NEW MUSIC: Darren Cross – 90’s High

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Darren Cross has just released his second solo LP PEACER, a 100% self-recorded and independent album that finds him balancing the day-glo deconstructed indie guitar pop of his years as the main-man in Gerling and his more recent dark avant-folk leanings.

The first single and video from the album is ’90’s High’, a song with a strong sonic link to that peaking rush of Gerling guitar shapes and dance beats but also tinged with a kind of melancholic hangover. It all amounts to a catchy and thrilling first taste of the album if you haven’t checked it out yet. For more info and to purchase the album on vinyl/CD/digital, head to:

https://darrencross.bandcamp.com/album/peacer

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NEW MUSIC: Peter Bibby – Work For Arseholes

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Peter Bibby is back with a video clip for his new single ‘Work For Arseholes’. It comes from a brand new record called Grand Champion which is set for release on September 28th via Spinning Top Records.

‘Work for Arseholes’ is a song about bad habits, self-reflection and pride, for better or worse.  “I wrote it to make myself feel better about being a thirsty, unemployed insomniac whilst sitting in my bedroom in Northcote, Victoria. It didn’t make me feel that much better, however I have, for the most part, avoided working for arseholes ever since and I see that as a great success,” says Bibby of the track.

Peter Bibby 'Grand Champion packshot

PETER BIBBY’S DOG ACT NATIONAL HEADLINE TOUR


Thursday 4 October – Workers Club, Geelong VIC
Friday 5 October – The Curtin, Melbourne VIC
Saturday 6 October – The Waratah Hotel, Hobart TAS
Thursday 11 October – Rocket Bar, Adelaide SA
Friday 12 October – Badlands, Perth WA
Saturday 13 October – Prince Of Wales, Bunbury WA
Thursday 18 October – Black Bear Lodge, Brisbane QLD
Friday 19 October – The Northern, Byron Bay NSW
Saturday 20 October – Miami Shark Bar, Gold Coast QLD
Wednesday 24 October – The Cambridge Hotel, Newcastle NSW
Thursday 25 October – The Lansdowne, Sydney NSW
Friday 26 October – Strawberry Boogie @ UOW Uni Bar, Wollongong NSW
Sunday 28 October – Transit Bar, Canberra ACT

NEWS: The Babe Rainbow Announce New LP ‘Double Rainbow’

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The Babe Rainbow, those cats behind last year’s superb single ‘Johnny Says Stay Cool’ and self-titled album are back with a brand new record, Double Rainbow, and its first single and video, ‘Supermoon’. It’s a moorish slice of languid, pastoral psychedelia.

Double Rainbow is released July 13th, 2018 via Flightless Records.

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NEWS: Interpol Announce New Album ‘Marauder’

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Interpol are back with their first album in four years. Marauder is set for release on August 24th on Matador Records / Remote Control Records.

“Marauder is a facet of myself. That’s the guy that fucks up friendships and does crazy shit. He taught me a lot, but it’s representative of a persona that’s best left in song. In a way, this album is like giving him a name and putting him to bed”Paul Banks

Today they’ve also shared the first single ‘The Rover’, an insistent and choppy run through a tale of a figure drawn to disarray.

Below you can also watch the Daniel Kessler, Paul Banks, and Sam Fogarino’s full press conference in Mexico City where they discuss the writing and making of the Dave Fridmann-produced Marauder.

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Interpol – Marauder

1. If You Really Love Nothing
2. The Rover
3. Complications
4. Flight of Fancy
5. Stay in Touch
6. Interlude 1
7. Mountain Child
8. NYSMAW
9. Surveillance
10. Number 10
11. Party’s Over
12. Interlude 2
13. It Probably Matters

VIDEO PREMIERE: Sunny Flynn Hugo – Walk Down

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Brisbane quartet Sunny Flynn Hugo have been busy recording their self-titled debut LP across SE Queensland over the last two years and the good news is that its release will be celebrated with a launch gig at Junk Bar on Sunday June 10th.

The latest single/video is ‘Walk Down’, a wistfully strummed and gently propulsive slice of windswept Americana/indie rock complete with a wonderfully lazy chorus of oohs before a sweet slip into half time like The Band on downers. The rest of the album is equally rewarding, with melancholic and artful pop shapes colliding across the 11 tracks and jangly chords and catchy guitar lines tracing their way through the songs.

Keep an eye on their Bandcamp page to hear/buy the album and if you head there you can also check out this earlier single ‘City II’.

