NEW MUSIC: Drens – Yellow Teeth

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Drens are a band out of Dortmund/Cologne Germany and this song, ‘Yellow Teeth’, is one of five singles they’ve released in 2018. They’ve got a slacker surf/psych punk sound. They have bits Of Jay Reatard and Girls in their music and like those acts they’ve got a knack for balancing noise and harmony.

 

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NEW MUSIC: Hideous Sun Demon – Ssppuunnkk

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West Australian psych-punks Hideous Sun Demon have unleashed this new track on us, the psychotic swagger of ‘Ssppuunnkk’ which staggers across the speakers, drops to its knees and crawls deeper into a drug fever. Slashing guitar shreds sonic holes through the song,  above the pummelling rhythm section and Vincent Buchanan-Simpson ’s ferocious lead vocal.

Their album Fame Erotic Dream is out now.

NEW MUSIC: The Original Cowards – Curse Of The Commander

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Here’s some searing panoramic dust storm countrified rock from The Original Cowards, a trio from Northampton, MA whose self-proclaimed influences include Dinosaur Jr., Neil Young and Crazy Horse, sacred herbs, garage and psych, fuzz, The Who, and thunder. They live up to those lofty aspirations on ‘Curse Of The Commander’, a seven minute track that rumbles, sways and lumbers along with paint-peeling solos and a bedrock rhythm section. They call this song a sonic flip-off the orange American Satan in chief.

ALBUM REVIEW: Mudhoney – Digital Garbage

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It’s hard to believe but Mudhoney are now in their 30th year of active service and on Digital Garbage, their 10th album, they show they’re still the kings of fuzzed-out punk and garage rock. Their disdain for everything fucked up about the world is still vital and biting and they don’t hold back one iota.

No topic is out of bounds as they rail against social media, the rich getting richer at everyone else’s expense, gun control, religion and environmental destruction. Mark Arm has sharpened his pencil with more scathing intent than he’s ever done before. “Fuck the planet, screw your children, get rich, you win,” he sings on Prosperity Gospel while on Paranoid Core he throws barbs of sarcastic truths at an unnamed Donald Trump and his supporters. Musically the band are as economical as ever but in addition to their trademark buzzsaw guitars and MC5, Stooges shakedowns, they also get dark and moody with an early Nick Cave feel on Night And Fog and there are strains of Neil Young in the chord progressions of Messiah’s Lament.

There’s plenty of humour at play too. Lines such as ‘turning water into wine is dismissed as a parlour trick, that’s insensitive to the struggles of alcoholics,” throw amusing shapes across the underlying messages on Digital Garbage. Few bands have remained so close to the sound and integrity of their music. Mudhoney are still out front of the pack, setting the benchmark with brutal and brilliant honesty.

Chris Familton

NEW MUSIC: The Rebels of Tijuana – Erotique

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Psychedelia out of France from The Rebels of Tijuana. This track, ‘Erotique’, comes from their new double album Asile recorded on analog tape at the Back To Mono Studio with Christian Hierro and due out on October 5th.

Gallic pop drips all over this track as it digs a psych garage rock groove and follows it with swing and verve. Great video clip too. The band have released a bunch of albums and EPs over the last decade and toured with some high profile names like Jon Spencer Blues Explosion. You can check out their earlier albums and another recent single over on SPOTIFY and APPLE MUSIC.

NEW MUSIC: Straight Arrows – 21st Century

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Sydney band Straight Arrows return with a new slice of ramalama garage rock ‘n’ roll called ’21st Century’. Killer breakbeat, rolling bass and guitar chops! It comes from their forthcoming new LP On Top, due out October 21st. Look out for a 7″ 45rpm single release coming soon.

Hit the Bandcamp link to hear the single (plus ‘Out & Down’) and preorder the album.

ALBUM REVIEW: Harmony – Double Negative

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Melbourne’s Harmony have had a four year break between albums but that time has clearly been well spent with Double Negative the strongest culmination of their soulful, ragged and cathartic sound.

 Carpetbombing (2014) was a sprawling collection of songs that often sounded brittle and impenetrable, the core of the songs sonically buried beneath the surface. It still impressed but the good news is that on Double Negative they’ve tightened their arrangements and collated an economical 40 minute record that blossoms courtesy of a warm and open production sound. 

The key tenets of Harmony are the full-throated bellows and raw exaltations of singer Tom Lyngcoln and the contrasting beauty of the female-voiced avant-choir. Combined with the post-punk meets Neil Young and Dirty Three musical backdrop, it all makes for a constantly fascinating and emotionally visceral album. 

Stripping the songs of extraneous noise has provided a focal point for Lyngcoln’s songs and lyrics, where his words are carried aloft on his delivery, not relegated to just sounds and vowels. Opener ‘I Love You’ sets a high, almost attainable, bar but they consistently get close, right across the album. ‘Fatal Flaw’ has a wonderfully infectious, maudlin quality while ‘It Hurts’ is a primitive collision of astral guitar and hammering drums. 

Constantly exploring the possibilities of their sound – from minimalism to angst-ridden, inner city confessional howls, it all makes glorious sense in the hands of Lyngcoln and his existential choir.

Chris Familton