NEW MUSIC: Mark Moldre – Fever Dreams I

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Mark Moldre returns with the first taste and title track of his forthcoming new album Fever Dreams. This album has been a long time coming and it follows the fine An Ear To The Earth from 2013.

‘Fever Dreams I’ is a jaunty, noisey and unsettling journey into the psychology of virally-induced broken sleep. Moldre’s previous releases have been more melodic and often folkier in nature where this track points to a wider embrace of noisier textures and a wider palette of sounds, Distorted guitar sprays hard panned from the right speaker while a competing and complementary banjo adds a manic, fevered quality to the song and the rhythm section marches on with ominous insistency.

Hit up Moldre’s Bandcamp page for a free (name your price) download of the track.

Fever Dreams I

I’ve got these Fever Dreams they keep me up at night
I’ve got these Fever Dreams they keep me up at night
And as my mind fills up with darkness
Well all that I can wish for is the light

They say a storms a’comin – lightning divides the night sky
And the trees they are a howlin’ – lightning splits up the night sky
And the electric impulses in my brain
Mean I don’t even hear when it starts to rain

And from my bedroom I hear the opening of a door
There’s a tappin’ at the window and the opening of a door
Slow footsteps moving closer
Creeping slowly ‘cross my kitchen floor

Am I sleeping?
Out in the back yard someone’s weeping
Misconception
These dreams have altered my perception
Fears intersected
Even my sleep is now infected

And old man Bellfield is sharpening his axe
Yeah old man Bellfield by the woodshed is sharpening his axe
And as the woods grow ever darker
Mr Bellfield is covering his tracks

I’ve got these Fever Dreams they keep me up at night

 

SONIC KICKS: Darren Cross

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Defiantly independent and creatively driven, Darren Cross is always seeking new ways to translate his ideas and influences into music. Whether it was in the heady days of indie/electro guitar punks Gerling, as a DJ and electronic music producer, as one half of folk noir duo Jep and Dep (with Jessica Cassar) or as a solo artist.

Under his own name he’s released two solo albums that have both blended and negotiated a harmonious co-existence between neo-folk acoustic guitar and Kraut/psych pop songs from a parallel universe. _Xantastic was Springsteen and Kraftwerk meeting at the crossroads while last year’s PEACER found Cross broadening his palette into more meditative folk and hypnotic cosmic dance vibes. It’s a wonderful collection of songs, always pushing and pulling and questioning musical conventions. The possibilities are endless in Cross’ world and his genius resides in the ability to pull the disparate melodies, rhythms and lyrical ideas into conventional song formats.

You can catch Cross on tour with fellow sonic traveller Jamie Hutchings through NSW in March and April as well as a show at the Petersham Bowling Club on March 10th with The Finalists and The Ramalamas.

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SONIC KICKS: THE ALBUMS THAT SHAPED ME

 

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The first album I bought.

Maybe The Young Ones with Cliff Richard… it had ‘Living Doll’ on it. I thought the Young Ones were so cool!!

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An album that soundtracked a relationship.

Tortoise – TNT – I guess being in a band is a relationship right? This was Gerling’s interstate driving album. Such a great album and such a buzz that we supported Tortoise twice. Disco dancing with half of them after the shows was a rite of passage to me anyway!

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An album that inspired me to form a band.

Probably AC/DC – T.N.T. but seeing Angus Young on Rage doing a live guitar lead at an early AC/DC concert that sounds like the foundation of ‘Thunderstruck’ really blew me away. AC/DC were the bad gang’s music at my high school.

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An album that reminds me of my high school years.

As a whole, probably Nirvana’s Nevermind, but that’s boring! I also really loved Living Colour’s VIVID. ‘Cult of Personality’ really blew me away. My friend gave me cassette of the album.

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An album I’d love to hear live and played in full.

David Bowie’s Blackstar, but it’s impossible now. I loved the album when it first came out, just before David died. I love the songs and the especially the production. Always next level. A great gift to leave us. x

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My favourite album cover art.

My Bloody Valentine – Loveless. it looks exactly like the album sounds. Also Pavement’s Slanted and Enchanted– The artwork on my new album PEACER is a nod to those two albums! Early 90’s – all about magenta man!

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A guilty pleasure album.

Cyndi Lauper – Essential Collection. I actually just did some shows in Europe and the album was on a plane music playlist! I forgot how great she is – her vibe, songs, voice and look. So great!! Not too guilty I guess, but yeah she’s done a few of those TV talent shows that made me wanna puke but 80’s Cyndi is top notch!

