NEW MUSIC: David Kilgour & The Heavy Eights – Smoke You Right Out Of Here

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David Kilgour (The Clean, The Great Unwashed) returns with a brand new single with his long serving band The Heavy Eights. The meditative, acoustic, shuffle and strum of ‘Smoke You Right Out Of Here’ comes from their new album Bobbie’s a girl, his first in five years, which will be out September 20th via Merge Records.

Preorder the album HERE

David Kilgour on tour:
Oct 24 Queenstown, NZ – Sherwood
Oct 25 Dunedin, NZ – The Cook
Oct 26 Christchurch, NZ – Blue Smoke
Oct 31 Wellington, NZ – San Fran
Nov 02 Auckland, NZ – Whammy Bar
Nov 03 Auckland, NZ – Whammy Bar

 

NEW MUSIC: Rhian Sheehan – Last Time We Spoke

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New Zealand musician and ambient/electronic composer Rhian Sheehan has built a name for himself with nearly a dozen releases plus a wealth of soundtrack work and appearances on numerous compilations.

Fans of Nils Frahm will appreciate the nuance and blending of organic and synthetic elements in this piece. The way it pushes and pulls with it’s drifting piano melodies and mechanically-inclined rhythmic pulse.

‘Last Time We Spoke’ comes from Sheehan’s most recent album A Quiet Divide. He’s also composed the original score for the just-released Capcom Go!: The Apollo Story, an immersive 3D Planetarium Dome show documentary that showcases the historical achievements of the Apollo program and what it took to put the first human on the Moon.

LIVE REVIEW: Beastwars @ Crowbar, Sydney

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Beastwars with Witchskull, Potion
Crowbar, Sydney
July 11th, 2019

Crowbar is quickly establishing itself as the home of Sydney’s metal and hard rock scene and tonight it hosted New Zealand’s finest metal band, Beastwars. They’ve just chalked up their first number one album, in the wake of breaking up, singer Matthew Hyde’s diagnosis and treatment of cancer, a reformation and the recording the devastating new album IV. In our review we described it as “a blistering, pummelling, cathartic battle cry of a record,” and the expectations were for a similarly brutal live performance.

Potion are a psych/stoner metal trio that know their way around mystical bedrock heavy riffing grooves. Song titles like ‘Dead Mountain’ give you an idea of the territory they inhabit. They do heavy and slow, fast and chugging with equal aplomb, getting the heads a shakin’ early.

Witchskull dialled back the clock to a more classic rock and metal sound. Sonically it was Ozzy fronting Motorhead with many of the songs pulled from their album of last year, Coven’s Will. A bassist that looked like a lumbering, menacing Rick Rubin and a guitarist/singer with the stature of Ronnie Dio owned the front of the stage, laying down tight, paint-peeling solos and rolling, monolithic bass lines. It was an impressive set that balanced and progressed old and newer styles as one.

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Beastwars are now four albums deep so they’ve got plenty to choose from when it comes to an hour-long setlist. They drew from all of their albums, giving a holistic overview of their churning, emotive and visceral metal and hard rock. What they do so well is channel everyone from The Melvins and Soundgarden through Kyuss and Neurosis and onto contemporaries such as Pallbearer. There’s an industrial sheen to their sound but at its core there’s a primitive and primal human howl.

C9F7B23D-7FB0-49AD-9350-E067D63C03ACFrontman Matthew Hyde is hard to take your eyes off. He’s in slow motion as he sways, conducts and conjures up spirits and demons with raised hands. He’s essentially in the eye of a sonic storm, that calm spot at the core, as the fury rages around him. All his energy, no doubt dented and damaged from everything he’s been through in recent times, is channeled through his lungs and larynx. Meditative, brooding, tension-building verses invariably open up like an arriving hurricane into choruses of lacerating, throat-shredding howls that scream desperation and vindication in equal amounts. Highlights of the set included ‘Mihi’, ‘Raise The Sword’, ‘Rivermen’ and more. At times some songs blended into a morass of sludge riffing and dense rhythms but the peaks were more plentiful than the valleys across their set. When the dynamics fell into place with the rock solid rhythm section and Clayton Anderson’s clinical yet full-blooded guitar playing, Hyde seemed to channel something otherworldly and intensely personal – and the power and impact was immense. 

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Beastwars proved they’re a band who know how to convert emotion into music with intensity and gravity, hitting the hearts and bodies of the generous crowd who bowed down before them.

Chris Familton

NEW MUSIC: The Laurels – Sound System

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The Laurels are back with a new single/video, ‘Sound System’, their first with new member Kat Harley (Mezko) on bass and vocals.

As usual they’re working that hazy and fascinating space between genres that they’ve always navigated so well. Indie rock with art-pop melodies filtered through shoegaze and psych. This time round the song has a distinctly futuristic sheen to it, in keeping with its subject matter.

“High rise apartments and rent prices loom large over this paean to a future dystopian city, the inhabitants of which are doomed to a lifetime of evenings spent in queues waiting to eat at fine dining restaurants after a round of putt putt golf.” He continues “Sound System finds this group of part-time disc jockeys loading up their van with generators and loud speakers as they seek to reignite the street party.”
– Luke O’Farrell

The Laurels have Sydney and Melbourne shows happening soon:

The Lansdowne, Sydney
Saturday, July 20th
TICKETS

The Gasometer, Melbourne
Saturday, July 27th
TICKETS

NEW MUSIC: Shifting Sands – The Intensity

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Brisbane band Shifting Sands recently released the video clip for their track ‘The Intensity’. It’s a haunting, heavy and steady marching song of solemn reflection on the slow decay of the emotional impact of love. It carries the same kind of bruised romanticism that artists such as Mark Lanegan and Leonard Cohen do so well.

Shifting Sands are Geoff Corbett (SixFtHick) and Dylan McCormack (Gentle Ben & his Sensitive Side, The Polaroids), Isabella Mellor (Jeremy Neale, Catalano), Anna Clifford, Dylan McCormack, Dan Baebler and Liam Campbell.

The song comes from the album Crystal Cuts which was released in April on Spooky Records (Melbourne) and Beast Records (France).

NEW MUSIC: Tanglers – Tallboy

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Straight outta Vancouver, Tanglers cut a fine figure of slinky indie rock on this track ‘Tallboy’. It slithers and skulks along in the shadows like a mooching private investigator. Subtle melodies that sink into your memory cells and a great rhythm section make this a great first introduction to the band whose debut full-length album ‘Tangled in Time’ was released on May 4th, 2019.

 

NEW MUSIC: Blain Cunneen – Feelin’ Kinda Fragile

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Here’s the debut single from Sydney singer-songwriter (and guitarist for Julia Jacklin), Blain Cunneen. ‘Feelin’ Kinda Fragile’ comes from his four track EP The Prizes We Demand which is due out later this year and finds him crafting a fine line in art-pop that reminds us of Beck, Sparklehorse and dEUS .

The song’s melodic hooks are draped over some wonderful angular and interwoven instrumentation, where a light psychedelia is built on simplicity and strong musical ideas rather than being oversaturated in effects or weirdness for weird’s sake. We’re looking forward to hearing the rest of the EP later in 2019.