NEWS: Thurston Moore announces ‘Rock n Roll Consciousness’ LP

243a5b88-5f71-4ae0-8705-1c4e3b81cde2

Thurston Moore has been teasing his new album in interviews over the last few months and today we get the official announcement of Rock n Roll Conciousness, due for release on April 28th via Caroline Australia.

It’s a five track album (track listing below) which features Deb Googe (My Bloody Valentine, Snowpony) bass, James Sedwards (Nøught, Chrome Hoof) guitar and Steve Shelley (Sonic Youth, Crucifucks) drums and was produced by Paul Epworth (Adele, Paul McCartney, Glass Animals) at The Church studios in Crouch End, London and mixed by Randall Dunn (Marissa Nadler, Earth).

Here’s the video clip for the second track to appear from the LP, ‘Smoke Of Dreams’.

ALBUM TRACKLISTING:

  1. Exalted
  2. Cusp
  3. Turn On
  4. Smoke of Dreams
  5. Aphrodite
Advertisements

ALBUM REVIEW: Moon Duo – Occult Architecture Vol. 1

a2262306889_10

Moon Duo return with the first of two albums they plan to release in 2017, with both volumes rooted in balanced and oppositional ideas and textures. The conceptual approach of the double album is, in their words “an intricately woven hymn to the invisible structures found in the cycle of seasons and the journey of day into night, dark into light.” That Yin Yang format won’t of course make complete sense until Vol. 2 is released later in the year but for now you can be assured that Moon Duo are still doing what they do best – laying down dense, surging and grinding psych rock rhythms.

Their music is always one of perpetual motion and since their first releases, which were dominated by a colder and more mechanical mood, they’ve slowly evolved to find a unique common ground between machine-like repetition, Sanae Yamada’s kosmiche synth washes and melodies and the free-spirited guitar explorations courtesy of Ripley Johnson.

On Occult Architecture Vol. 1, the term primitive futurism keeps coming to mind. The pair conjure up images of mysterious shadowy figures, druids, shamanistic rituals and pagan mysticism with their obfuscated lyrics and general dark tones and textures. They also invoke the spirit of astral travel and space travel, their songs often resembling a object hurtling through space and free of any earthly restraint. There’s a certain cyber quality to the shape and relentless drive of Moon Duo, albeit infused with human emotions – both good and bad.

‘Cold Fear’ induces just that – a queasy feeling of unease which makes it a less aggressive descendent of Suicide’s experiments at putting their audiences in a state of discomfort. ”Cross Town Fade’ is a curious blend of a tranced-out Sigue Sigue Sputnik stuck in a glam boogie vortex while ‘Will Of The Devil’ spins on an axis of insistent drumming with a yearning, melancholic synth melody sounding like a lost transmission from the point where Joy Division became New Order.

The album closer ‘White Rose’ emerges from the dark mist into a more optimistic world, one built on a perfect Krautrock rhythm and Johnson’s guitar sounding like a demonstrative insect buzzing and demanding to be heard. The glorious drone rolls on for ten minutes, onward and upward toward the light and presumably its spring/summer-centric sibling album.

It’s a fascinating journey, with or without the overarching concept, and reinforces the ability of Moon Duo to create music that is both sonically straightjacketed, endlessly immersive and without visible horizons.

Chris Familton

ALBUM REVIEW: Jesca Hoop – Memories Are Now

a3974580995_10

Hot on the heels of her collaborative album with Iron & Wine’s Sam Beam, Jesca Hoop backs it up with a new solo album that dives deeper into her experimental songwriting, drawing on folk, indie and art pop.

The songs here are minimal, skeletal even. Simple percussive elements, at one point just the keys of a typewriter, form the basis for hypnotic melodies and lyrical concerns that often draw on themes of empowerment, seizing one’s destiny and the moment.

It’s Hoop’s sense of musical adventure and experimental lean, yet not at the expense of a strong song, that lends comparison to St Vincent and a more organic Bjork. Endlessly catchy and boldly creative, Memories Are Now is a thrilling escape from the doldrums.

Chris Familton

NEW MUSIC: Bad//Dreems – Feeling Remains

BadDreems - Feeling Remains.jpg

Bad//Dreems have released the second single from their forthcoming new LP Gutful (out April 21st).

