NEW MUSIC: Alex Henry Foster – The Hunter (By The Seaside Window)

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Alex Henry Foster recently released the video for his single ‘The Hunter (By The Seaside Window)‘, the centrepiece of his new album Windows In The Sky. The song is an epic 14 minute piece of post-rock, with an ebb and flow of tension, poetry and ascent into grand, sprawling and expansive electric guitar playing that at times reminds us of Lift To Experience. Interwoven with Foster’s (mostly) spoken word are indecipherable recordings of a female voice – in another language, which adds to the mystery and intrigue.

“The Hunter (By the Seaside Window) emerged from a 30-minute jam of a noisy, out-of-breath and tortured kind of dark, spiritual, emotive, and redemptive sonic journey. It reflects on the symbiotic notion of inner struggles feeding the growing illness of the relationship between the different entities we kept on feeding within oneself, as a sort of an out-of-step addiction to pain and resignation, but also to hopelessness and mercy, as much as to salvation and grace. The cycle only ends once we decide to let go, whatever it may mean for anyone’s beliefs… as we are both the hunter and the prey” – Alex Henry Foster

Alex Henry Foster (AHF) is a Canadian musician, singer-songwriter, author, producer, and composer, best known as the frontman of Juno Awards nominee Post-Rock / Noise band Your Favorite Enemies. The impressive and gripping short film for The Hunter was produced and written by Alex Henry Foster’s longtime collaborator, French filmmaker Jessie Nottola.

NEW MUSIC: André Uhl – I Care About You, Just Not Right Now

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There are some serious sci-fi dark sonic forces at work on this new track from Berlin-based German musician André Uhl, who holds a master’s degree in futures studies and works as a futures researcher during the day. He dials into  an ominous and forbidding sound that pulses, throbs and pushes and pulls against the speaker cones. Everything is rhythmic, like the heartbeat of a city, the bass like a subterranean world of digital interconnectivity while the synth melodies teem above like a busy yet alienated metropolitan organism.

‘I Care About You, Just Not Right Now’ is the first single from Uhl’s upcoming album Relax and Implode, to be released on Berlin-based label Martin Hossbach on October 16th 2020.

According to Uhl: “The song deals with emotional confusion in a complicated relationship. It’s about proximity and distance, push and pull, and the struggle with toxic communication behavior. It tells about the kind of relationship you can’t escape from although you know you should.”

NEW MUSIC: Daniel McCagh – Altered States

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Australian composer and sound designer Daniel McCagh has just released his debut album Altered States, an immersive and sonically detailed collection of compositions that range from visceral sheets of digital rain to delicate filigrees and textures. He manipulates acoustic instruments to place them in evocative settings where the organic and synthetic sounds become one. It sounds futuristic yet connected to human spirit, blood flow and creativity.

The title track buzzes and shudders like a scene from a sc-fi film, all tension and a gradual gradient of intensity and right across the album there’s a sense of graceful wounded beauty.

Altered States is out now via n5MD

 

NEW MUSIC: Jacaszek – November Late

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Polish composer Michal Jacaszek has just released his new album Music For Film on the Ghostly International label and it’s a wonderfully immersive and contemplative collection of compositions that showcase his amalgamation of ambient, classical, and musique concrete styles. He deploys field recordings, acoustic samples, poetry, and baroque instrumentation to paint pictures, oftentimes melancholic, nostalgic, tragic.

‘November Late’ begins tentatively before slowly morphing, swelling and rising into a dramatic invocation of both an intimate space and a grand scale that traverses the tone and texture from ambient to modern classical. That ability to weave disparate moods and contrasting, yet coexisting, emotive entities is impressive. His work is custom-made for soundtracks but it also is a wholly rewarding solo listening experience where the music creates the imagery rather than accentuating pre-existing visuals.

 

NEW MUSIC: Akkor – Durma

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Akkor is Turkish electronic composer Üstün Lütfi Yıldırım who has just released his new album Durma, an electroacoustic narrative in a progressive cinematic sound universe through piano, synthesizers, soundscapes and recorded/found noises from Istanbul.

The title track is an immersive track that starts shrouded in atmospheric and ominous sonic mist, eventually gaining clarity with micro-percussive elements that give the piece structure and forward motion. Piano adds haunting melodies as the composition gains momentum over ten minutes, through late-night city streets and the flickering lights of shop signs. It’s certainly cinematic in style and quality, a great example of building a piece of music without losing its core emotionality.

 

 

NEW MUSIC: Ben Neill – Auricle

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Working at the junction of ambient, avant garde jazz and electronica, Ben Neill has just reissued his 1995 album Green Machine, an album that received widespread critical acclaim on its original release on the Astralwerks label.

The music on the album is performed on his self designed, electro-acoustic Mutantrumpet, skilfully navigating a netherworld between organic and synthetic composition and playing. This track ‘Auricle’ is the perfect example of that, in the way the sounds rise and fall, blending together in harmonic hypnosis.

Neill has recorded eleven CDs of his music on labels including Universal/Verve, Thirsty Ear, Astralwerks, and Six Degrees. His electronic opera The Demo, inspired by computer pioneer Douglas Engelbart and created with composer/performer Mikel Rouse, was premiered in 2015 at Stanford University’s Bing Concert Hall. Other performances include BAM Next Wave Festival, Lincoln Center, Whitney Museum of American Art, Cite de la Musique Paris, Moogfest, Spoleto Festival, Umbria Jazz, Bang On A Can Festival, ICA London, Istanbul Jazz Festival, Vienna Jazz Festival, and the Edinburgh Festival, among many others. Neill has worked closely with many musical innovators including La Monte Young, John Cage, John Cale, Pauline Oliveros, Rhys Chatham, DJ Spooky, David Berhman, Mimi Goese, King Britt, and Nicolas Collins. Neill also leads concerts of La Monte Young’s The Second Dream with an international brass ensemble; performances have recently been presented in New York, Amsterdam, Paris, Amsterdam, Huddersfield, Oslo, Krems, Koln, and Warsaw.

NEW MUSIC: Past Present & Tortusa – Black Mist

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Out of Norway comes this fascinating piece of experimental dubbed and smeared atmospheric jazz fusion from Past Present & Tortusa. The trio of trumpet, upright bass and live sampling is composed and performed by Simen Kiil Halvorsen, Alexander Hoholm and Tortusa respectively. Space is the key to what makes ‘Black Mist’ so compelling as the digital details flicker and dance around the edge of the music, creating texture and nuance quite wonderfully while the trumpet and bass deftly interweave ghostly melodies and rhythmic pulses.

‘Black Mist’ comes from the album Eternal Return:

“Eternal Return is a dystopian tale told in three chapters. It starts with the track ‘Nowhere’ representing a beautiful utopian dream, followed by ‘Black Mist’, where conflict and despair have become a norm, and the final chapter, ‘Dawn of Hope’, brings light and hope for a new and better future.”

NEW MUSIC: Alaskan Tapes – Views From Sixteen Stories

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Last month, Canadian composer Alaskan Tapes (Brady Kendall) released his new album Views From Sixteen Stories. Check out the title track below, a warm, dream-like, swelling piece of music that rises and falls with a certain weightlessness. There’s sonic depth to it too. Turn up the volume and the richness of the bass tones resonate wonderfully through the track.

Hit the Bandcamp link to stream and buy the album on vinyl/CD/digital or stream on the other usual platforms.