Michael A. Muller – Lower River

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Michael A. Muller is a co-founder of Balmorhea who have released six albums over the last 13 years. ‘Lower River’ is the title track of his solo album and it’s a wonderfully immersive and hypnotic piece of ambient, droning music that hangs in the air, draped in resonating, melancholic chords.

The press releases describes the track as being inspired by his own remote travels throughout the US and Europe and the personal exploration of a meditative practice, it’s a sonic exploration of what it means to hear versus to listen, to immerse oneself in navigating the subconscious plane of pure energy and deep, immersive creativity.

Lower River is out October 25th on Beacon Sound (vinyl) + 1631 Recordings (digital).

NEW MUSIC: Christopher Tignor – The Resonance Canons

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Christopher Tignor is a New York composer with an impressive CV. In his early days he mixed sound at CBGBs, was an assistant to La Monte Young. He gained a Masters in computer science from NYU, proceeded through Princeton’s PhD program in music composition, and was later recruited for a software engineering position at Google. He’s released nine albums and collaborated with a range of other artists including Keith Kenniff (Helios), Jefre Cantu-Ledesma, John Congleton, and This Will Destroy You.

Tignor’s latest album A Light Below features this track ‘The Resonance Canons’, an 11 minute instrumental journey that is based around the sound of tuning forks. It sparkles and glistens, clangs and pulses with bell-like qualities and both melancholic and slightly ominous undertones. Lovely stuff!

“Since the last LP, my technique for tuning forks also earned some attention (and an honest-to-God tuning fork sponsorship). Again, I wanted to push the musical possibilities here, dialing those gestures in to create locked, luminous polyrhythms alternating with left hand pizzicato. I combined these methods with cascades of triggered synths in “The Resonance Canons”, an 11 minute trip ending in complete vulnerability—as the tuning fork loses its resonance, I continue knocking it against my bridge, a final ostinato built from processed noise and resonant wood.”

 

NEW MUSIC: Under The Reefs Orchestra – Tucuman

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Under The Reefs Orchestra are a Belgian trio who certainly know their way around a dark and hypnotic groove. Drums, guitar and bass saxophone combine in a haunting rhythmic mix of post rock and a dash of jazz. It works wonderfully too, conjuring squalls of guitar across a doom-laden desert backdrop.

This is a live in-studio version of the song, their brand new single, of which the recorded studio version is available on Spotify and Apple Music.

NEW MUSIC: One Sentence. Supervisor – Acedia

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For fans of Fujiya & Miyagi, Neu!, Hot Chip

Here’s a crazy, wild yet totally controlled Krautpop sound from Swiss band One Sentence. Supervisor. ‘Acedia’ is a metronomic delight, galloping along and fizzing with handclaps, a vocal sound reminiscent of The Charlatans, guitar that explodes and surges skyward and the unique blend of virtuoso oud player Bahur Ghazi.

MEW MUSIC: Intenso – Meek

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Short-circuiting digital post rock and scattered fragments of jazz inhabit this track from Intenso, a trio from Perth, Western Australia. ‘Meek’ starts glitchy – insistent yet tentative – before swelling and morphing into a heaving polymorphic mass of synthetic scree and noise manipulation. Fascinating, disturbing and hypnotic sounds that will pummel you into sonic oblivion over seven intense(o) minutes.

NEW MUSIC: Milly – Talking Secret

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Some woozy, slow moving shoegaze sounds for you today. ‘Talking Secret’ is a new track from Milly, a Los Angeles band fronted by songwriter and multi-instrumentalist Brendan Dyer. The song blends UK and US styles really nicely. There are echoes of post rock and grunge in the mix. I guess a band that you could draw some parallels with would be Swervedriver and the way both acts combine texture and rock.

EXCLUSIVE ALBUM STREAM: Fleeting Persuasion – Forever Caught

 

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We’re very pleased to be able to premiere a stream of the brand new album from Fleeting Persuasion, the latest nom de plume of Melbourne songwriter James Spencer Harrison. He’s previously released music under the name J M S Harrison but now, with a richer and denser full band sound on Forever Caught he’s launched it under Fleeting Persuasion.

Sonically persuading it is too, with echoes of The Cure, tightly woven post-rock and Australian acts such as Bluebottle Kiss filtered through Harrison’s own brand of heart-on-sleeve melancholia. It’s indie rock but the kind that resides in the shadows, always carving out new angles and creating interesting dynamics. Whether it’s the chiming sounds and clever shapes of ‘Written Out’, ‘Set Afoot’s urgent, aching melodies or ‘Make Plans’ which recalls the dark rock of Afghan Whigs, there’s plenty to explore and go deep with on this strong new iteration of Harrison’s music.

TOUR DATES:

Sept 7th – Labour In Vain, Fitzroy VIC with Del Boca Vista
Oct 18th – Botany View Hotel, Newtown NSW with Donna Amini and Foxlore
Oct 19th – Gasoline Pony, Marrickville NSW with Buddy Glass and The Finalists

NEW MUSIC: Waldo’s Gift – Kaleidoscope

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Here’s some wild and freakish playing and composition from UK trio Waldo’s Gift. Jazz, post rock, avant prog and more combine on this fluttering, frenetic, precise yet freeing instrumental track that features an equally compelling video clip by Waveform Media. This beast grows and mutates, centred around that incessant metronomically pummelling rhythm. Hypnotic and thrilling stuff!

Their debut album ‘Improvisations’, released May 10th consists entirely of music composed on the fly, performed live at The Gallimaufry in Bristol on December 19th 2018. The album art was also created in the moment by artist Holysseus Fly. Speaking on the release the band share “We love playing improvised music together. It really is so cathartic to just play. To express your emotions in that moment. This album honestly captures that process, the three of us expressing. No overdubs or edits. We simply chose our favourite compositions from the performance as a whole. Having Holysseus Fly creating the artwork at the same time ties it all together.”