Feeling Remains is reliably and solidly straight from the BD songbook. It has those tension-filled verses they do so well, full of tumbling toms and rolling bass, with Alex Cameron’s guitar clipped and urgent downstrokes carving out a stacatto rhythm that contrasts with a Saints/Sex Pistols descending chord progression. It defines their status as one of the few bands in Australia that can sit comfortably at the nexus of punk, classic rock and indie rock.

When they hit the chorus, and Bad//Dreems are a band with seemingly endless cache of rousing choruses, the rush and the push lifts the song skyward. Interestingly the sense of euphoria that it instils is at odds with the song’s subject matter of mental health and the endless struggle to accept, manage and mitigate the effects of depression in one’s life. “The feeling still remains, and the question stays the same, then I put it into all the things I can do to make a heart strong, but the feeling still remains” sings Ben Marwe in his distinctive angst-ridden howl.

That blend of melancholy and euphoria at the core of the song is an astute representation of the mood swings and divisive extremes of both defiance and helplessness that so many battle on a daily basis. Dig deeper below the surface (and taken in tandem with their first single Mob Rule) of what at first may seem like a bristling 3 minute rock song and it’s clear that the band have taken a wider societal and critical view on the new album.

bad-dreems-gutful-album-art

NEW MUSIC: Mac DeMarco Announces New LP ‘This Old Dog’

mac-demarco-this-old-dog-jpg

Mac DeMarco recently upped and relocated to LA from Queens, NY and the transition to a new city had a slowing effect on his writing and recording process this time around. He sat with the songs a while and then stripped them back to acoustic guitar, drum machine and synth, giving the new album much more of a laidback (is that possible) and skeletal sound.

This Old Dog is out on May 5th via Captured Tracks/Remote Control Records. Check out the first two singles below.

  1. Mac DeMarco – This Old Dog

    1. My Old Man
    2. This Old Dog
    3. Baby You’re Out
    4. For the First Time
    5. One Another
    6. Still Beating
    7. Sister
    8. Dreams From Yesterday
    9. A Wolf Who Wears Sheeps Clothes
    10. One More Love Song
    11. On the Level
    12. Moonlight on the River
    13. Watching Him Fade Away

NEW MUSIC: Father John Misty Announces New LP ‘Pure Comedy’.

37ce32b2-adb6-4838-8846-85d1c3a9e8b2-2

Father John Misty (Josh Tillman) is back with the follow-up to his acclaimed album I Love You, Honeybear. Titled Pure Comedy, the album is due out on April 7th via Sub Pop and Inertia Music and features co-production with Jonathan Wilson, string arrangements by Gavin Bryars and other contributions from Nico Muhly and Thomas Bartlett. The mastering was done by the legendary Bob Ludwig.

Tracklisting:

1. Pure Comedy
2. Total Entertainment Forever
3. Things It Would Have Been Helpful to Know Before The Revolution
4. Ballad of the Dying Man
5. Birdie
6. Leaving LA
7. A Bigger Paper Bag
8. When The God of Love Returns There’ll Be Hell to Pay
9. Smoochie
10. Two Wildly Different Perspectives
11. The Memo
12. So I’m Growing old on Magic Mountain
13. In Twenty Years or So

Pure Comedy is available for pre-order now, in the following formats:

  • A Deluxe 2xLP version on aluminum & copper vinyl, a die-cut customisable jacket with 4 interactive “Background” sleeves (so you can have whatever sky you damn will feel like as the cover), all encased in a clear clipcase. Includes a fold-out poster and an exclusive holographic tarot card by Ed Steed.
  • A 2xLP gatefold version also available in 4 cover variations on black vinyl
  • A CD gatefold digipak with slipcase available in 4 cover variations
  • As digital album

Cover variations for the standard LP and CD will be randomly distributed. Collect them all!

Pre-orders through select retailers will receive a limited 7” single, featuring physical release of fan favourite ‘Real Love Baby’ on the A-side and the as yet unreleased track, ‘Rejected Generic Pop Song, March ‘15#3’ on the B-side (while supplies last).

Tillman and Grant James (‘Funtimes in Babylon’, ‘I Love You, Honeybear’) also co-directed Pure Comedy: The Film.  Pure Comedy is a gorgeously rendered black & white document of the live tracking, as well as a surreal look into Tillman’s writing process.  A six person crew, complete with cranes in the tracking rooms, captured every moment of the recording, giving the viewer intimate audience to actual album takes, including the one and only 2:00am performance of the 13-minute ‘Leaving LA’.  It also features the only known recording of Tillman’s love ballad to his sound engineer Trevor Spencer.