NEW MUSIC: The Budos Band – In The Tooth

Another slice of funk for DS readers today. This one is on the psychedelic side of the tracks – the new single from the always impressive afro-soul grooves of The Budos Band out of Staten Island NY.

The spy themes, the noir aesthetic – slinky, shadowy and mysterious – is all over the track as it snakes its way across its out of the speakers.

This is the title track from their brand new album, due out on Daptone Records on October 9th and marking the 20th year of the band and their 15th as recording artists.

NEW MUSIC: The Bigfoot Collective – Bigfoot Strut

There’s a big New Orleans brass funk vibe happening on this recently released single by The Bigfoot Collective. There’s swagger and a nimble groove that lumbers along on the good foot, making it totally infectious stuff.

Written by trombonist Thomas Voss and featuring a trumpet solo from Harrison Smith, the song showcases the inspiration that the 18-piece Adelaide, SA group draws from the New Orleans “second line” tradition and the street performers of NYC.

Thee are a few other recent singles on their Spotify and Bandcamp and keep your eyes open for an EP due later in 2020.

ALBUM REVIEW: Khruangbin – Mordechai

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Mordechai

Dead Oceans / Inertia

After a busy few years touring and riding the wave of attention that their last album Con Todo El Mundo brought them, Khruangbin retreated to their Texas studio to begin work on their third album. Earlier this year we got a mixed bag EP with Leon Bridges but that was a stop gap. Mordechai is the band spreading their wings wider and drawing together stronger thematic qualities.

The other noticeable change on Mordechai is that most tracks feature the vocals of bassist Laura Lee Ochoa. Previously they were predominately an instrumental trio but here they’re playing vocally-enriched songs without losing any of that wandering, free-spirited musicality that has defined them. Ochoa’s lyrics are fragmentary in nature, mantra-like and perfectly in keeping with the drift and hypnotism of the music. Thematically, many of the songs deal in the idea of memory – Time (You And I), One To Remember, So We Won’t Forget all deal in the concept of remembering. 

Musically, Ochoa, Mark Speer and drummer DJ Johnson cast their poly-sonic net even wider. From African and Asian guitar funk to Jamaican dub, cosmic jazz to tropical psychedelia, they pull from all manner of pan-global sounds. It’s still a thrilling concoction that sounds otherworldly, eternally infectious and upbeat in spite of its melancholic soul. 

Chris Familton

NEW MUSIC: Telemachus – I Am Delicious And Cute. So I Will Go Buy Again

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There’s some incredible sound design and programming going on in this track from South London-raised, producer Telemachus. His new album Boring & Weird Historical Music came out on 22nd May via High Focus Records and this is just one example of the splendid way he pulls different genres together while still allowing a glorious vacuum of space to exist around and within his music.

As he himself puts it: ‘the album certainly rewards a thorough and engrossed listen, but equally the general atmosphere is pleasant enough to play for your auntie when she comes for tea.’

Telemachus came up via the UK hip hop scene but was equally attracted to the sounds of grime, jungle, jazz, soundtracks and trip hop. Here he filters and distils them all into one trance-inducing collection of songs that sound both tribal and born from dark urban streets. Sounds hang suspended or cosmically drip from the speakers in a mist of digital drizzle and organic contact points. Jazz guitar and bass riffs pop up like funk meerkats before being subsumed back into the slow swirling miasma.

NEW MUSIC: Elephant Castle – I’m A Loser

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UK psych and baggy indie combine with 60s melodies and 21st century psych-pop explorations on this new catchy and expansive track from Los Angeles-based singer and multi-instrumentalist ​Phil Danyew who played in Foster The People for six years before leaving to focus on his own music as Elephant Castle.

Danyew calls the song “A tongue-in-cheek anthem for the underdog.”

NEW MUSIC: Orchestra Gold – Maribayassa

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The sounds of Africa have been explored, excavated and reissued with great enthusiasm in recent years – from the Soundways compilations to Soul Jazz’s Nigeria series and many more. The sound has filtered through into plenty of contemporary acts too – Goat come to mind with their mix of African, psych and Krautrock sounds and this Oakland CA USA group Orchestra Gold are another fine example, with singer/dancer Mariam Diakite and the arranger and guitar player Erich Huffaker, plus an all-star cast comprised of musicians from the Bay Area and Santa Cruz.

II is their third EP, following 0 and I which were released in April this year. Authentic sounds and production, endlessly rhythmic and infectious sounds!

For fans of Khruangbin and Goat.

NEW MUSIC: Donny Benét – Second Dinner

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The smooth sailing prince of low-slung synth pop and disco funk is back with a new single Second Dinner’. It’s another winning slice of coy 80s electronic pop with shades of Bryan Ferry fronting a sultry disco house band with Giorgio Moroder producing.

TOUR DATES:

  • 04 Oct – Fat Controller, Adelaide, SA
  • 10 Oct – The Zoo, Brisbane, QLD
  • 11 Oct – Beach Hotel, Byron Bay. NSW
  • 18 Oct – The Rosemount Hotel, Perth, WA
  • 19 Oct – Mojo’s Bar, Freemantle, WA
  • 25 Oct – The Croxton Bandroom, Melbourne, VIC
  • 02 Nov – The Metro Theatre, Sydney, NSW

NEW MUSIC: Orion’s Belte – Cherchez La Ghost

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It’s hard to ignore the killer groove and minimal exotic funk of this track from Norwegian trio Orion’s Belte. They released their debut album Mint last year and have already followed it up with the EP Slim in 2019.

‘Cherchez La Ghost’ is their brilliant take on the Ghostface Killah track, mixing a great breakbeat with effect-laden pedal steel and an nervous twitch of a magical low-slung bass-line.