This new track from Brighton UK-based Public Body jerks and twists, shudders and pivots in all the right places. Conjuring up a fractured collection of frantic post-punk rhythms that somehow all come together in a head-nodding, nerve twitching song that digs in deep, both sonically and in its subject matter – capitalism and government hierarchy.
‘Table Manners’ is the fifth in a run of singles the band has released in 2019/2020. Last week the band announced they’ve recorded a new EP which is great news after such a strong bunch of tunes so far.
The first thing that struck me about Danish band Leizure is how much they remind me of some Australian bands, in particular the much-missed The Scare as well as Melbourne group Witch Hats who have been pretty quiet for a few years now. Given the sound and influences those bands no doubt share, a line can be drawn through Iceage, Ought, Viagra Boys, Birthday Party, Gun Club and other gloriously nihilistic-sounding acts.
In all of these bands there’s the howl and intellectual angst of slashing guitars and primal vocals over post-punk rhythm sections and Leizure do it damn well. ‘Nightmare‘, complete with it’s skronkin’ horns, comes from the band’s excellent new album Primal Hymns which came out at the end of October on Five Foot One Records. It looks to be their debut LP after an EP and a string of singles and it stands tall as a gripping, sonically hedonistic and wild swinging post-punk/art rock record.
Rama-lama girl-group garage rock sounds are the order of the day on this choppy slab of primitive rock n roll from Abby Jeanne. The song is one of those tunes that rattles and rolls, gets under you skin and shimmies and shakes its way through your subconscious.
Abby, a New York City borough of Queens resident, is an advocate for psychedelics (LSD, Magic Mushrooms) and her new single, “Stop and Listen” is written from the perspective of someone who’s friends are beginning to experiment with psychedelics.
Abby has already released two albums, including last year’s Music Box Dancer, plus a bunch of singles.
Straight out of the gate this one hits you with its widescreens wall of guitars that phaser and shimmer like a slow motion glitter explosion. Total Rubbish is an all-female trio from Philadelphia who claim they’re inspired by disappointing relationships, new beginnings, odd-end jobs, and their Chicago & California garage rock roots. You can hear everyone from L7 to The Primitives, Veruca Salt to The Dandy Warhols in their bittersweet, heavy-haze grooves.
Total Rubbish are signed to Born Losers Records and are planning to release a debut EP, Triple Negative on November 20th.
Once more Protomartyr take the four elements of rock ’n’ roll – guitar bass drums and vocals, and twist, caress and mangle them into a new version of the band’s ever-evolving sound. On their fifth album that sound is more urgent, disillusioned and anxious amid the record’s dystopian assessment of modern America.
There’s a desperate, pleading quality to singer Joe Casey’s words and the band complement and elevate his voice perfectly. With thrilling sonic veracity they lay down high velocity, post-punk textures, with balanced amounts of nuance and noise.
Jazz legend Jameel Moondoc guests on alto sax as well as other horn and cello players. On ‘June 21’ the female voice of Half Waif is a symbiotic foil to Casey’s wearied mantras as they work up a clanging krautrock noise. ‘Processed By The Boys’ documents the insidious creep of authoritarianism, the brilliant rush of ‘Michigan Hammers’ rails against exploitation for financial gain, while closer ‘Worm In Heaven’ is Casey looking back from the other side, contemplating one’s legacy.
There’s a lot to bum out the listener on this record yet musically it’s full of life and life-affirming creative protest. It’s a band finding new and thrilling ways to channel their music and convey their hopes and fears. It’s a full-blooded state of the nation address from the heart and soul.
Super catchy summer vibes on this recently released track from Drens, who hail from Dortmund, Germany – apparently Europe’s capital of moustache style!
‘All My Friends Got Time’ is a bouncy, slacker surf track which comes from their new Pet Peeves EP. I can hear bands like Girls and Black Lips in their sound and they pull it off well, never forgetting the simple joy of hooks and killer melodies. A mad gaming-themed video clip too. Surf’s up!
Strange Things from Vancouver, British Columbia recently released their Sunshine EP and one of its highlights is ‘I Feel Fine’, a tumbling cascade of distorted guitars and howled vocals that flies along on sustained notes of electricity and an endless groove. The heavier psych end of shoegaze is the order of the day here.
HYG are a Canberra psych band who’ve already released an EP a couple of years ago and now have this cool new single out. ‘Be Here’ finds its groove and rides it for all money. It’s big and fuzzed-out with heavy stomping drums and bass that provides the repeating melodic phrasing amid the noise and heavy riffage. There’s a simple idea at the core of the song but they know how to stretch it out, adding and removing elements to create the feeling of droning perpetual motion. It’s dark and ominous like an approaching electrical storm.