NEWS: Mick Harvey Announces New Soundtrack

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Mick Harvey will release his first soundtrack in ten years with Waves of ANZAC / The Journey via Mute / [PIAS]on 3 April 2020.

The album features two recent soundtracks to powerful subject matters recorded by Mick Harvey. The first, Waves of Anzac looks at Sam Neill’s personal family history interwoven with the history of the First World War and the ANZACs through to the modern era while the second, The Journey, is a four-part composition released in support of #KidsOffNauru, a campaign working for the child refugees and people seeking asylum who find themselves in offshore detention.

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Waves of ANZAC is represented by 13 tracks selected from the score for the ABC documentary on forgotten war stories and lives lost. The documentary is a personal history by the actor Sam Neill (Jurassic Park, The Piano) set against a contemporary increasingly divided political backdrop. ‘Why ANZAC? with Sam Neill’ (Dir. Kriv Stenders, 2015) is named for the Australian and New Zealand Army Corps (ANZAC) who served together in the Gallipoli Campaign, their first engagement in World War I and continued as a military unit until after WW2. The film is a look at this pivotal point in our shared history, and the impact it still has on a personal and on a geopolitical level. Harvey recently examined this period via the prism of a fictional soldier/poet for his collaboration with Christopher Richard Barker, The Fall and Rise of Edgar Bourchier and the Horrors of War.

The Journey
 is a four-part composition, recorded with The Letter String Quartet, in support of people seeking asylum who have found themselves in Australia’s offshore detention program. The piece was composed as a study of the hardships endured by the detainees on Nauru, Manus Island and Christmas Island before and during their internment and as an expression of hope for a humane outcome to their plight.

Waves Of ANZAC
1. Turkish Theme
2. Waves of ANZAC
3. First Anniversary
4. The Somme
5. Archives
6. Poppies
7. The Lovells
8. The Cemetery
9. Modern War
10. Vietnam
11. Crete
12. Back at Kiatora
13. Return to Anzac Cove

The Journey 
with The Letter String Quartet 

Part 1: Conflict
Part 2: All at Sea
Part 3: Capture (Not Real Refugees)
Part 4: Hope

NEW MUSIC: Musketeer – Wolves

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German songwriter Musketeer has released this haunting slice of melancholia – folk-like with a gothic twist. It unfurls beautifully with a strong poetic bent. Described as a howling testament to a pack of wolves returning to Denmark (after not being sighted there for 200 years), this version of ‘Wolves’ is built around acoustic guitar and a synth – a much starker version that the drums-assisted previous version that was released.

NEW MUSIC: Ben Neill – Auricle

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Working at the junction of ambient, avant garde jazz and electronica, Ben Neill has just reissued his 1995 album Green Machine, an album that received widespread critical acclaim on its original release on the Astralwerks label.

The music on the album is performed on his self designed, electro-acoustic Mutantrumpet, skilfully navigating a netherworld between organic and synthetic composition and playing. This track ‘Auricle’ is the perfect example of that, in the way the sounds rise and fall, blending together in harmonic hypnosis.

Neill has recorded eleven CDs of his music on labels including Universal/Verve, Thirsty Ear, Astralwerks, and Six Degrees. His electronic opera The Demo, inspired by computer pioneer Douglas Engelbart and created with composer/performer Mikel Rouse, was premiered in 2015 at Stanford University’s Bing Concert Hall. Other performances include BAM Next Wave Festival, Lincoln Center, Whitney Museum of American Art, Cite de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival, and the Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt, and Nicolas Collins. Neill also leads concerts of La Monte Young’s The Second Dream with an international brass ensemble; performances have recently been presented in New York, Amsterdam, Paris, Amsterdam, Huddersfield, Oslo, Krems, Koln, and Warsaw.

NEW MUSIC: Fly My Pretties – Quiet Girl

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New Zealand collective Fly My Pretties have been a live proposition up until recently when they entered the studio to record new imaginings of tracks from their back catalogue.

The Studio Recordings Part One involved 25 contributors over a 12 month period – including Barnaby Weir (The Black Seeds) accompanied by Anna Coddington, Bailey Wiley, A Girl Named Mo, Hollie Smith, LA Mitchell (Terrible Sons), Lisa Tomlins, Adi Dick, Age Pryor, Iraia Whakamoe (The Nudge), James Coyle (The Nudge), Jarney Murphy (The Black Seeds), Laughton Kora, Mike Fabulous (Lord Echo), Nigel Patterson (The Black Seeds), Paul McLaney, Rio Hunuki-Hemopo (TrinityRoots), Ryan Prebble (The Nudge), and on this track ‘Quiet Girl’ – Samuel Flynn Scott (The Phoenix Foundation).

The song takes a smoky, late-night dreamy angle that conjures up the sound of Twin Peaks, Chris Isaak , and a distant ghostly echo of The Doors.

The Studio Recordings Part One is out now on Bandcamp and the usual streaming services.

NEW MUSIC: B. Hamilton – North San Juan

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This new track from the band B. Hamilton (Oakland, CA) has one hell of a chorus that bursts forth from bluesy soul verses like a tornado touching down and gathering up everything in its path in a swirling storm of epic rock.

‘North San Juan’ comes from their recently released album Nothing And Nowhere. On the song, songwriter, vocalist, and guitarist Ryan Christopher Parks Parks describes the fall out of 1960’s San Francisco’s “Summer of Love” in contemporary Northern California.

NEW MUSIC: Salad Boys – This Issue

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New sounds from New Zealand band Salad Boys. ‘This Issue’ is a fine blend of hypnotic rhythms and guitars that tease and twist themselves into fascinating melodic shapes. At times the guitars reminded me of the warped brilliance of the 3Ds but the rest of the song is on a different trip. Heavy-lidded mantra-like vocals. It’s all wrapped up in a caustic and brittle lo-fi kinda mix which adds to the scratchy psychedelia of it all.

The single also features the track ‘Onwards and Downwards’ and is the follow-up to last year’s This Is Glue LP.