Straight out of the gate this one hits you with its widescreens wall of guitars that phaser and shimmer like a slow motion glitter explosion. Total Rubbish is an all-female trio from Philadelphia who claim they’re inspired by disappointing relationships, new beginnings, odd-end jobs, and their Chicago & California garage rock roots. You can hear everyone from L7 to The Primitives, Veruca Salt to The Dandy Warhols in their bittersweet, heavy-haze grooves.
Total Rubbish are signed to Born Losers Records and are planning to release a debut EP, Triple Negative on November 20th.
We loved ‘Blue State’, the first new single from the band and this one kicks with the same dark intent. Choppy verses that emerge into a widescreen rock chorus that swings like a heavyweight. Shades of QOTSA with a side serving of Fugazi just below the surface.
“’Close to the Edge’ is a commentary on a communication breakdown” states Joel Byrne, “it’s essentially the soundtrack to a really bad argument, in particular the kind that tend to be carried out over social media. The main riff (and overall track) is intentionally a bit nasty and vulgar because it represents the uglier side of people’s personalities that tend to come out in the heat of the moment, particularly when their opinion or ego is challenged.”
The track comes form their forthcoming new album NIL which is set for release on Friday 20 November via Part Time Records / Remote Control.
Once more Protomartyr take the four elements of rock ’n’ roll – guitar bass drums and vocals, and twist, caress and mangle them into a new version of the band’s ever-evolving sound. On their fifth album that sound is more urgent, disillusioned and anxious amid the record’s dystopian assessment of modern America.
There’s a desperate, pleading quality to singer Joe Casey’s words and the band complement and elevate his voice perfectly. With thrilling sonic veracity they lay down high velocity, post-punk textures, with balanced amounts of nuance and noise.
Jazz legend Jameel Moondoc guests on alto sax as well as other horn and cello players. On ‘June 21’ the female voice of Half Waif is a symbiotic foil to Casey’s wearied mantras as they work up a clanging krautrock noise. ‘Processed By The Boys’ documents the insidious creep of authoritarianism, the brilliant rush of ‘Michigan Hammers’ rails against exploitation for financial gain, while closer ‘Worm In Heaven’ is Casey looking back from the other side, contemplating one’s legacy.
There’s a lot to bum out the listener on this record yet musically it’s full of life and life-affirming creative protest. It’s a band finding new and thrilling ways to channel their music and convey their hopes and fears. It’s a full-blooded state of the nation address from the heart and soul.
New York metal trio Mockcharge deliver in spades on their recent single ‘Marauder’, with its breakneck speed riffs, deadly screams and at its mid-point it drops gears and gets low-slung and sleazy before a hi-hat count-off sends the song to its crashing conclusion. To our ears it sounds like a beautiful collision between Motörhead and White Zombie.
Of the track the band say: “This song was inspired on classic action movies and games such as Doom and Call of Duty. It tells the classic story of the Rambo like guy who is the only one that can win the war. It’s a fun song to play and it’s been fun to listen, just like watching Rambo II and playing Call of Duty.”
Straight out of the gates into a krautrock, psych sprint from Chicago group Montecore. The song comes from their One Night album that came out in May and they’ve already followed it up with a new album, House Fire Themes, which hits the same frantic, hyper-melodic hypnotic sweet-spot, Those kinds of songs that could (and should) go on endlessly as guitar solos fire off into the stratosphere, drums hit like a metronome and bass-lines tie it all together like Peter Hook on a bender.
Great new song from the esteem larrikin-rock exponent Peter Bibby. The verses sound like S.P.U.D/Solid Gold Hell from 90s Auckland. Countered by the sweet chorus, the song goes everywhere else across 6 minutes. Recorded with the band Dog Act.
‘Whyalla’ is simultaneously a love letter and a cursing damnation to regional Australia. Its spoken-word bridge lays down tall tales about some of its most notable legends, while the chorus draws you in like a mozzie to the zapper, only to get promptly shocked once again by the song’s churning riff. “I wrote this song a few years back after my mate Racoo asked me to write a song for an Australian road trip compilation she was putting together. I don’t think it saw the light of day. I had a lot of help from Wikipedia,” says Bibby of the track.
‘Whyalla’ comes from Bibby’s new album Marge, out Fri September 18th via Spinning Top Records.
Simple music done well, with fire and passion, great production, hooks and attitude. German group Pabst have it in spades on their recently released single ‘Hell’, taken from their brand new album Deuce Ex Machina. The song has a glam stomp that bristles and surges impressively. Alt rock that sounds like it belongs on radio and in sweat-soaked dive bars.
Japanese genre-destroyers Boris return with a new album, NO, due out July 3rd, self-released on Bandcamp. Check out the searing, careening distortion punk-fest that is ‘Loveless’.
A message from BORIS:
“International borders are ‘closed’ now.
All kinds of anxieties, fear, sadness, anger, and hatred have arisen to drive the world apart.Everyone is in a process of trial and error, doing what they can to live.The critical state of the world has placed culture, art, and other means of expressing ourselves into a dilemma as well.We decided to start managing our band ourselves again a few years ago, so we even more keenly aware of the current situation.
It was our actions up to this point and our methodology, various cultural influences, as well the connections and support we received from people around the world that led us to create this latest album.
Culture is lore that is not bound by blood, in other words ‘Non Blood Lore.’
We have put all of our influences and connections into this album so that they may be passed on circulated.That is our current stance now as Boris, our role and mode of action.
The title of this album is NO. People have a system whereby they unconsciously grow accustomed to things and adapt to them.But, this same system is also cursed in the way it allows inconvenient or troubling things to be disregarded as if they were never there to begin with and goes by other names such as ‘resignation,’ ‘subordination,’ and ‘forgetfulness.’We renounce this system.‘Is this something I felt on my own? Is this idea something I came up with on my own? Is this something I chose to act upon myself?’Everything begins with questioning and denying oneself.That is the proper stance for people to adopt.
Music and culture possess incredible power.The anger and discontent we had no outlet for in our youth shone through in our music, helping us to channel negative energy channeled towards creative ends and leading us to new means of expression and artistry.We hope this latest album can be a mirror that gathers and reflects people’s negative energy at a different angle, one that is positive.That is the power and potential of the dark, extreme, and brutal noise music that we have experienced up to this point.Today’s society is littered with words that may or may not be true, making it easy to want to just not listen to what anyone has to say.But, that’s all the more reason why we hope that you will at least open your ears to these songs sung in the language of another land.These shouts that have no proper meaning as words will help release the raw, unshaped emotions within you.This is ‘extreme healing music.’
International borders are ‘closed’ now.When we’re able to travel again, it will be proof that the world has moved forward.We pray for the day when we can share the same time and place again.