ALBUM REVIEW: Beck – Colors

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Beck’s much anticipated 13th album follows the lush and melancholic Morning Phase and though Colors is equally lush, it’s an album built on widescreen technicolor, bold sonic brushstrokes and a saturated pop aesthetic.

On first listen it feels like the quirks and eccentricities that made Beck so iconic are absent on this album but dig below the pop-laminated surface and you’ll find an equally audacious approach to song-craft.

Beck dials in funk, hip hop and psychedelia, exquisitely blending rock guitars and low slung beats in a clever collision of synthetic and organic musicality. ‘No Distraction’ is a standout with its clipped funk and snaking vocal melodies. Like many of these songs he operates in areas of structural cliche – build-ups and anthemic choruses – but it’s all done with an auteur’s ear and sleight of hand that belies the complexities at play.

Old school Beck fans will enjoy the collage-constructed ‘Wow’ but the overwhelming focus of Colors is Beck’s continuing exploration of the frontiers of pop music, like a 21st century Steely Dan.

Chris Familton

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NEW MUSIC: Courtney Barnett & Kurt Vile – Over Everything (2017)

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The indie rock matchup of 2017 has finally revealed the first single and video with Courtney Barnett and Kurt Vile releasing their new song ‘Over Everything’. It’s a stunning black and white video too, with swapped lip-syncing and some amazing scenery.

The album Lotta Sea Lice will be released on 13th October via Milk! / Matador and they’ve also roped in colleagues such as Mick Turner and Jim White of the Dirty Three, Stella Mozgawa from Warpaint and Mick Harvey to play on it.

NEW MUSIC: Peter Bibby – Medicine

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The larrikin troubadour returns with his first new release since his 2014 debut Butcher/Hairstylist/Beautician. ‘Medicine’ rolls and tumbles along with his trademark stagger and loose swagger. Super catchy, twitchy and jangly as he rattles off all kinds of medicinal relief. Top stuff.

The track is available September 8 via Spinning Top / Caroline and Bibby plays Big Sound next week:

Tue, Sep 5th | 11:30pm @ Ric’s Big Backyard

Thu, Sep 7th | 11:40pm @ The Foundry

NEW MUSIC: Tropical Fuck Storm – Chameleon Paint

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Gareth Liddiard and Fiona Kitschin (The Drones), Lauren Hammel (High Tension) on drums and Erica Dunn (Harmony, Palm Springs) have unveiled the sound of their new band Tropical Fuck Storm. It’s a jerky, catchy post-punk song that swaggers and slithers along, sounding like it could collapse at any moment. It’s a glorious collision of chaos and euphoric rock.

The debut TFS 7″ single, “Chameleon Paint” b/w “Mansion Family”, will be released on September 22 as a label collab between TFS Records and Mistletone Records. This limited edition 7” is the first of a series; each 7” featuring an original Liddiard A-side and a B-side cover of “songs we love and wish we had written”. The “Mansion Family” B-side is lifted from Melbourne band The Nation Blue, who released the original less than a year ago. Each 7” will feature phantasmagoric cover art by Montréal artist Joe Becker.

PREORDER

NEW MUSIC: Die! Die! Die! – How Soon Is Too Soon (It’s Not Vintage It’s Used)

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New Zealanders Die! Die! Die! are back with a new album and a new clip for the single ‘How Soon Is Too Soon (It’s Not Vintage It’s Used)’. It’s definitely not as punk driven and intense as some of their earlier material but it’s equally as commanding, drawing on distorted and looped effects and a kind of warmly-detached Bailter Space feel as the song circles around some fine bass playing.

The new album Charm. Offensive. is due out October 6th via the label Banished From The Universe. Preorders are now available from Flying Out.

NEW MUSIC: Jep and Dep – Helpless City

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Sydney duo Jep and Dep are releasing their sophomore album THEY’VEBEENCALLED this week and as well as a release show last The Gaelic Club on Friday (see below), they’ve just released the second single from the album – ‘Helpless City’. Check out the impressive clip – the perfect accompaniment to a song about encroaching gentrification and what happens when the heart of a city is slowly but surely concreted over and the human spirit is dampened and demoralised. It’s all beautifully rendered in intimate and haunting reverb and an eerie mood.

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