NEW MUSIC: Slark Moan – Honesty

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Almost a Beach Boys sound at the start of this new track from Slark Moan. From there it opens up into cascading piano notes before settling on a rubbery bass groove and classic baroque and power pop shapes. Vocal harmonies soar skyward while Ringo-style drums keep the song in check, while also adding some nice rhythmic colour behind the vocal, inhabited by the wandering ghost of Harry Nilsson. This is classic psych pop/rock of the retro variety but executed with skill and dreamy precision.

The song comes from his sophomore album Superstition for the Consumer Romantic (out August 9th), which took about a year and a half to craft. Sloan also spends much of his time on the road touring as a hired gun for an assortment of alt-country/pop acts such as Kelsey Waldon, Margo Price, Sam Outlaw, Erin Rae and more.

NEW MUSIC: Orion’s Belte – Cherchez La Ghost

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It’s hard to ignore the killer groove and minimal exotic funk of this track from Norwegian trio Orion’s Belte. They released their debut album Mint last year and have already followed it up with the EP Slim in 2019.

‘Cherchez La Ghost’ is their brilliant take on the Ghostface Killah track, mixing a great breakbeat with effect-laden pedal steel and an nervous twitch of a magical low-slung bass-line.

ALBUM REVIEW: Big Thief – U.F.O.F

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Big Thief
U.F.O.F.
4AD

What started with a debut album in 2016, that introduced a fragile and poetic songwriter and her band, has blossomed into a fascinating and quickly evolving career for Adrienne Lenker and the rest of Big Thief. They’ve been touring relentlessly, Lenker even having time to record a well received solo record last year. From Masterpiece to Capacity and now U.F.O.F, the quartet have gently worked away at the canvas of folk and knotty guitar music that draws on both conventional song structures and avant garde curiosity.

This album continues the mystery and beauty of their previous releases while adding even more depth and textural minutiae. There are drone-like textures,  found sounds – like the rolling effect at the start of ‘From’, and fascinating percussive elements that rise and fall in the mix. There’s a feeling of perpetual motion in many of the songs due to the looseness of the arrangements and the playing which makes the music sound both improvised and highly arranged. ‘Jenni’ imagines a Cat Power-fronted Tortoise in the way they use organic instrumentation and allow volume and tone to fluctuate as the song slowly unfurls.

The straightest moment comes right at the start of the album with opener ‘Betsy’ and its sparkling acoustic guitar, gently shuffling drums and Lenker singing in a lower-than-normal register. It’s intimate and affecting and pulls the listener right into the album from the get-go. ‘Contact’ is dreamy and meditative until, as if waking in terror, the guitars gain sharp edges and Lenker emits piercing screams.

If they didn’t already, now Big Thief unequivocally have your attention. Lovers of inventive music would be foolish not to join them on their post-folk journey.

Chris Familton

NEW MUSIC: Velvet Starlings – Kids In Droves

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Here’s a great slice of authentic garage psych rock from Los Angeles band Velvet Starlings, fronted by Christian Gisborne. ‘Kids In Droves’ cuts a fine balance between 60s UK mods sounds, a tough Britpop angle and US garage rock circa Nuggets. The single follows their self-titled EP of last year which has seen them generate some major radio attention and a US and UK tour dates.

NEW MUSIC: David Ellis – Eyes To The Sky

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T-Rex, Devendra Banhart, freewheeling melodies soaring over folk and acoustic psych boogie sounds – those the are the elements at play on this delightful track from English songwriter David Ellis. ‘Eyes To The Sky’ breezes along on a warm, spring current of air with a bucolic and organic vibe that perfectly balances wide-eyed innocence and some serious songwriting craft.

‘Eyes To The Sky’ comes from his new LP Misty Heights album, due out on August 15th.

NEW MUSIC: The Laurels – Sound System

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The Laurels are back with a new single/video, ‘Sound System’, their first with new member Kat Harley (Mezko) on bass and vocals.

As usual they’re working that hazy and fascinating space between genres that they’ve always navigated so well. Indie rock with art-pop melodies filtered through shoegaze and psych. This time round the song has a distinctly futuristic sheen to it, in keeping with its subject matter.

“High rise apartments and rent prices loom large over this paean to a future dystopian city, the inhabitants of which are doomed to a lifetime of evenings spent in queues waiting to eat at fine dining restaurants after a round of putt putt golf.” He continues “Sound System finds this group of part-time disc jockeys loading up their van with generators and loud speakers as they seek to reignite the street party.”
– Luke O’Farrell

The Laurels have Sydney and Melbourne shows happening soon:

The Lansdowne, Sydney
Saturday, July 20th
TICKETS

The Gasometer, Melbourne
Saturday, July 27th
TICKETS

NEW MUSIC: Japanese Television – Crocodile Dentist

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A couple of months back we shared the Japanese Television track ‘Bloodworm’. Now their back with the new single ‘Crocodile Dentist’, a swirling, disorientating headlong plunge down the psychedelic rabbit hole. Like a lost 60s relic of a bad trip, the song has a wild and fevered feeling to it. Urgent and spiralling, a kaleidoscopic heady mix of garage rock and b-grade horror that buries itself oh so deep in your synapses. Dig it.

The song was recorded in one take in a village hall in Yaxley by Kristian Bell of The Wytches and the band say of the record; ‘’Crocodile Dentist is probably the most garage rock thing we’ve recorded, somewhere between the Monks and the Munsters. Recorded at Yaxley Village hall, no overdubs, one take, to 8 track tape. Tim claims never to have performed dentistry on a crocodile but he has had a fingertip sewn back on.’’

The track is taken from the band’s new EP Japanese Television 2 which is out on Tip Top Recordings.

NEW MUSIC: Champ Major – Enjoy

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Madison Major of Brooklyn, New York is Champ Major, an experimental folk artist who’s aesthetic is one of creating a sonic environment to match her songs and stories. In the case of ‘Enjoy’ from her EP Receipe For Baking Two Humans Together, it’s a thick and foggy sound, akin to a radio transmission from a distant time and place. Acoustic guitar and a yearning voice is all Champ Major needs to convey her imagery and emotions.