NEW MUSIC: Donny Benét – Second Dinner

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The smooth sailing prince of low-slung synth pop and disco funk is back with a new single Second Dinner’. It’s another winning slice of coy 80s electronic pop with shades of Bryan Ferry fronting a sultry disco house band with Giorgio Moroder producing.

TOUR DATES:

  • 04 Oct – Fat Controller, Adelaide, SA
  • 10 Oct – The Zoo, Brisbane, QLD
  • 11 Oct – Beach Hotel, Byron Bay. NSW
  • 18 Oct – The Rosemount Hotel, Perth, WA
  • 19 Oct – Mojo’s Bar, Freemantle, WA
  • 25 Oct – The Croxton Bandroom, Melbourne, VIC
  • 02 Nov – The Metro Theatre, Sydney, NSW

NEW MUSIC: Domiciles – Sinking Sun

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Domiciles (Fife, Scotland) have released this new seven minute slab of hypnotic psych rock. ‘Sinking Sun’ is the second single taken from debut album This Is Not a Zen Garden, set for release this Friday (16/08/19) via Last Night From Glasgow.

The vocals are subdued, buried in the shadowy corners of the song as the rhythm section does the heavy lifting, laying the foundation for guitars that spark and spiral across the stereo landscape leaving sonic chemtrails and deep riff furrows. It’s compelling stuff that draws as much from post-punk, Krautrock and shoegaze as it does from the dark art of bands like The Black Angels, Brian Jonestown Massacre and The Horrors.

NEW MUSIC: Dope Lemon – Give Me Honey

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This is a curious and intriguing new track from Australian sonic trip merchant Dope Lemon (Angus Stone). ‘Give Me Honey’ is a psychedelic country song, a musical mirage of a psilocybin-drenched lock-in at a sleazy saloon. It sounds like Beck and Jason Pierce from Spiritualized facing their demons in a smoked-out house of mirrors, to a soundtrack by DeMarco and Vile.

‘Give Me Honey’ comes from the recently released new album Smooth Big Cat.

Hit play and then hit repeat for that sweet honey delerium.

NEW MUSIC: David Kilgour & The Heavy Eights – Smoke You Right Out Of Here

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David Kilgour (The Clean, The Great Unwashed) returns with a brand new single with his long serving band The Heavy Eights. The meditative, acoustic, shuffle and strum of ‘Smoke You Right Out Of Here’ comes from their new album Bobbie’s a girl, his first in five years, which will be out September 20th via Merge Records.

Preorder the album HERE

David Kilgour on tour:
Oct 24 Queenstown, NZ – Sherwood
Oct 25 Dunedin, NZ – The Cook
Oct 26 Christchurch, NZ – Blue Smoke
Oct 31 Wellington, NZ – San Fran
Nov 02 Auckland, NZ – Whammy Bar
Nov 03 Auckland, NZ – Whammy Bar

 

NEW MUSIC: Rhian Sheehan – Last Time We Spoke

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New Zealand musician and ambient/electronic composer Rhian Sheehan has built a name for himself with nearly a dozen releases plus a wealth of soundtrack work and appearances on numerous compilations.

Fans of Nils Frahm will appreciate the nuance and blending of organic and synthetic elements in this piece. The way it pushes and pulls with it’s drifting piano melodies and mechanically-inclined rhythmic pulse.

‘Last Time We Spoke’ comes from Sheehan’s most recent album A Quiet Divide. He’s also composed the original score for the just-released Capcom Go!: The Apollo Story, an immersive 3D Planetarium Dome show documentary that showcases the historical achievements of the Apollo program and what it took to put the first human on the Moon.

LIVE REVIEW: Beastwars @ Crowbar, Sydney

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Beastwars with Witchskull, Potion
Crowbar, Sydney
July 11th, 2019

Crowbar is quickly establishing itself as the home of Sydney’s metal and hard rock scene and tonight it hosted New Zealand’s finest metal band, Beastwars. They’ve just chalked up their first number one album, in the wake of breaking up, singer Matthew Hyde’s diagnosis and treatment of cancer, a reformation and the recording the devastating new album IV. In our review we described it as “a blistering, pummelling, cathartic battle cry of a record,” and the expectations were for a similarly brutal live performance.

Potion are a psych/stoner metal trio that know their way around mystical bedrock heavy riffing grooves. Song titles like ‘Dead Mountain’ give you an idea of the territory they inhabit. They do heavy and slow, fast and chugging with equal aplomb, getting the heads a shakin’ early.

Witchskull dialled back the clock to a more classic rock and metal sound. Sonically it was Ozzy fronting Motorhead with many of the songs pulled from their album of last year, Coven’s Will. A bassist that looked like a lumbering, menacing Rick Rubin and a guitarist/singer with the stature of Ronnie Dio owned the front of the stage, laying down tight, paint-peeling solos and rolling, monolithic bass lines. It was an impressive set that balanced and progressed old and newer styles as one.

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Beastwars are now four albums deep so they’ve got plenty to choose from when it comes to an hour-long setlist. They drew from all of their albums, giving a holistic overview of their churning, emotive and visceral metal and hard rock. What they do so well is channel everyone from The Melvins and Soundgarden through Kyuss and Neurosis and onto contemporaries such as Pallbearer. There’s an industrial sheen to their sound but at its core there’s a primitive and primal human howl.

C9F7B23D-7FB0-49AD-9350-E067D63C03ACFrontman Matthew Hyde is hard to take your eyes off. He’s in slow motion as he sways, conducts and conjures up spirits and demons with raised hands. He’s essentially in the eye of a sonic storm, that calm spot at the core, as the fury rages around him. All his energy, no doubt dented and damaged from everything he’s been through in recent times, is channeled through his lungs and larynx. Meditative, brooding, tension-building verses invariably open up like an arriving hurricane into choruses of lacerating, throat-shredding howls that scream desperation and vindication in equal amounts. Highlights of the set included ‘Mihi’, ‘Raise The Sword’, ‘Rivermen’ and more. At times some songs blended into a morass of sludge riffing and dense rhythms but the peaks were more plentiful than the valleys across their set. When the dynamics fell into place with the rock solid rhythm section and Clayton Anderson’s clinical yet full-blooded guitar playing, Hyde seemed to channel something otherworldly and intensely personal – and the power and impact was immense. 

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Beastwars proved they’re a band who know how to convert emotion into music with intensity and gravity, hitting the hearts and bodies of the generous crowd who bowed down before them.

Chris Familton

NEW MUSIC: The Laurels – Sound System

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The Laurels are back with a new single/video, ‘Sound System’, their first with new member Kat Harley (Mezko) on bass and vocals.

As usual they’re working that hazy and fascinating space between genres that they’ve always navigated so well. Indie rock with art-pop melodies filtered through shoegaze and psych. This time round the song has a distinctly futuristic sheen to it, in keeping with its subject matter.

“High rise apartments and rent prices loom large over this paean to a future dystopian city, the inhabitants of which are doomed to a lifetime of evenings spent in queues waiting to eat at fine dining restaurants after a round of putt putt golf.” He continues “Sound System finds this group of part-time disc jockeys loading up their van with generators and loud speakers as they seek to reignite the street party.”
– Luke O’Farrell

The Laurels have Sydney and Melbourne shows happening soon:

The Lansdowne, Sydney
Saturday, July 20th
TICKETS

The Gasometer, Melbourne
Saturday, July 27th
TICKETS