ALBUM REVIEW: Damien Jurado – The Horizon Just Laughed

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The Horizon Just Laughed comes on the back of the loosely thematic trilogy of albums he recorded with producer and musician Andrew Swift. They were psychedelic in nature though still rooted in the folk form. In contrast, this feels like a retreat from the density and experimentation, to a place of reflection and solitude.

Jurado is often lumped in with songwriters like Phosphorescent, Sam Beam of Iron and Wine and Bonnie ‘Prince’ Billy, and on Over Rainbows And Rainier he certainly shares a rustic minimalism with the latter. There’s a plaintive mood across most of these songs, a gentle grandeur and a tender sway. The lyrics are introspective, dealing in character observations (six of the eleven song titles are names) and vignettes that reference fires and ghosts, dreams and Charles Schulz – skilfully shifting from literal to impressionistic storytelling and back.

Allocate is the album’s scene-setter, a dreamy, string-enhanced soulful meander that recalls Jurado’s starker early work. It’s followed by Dear Thomas Wolfe which highlights his seemingly endless ability to effortlessly weave beautiful, understated melodies. Marvin Kaplan introduces a sweet Tropicália via Laurel Canyon shuffle that lifts the album’s heart rate and recalls some of the work of Devendra Banhart, while Florence-Jean is catchy Sixties pop and closer Random Fearless adds some of CSN’s looser moments to the mix. Another gem from this consistent and inventive songwriter. 

Chris Familton

ALBUM REVIEW: Earthless – Black Heaven

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The trio, renowned for their epic psych rock and metal instrumentals that can reach the 20 minute mark, are back with a new album that turns that reputation on its head by way of shorter songs and most noticeably, the addition of vocals.

Guitarist Isaiah Mitchell steps up the mic on Black Heaven and it’s a move that shifts the dynamic of the band. His singing gives those songs shape and structure that previously was subsumed by Earthless’ improvisational approach. Once you acclimatise to the change it makes sense and feels like a refresh of the band’s sound. It’s them trying something different and for the most part it works well.

Opener Gifted By The Wind is a dead ringer for Motley Crue’s Shout At The Devil with Mitchell’s voice sitting somewhere between the howl of Ozzy and Comet’s On Fire’s Ethan Miller. Electric Flame settles into an insistent Blue Cheer chug – metal boogie of the most contagious kind. Drummer Mario Rubalcaba and Mike Eginton nail their Krautrock meets 70s rock precision and groove, anchoring the songs with gravitas yet also pushing and pulling them in constantly inventive directions. The title track sends a not-too-subtle nod to Led Zeppelin albeit in overdrive with spiralling riffs barely hanging on as the song accelerates into the stratosphere. In contrast, Sudden End goes for an epic lumber and sway with long, held notes. This is Earthless going out on a limb and impressively incorporating new sounds without abandoning their cosmic interstellar roots. 

Chris Familton

NEW MUSIC: White Denim Announce New LP ‘Performance’

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Those crazy TX psychedelicists White Denim are back with a new album Performance which will be released on Friday, August 24 via City Slang Records and Inertia Music. The band have shared the album’s first single, ‘Magazin’.

PRESS RELEASE

WG-WD_Front_300dpiPerformance was mainly recorded over eight weeks at the band’s new downtown Austin studio, Radio Milk. Once an old general store constructed in 1902, it is now respectfully restored and sandwiched in between bars and modern condominiums. Two new players were key in what Petralli describes as “a super-collaborative record:” keyboardist Michael Hunter, a “young, humble genius with endless potential” and Conrad Choucroun, a “ridiculously solid” drummer with a long stint with NRBQ on his resume. “If you take nothing else from this at least take some time to listen to NRBQ, rock & roll scholars who shared members with the Sun Ra Arkestra” advises Petralli. It makes sense that White Denim would develop a kinship with a player from their circle. In many ways, they are a continuation of that sort of group. One that will never stop pushing and taking every opportunity to shine a light on and exemplify what is truly good about Rock & Roll music.

Categorically speaking, White Denim is still impossible to narrowly pin down. There’s the glam-rock strut of ‘Magazin’ and ‘It Might Get Dark’, the duelling guitars on the low-slung blues prog of ‘Moves On’, and the sideways jazz of ‘Sky Beaming’. There are plenty of pleasingly unexpected musical moments on the title track and the easy-rolling closer ‘Good News’, along with some seriously distorted guitar. In the title track, Petralli sings, “Flashing light in a tunnel, You’re indicating a change.” In many ways, White Denim is the flashing light in a dark and crowded tunnel of showbiz glop. Quietly and fiercely finding themselves — and us — through their work.