Sydney musician Tom Crandles, better known as Prudence has a brand new four song 7″ Untitled EP out today (May 14th) via Endless Recordings. Featuring the tracks ‘Celestial’, ‘Chlorine’, ‘Better’ and ‘Relief’, it showcases the lush and baroque avant-pop that Crandles has been developing across a handful of tracks and an EP over the last few years.
We’re very pleased to premiere the video for ‘Better’ here on DS today. On the song, and the wider EP, Prudence filters the sound of David Sylvian, Talk Talk and numerous other auteurs of forward thinking art-pop into his own sound. Melodies run strongly through the bass guitar while tones and textures drift and blur across the speakers. It’s a beguiling mix of ornate and intimate songwriting with sonic obfuscation and a dreamy, narcotic-infused atmosphere – with Crandles’ voice leading you into the ether with quiet drama.
Director McLean Stevenson says of the clip for ‘Better’, “We shot this in Tom’s late grandparent’s abandoned, half burnt down home a few weeks after Tom met Dom (the actor) in hospital. It was shot on a 2017 Chinese manufactured Android device.”
From a wholly solo project for Crandles, Prudence has developed into a full live band with pianist Aleesha Dibbs, bassist Kat Harley and drummer Liam Hoskins.
Untitled is available to order digitally and on 7″ via Bandcamp and on the usual streaming services.
Ahead of the release of the new self-titled album tomorrow, we’re pleased to premiere the video clip for Balcony’s Paradise single ‘Outta My Way’. Featuring a German (Lorenz O’tool) and an Australian (Jeremy Tayler), the duo set up on a balcony in Victoria, looking towards Tasmania and captured their shared experiences on 4 track.
‘Outta My Way’ reminds me of Darcy Clay, the much missed Auckland, NZ songwriter. It’s lo-fi and woolly, gloriously ragged around the edges, grizzled and bleary eyed but still rhythmically right in the pocket. It squints and nods with a homespun and organic feel. A sweetly infectious and dusty pop song.
The album features covers of songs by TheBeatles, Toots and the Maytals, Townes Van Zandt, Merle Haggard and Johnny Cash – all given the laidback balcony treatment, with minimum overdubs. “We didn’t do many overdubs, just some piano, solos and backups. One day we visited Jeremy’s mother in Melbourne – a classical violinist – and overpowered her with a one take,” says Lorenz.
As the band say… “Don’t be thrown off by the noise of birds, mates dropping in, conversations, landcruisers and mowers. Just let it in and surrender to the mood!”
We’re excited to be premiering the brand new single/video from New Zealand legends The Bats. The track comes from their forthcoming album Foothills, out Nov 13th via Flying Nun Records.
There’s a warm and heavy-lidded dreamy quality to ‘Gone To Ground’, in large part courtesy of the use of EBow on the guitars and the way drummer Malcolm Grant gently propels the song along. A rich atmosphere pervades the song, perfectly capturing a wistful sense of retreat.
Robert Scott on ‘Gone To Ground’ — “Hide and seek, do we want to be found…. maybe not. Many people have gone to ground in these tricky times. A slight sense of unease pervades the song with the spooky strains of an E bow filtering through the trees. You could walk the marshes and go far. It’s funny how you can draw connections between a fictitious tales and present day life.”
The video clip was created by Sports Team and Annabel Kean has said on the ‘Gone To Ground’ video, “This is by far the longest we’ve spent on a video. We started about a year ago when we heard an early mix of the song, but the discovery of perpetual motion by way of spinning veges really opened a can of worms. Then it took us three attempts to pluck up the courage to light a guitar on fire.” Co-director Callum Devlin adds, “It was a total collaboration, and a very instinctive process. We wanted to try and capture what we felt listening to the song. There’s an uncertainty and a mystery to the lyrics that I feel lead us somewhere a bit more conceptual.”
Foothills is the band’s tenth album, on top of their many singles, EPs and compilation releases and over 35 years they’ve never put a foot wrong. The new album was recorded in Spring 2018 at a country retreat pop-up studio. At that time, 15 songs were captured and immortalised in the Canterbury foothills of the Southern Alps, Aotearoa (New Zealand). Only too well, The Bats know the possibilities, potentialities and sonic vistas that arise when one takes the reins for the recording process in a beautiful place that’s on home turf.
Robert Scott, on the making of Foothills has said “Time marches on… finally, we found a gap in our busy lives and chose a week to convene. We found a house that is usually inhabited by ski field workers — Kowai Bush, near Springfield about an hour west of Christchurch and of course nestled in the foothills of the mighty Southern Alps. The songs had been written, demo’d and arranged for some time, but still with a little room for trying things out in the studio. Many carloads arrived at the house, full of amps guitars and recording gear, we set up camp and soon made it feel like home; coloured lights, a log fire, and home cooked meals in the kitchen. We worked fast, and within a few days had all the basic backing tracks done, live together in one room, the way we like to do it – it’s all about ‘the feel’ for songs like ours.”