an early Nick Cave feel on Night And Fog and there are strains of Neil Young in the chord progressions of Messiah’s Lament.

There’s plenty of humour at play too. Lines such as ‘turning water into wine is dismissed as a parlour trick, that’s insensitive to the struggles of alcoholics,” throw amusing shapes across the underlying messages on Digital Garbage. Few bands have remained so close to the sound and integrity of their music. Mudhoney are still out front of the pack, setting the benchmark with brutal and brilliant honesty.

Chris Familton

NEW MUSIC: Asbest – They Kill

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Here’s some coruscating post-punk with angular sheets of guitar, drums that push and pull under the anguished howl of singer Robyn Trachsel from the band Asbest. They’re a trio out of Switzerland, probably the first Swiss band we’ve featured here at DS. Their sound caught our ear as it reminded us of the kind of existential heavy yet intelligent punk rock of Die! Die! Die!, METZ and Jesus Lizard. Great stuff. They’ve got a new album ‘Driven’ due out this Friday, September 28th.