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The last album I bought.

Sleaford Mods – Austerity Dogs on vinyl. My friend in Berlin played this too me just recently at 4am after I had just played some shows on my latest Euro tour. I bought it the next day. Fucking amazing. FIZZI are my fave band this week.

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The next album I want to buy.

Best of Tony Joe White. Another friend in Berlin did the same thing – whacked the record on the record player at 6am after a solid night of boozing! I know BT from Love Police toured him in Sydney a few time but I never made it before he passed away! Such a great album. Super groovy, almost Krautrock beats sometimes. A converted disciple I am now!

NEW MUSIC: Aldous Harding – The Barrel

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Aldous Harding has announced her new LP Designer and shared the first single/video from it – ‘The Barrel’.

The new record follows her critically acclaimed 2017 album Party and was again produced by John Parish. It hits stores and online on April 26th via 4AD and Remote Control Records.

Aldous Harding – Designer

1. Fixture Picture
2. Designer
3. Zoo Eyes
4. Treasure
5. The Barrel
6. Damn
7. Weight of the Planets
8. Heaven is Empty
9. Pilot

ALBUM REVIEW: Cass McCombs – Tip Of The Sphere

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Cass McCombs
Tip Of The Sphere
Anti- / Cooking Vinyl Australia

For a number of years, across seven albums, Cass McCombs flew under the radar for the most part. He was recognised for his work but it wasn’t until the critical acclaim and success of Mangy Love in 2016 that he went overground and found himself the talk of the indie world. That album was a fairly direct affair with a smooth veneer and darker themes lurking beneath the surface. Now, on Tip Of The Sphere, McCombs has taken a more circuitous route with a more cohesive, hypnotic and searching sound.

There’s a bucolic feel to much of the album, ‘Estrella’ being a typical example of the way McCombs weaves a 70s folk aesthetic into dreamy indie rock. There’s a fair amount of repeated phrases and insistent bass rhythms that add to the heady, aqueous and meditative vibe. ‘Real Life’ is like Tim Buckley jamming with Porno For Pyros with its percussion, strummed guitars and new age mysticism. The album centrepiece ‘Sleeping Volcanoes’ is a real highlight with cascading guitars, primitive yet pulsating bass and McCombs’ way with constantly renegotiated vocal melodies forging a gentle path through the song. ‘Prayer For Another Day’ is a more intellectually astute cousin to Kurt Vile, heading closer to the newer work of Steve Gunn. 

Perhaps sensing a need to inject some aural unease into proceedings, ‘American Canyon Sutra’ is a queasy trip through spoken word over a minimal drum machine that distracts rather than provide an engaging contrast. It’s only a momentarily blip before the cosmic psych folk resumes and the album closes out with the ten minute countrified jazz-fusion noodling of ‘Rounder’, a glowing reverie of sun kissed guitars that embarks, mid-song, on a psychedelic journey that sounds like it could wind on endlessly into the cosmos.

All in all this feels like an intimate set of creative and explorative musical expositions. Eloquent, contemplative and for the most part intriguing and absorbing.  

Chris Familton

Doubtful Sounds Presents: The Ramalamas, Darren Cross, The Finalists @ The PBC

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Hey, we’re putting on a gig! Yep, we go to so many gigs and we know a good lineup when we see one so we’re putting on a Sydney show with three great acts. There’s a personal disclaimer with this in that I play bass in The Finalists.

Head to The Petersham Bowling Club on Sunday March 10th and you can catch the cosmic country, psych rock ‘n’ roll of The Ramalamas, the sonic alchemist that is Darren Cross (think a future folk version of Leo Kottke meets lo-fi, psychedelic, avant pop) and newish Sydney group The Finalists who blend twelve-string Rickenbacker jangle with post-punk and indie psych rock.

Plus a specially curated DS playlist between bands.

Petersham Bowling Club
The Green Room (downstairs)
Sunday March 10th
3PM $10

 

NEW MUSIC: Kayla Painter – Sacrificial Magic

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Bristol-based Kayla Painter has released a new EP called Cannibals At Sea. Taking influence from her mixed British and Fijian heritage, Painter creates a hypnotic and mystical piece of experimental music that takes in tonal explorations, drone, ethereal vocal layers and electronic and traditional instrumentation. The result is mesmerising, haunting and alluring.