NEW MUSIC: Tristan Welch – Tuesday

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‘Tuesday’ comes from Tristan Welch‘s 2019 album 40 Hours (via Verses Records (a label collective out of Washington D.C.) and it’s quite a mesmerising, slowly unfurling piece of droning ambient music. There’s a gentle swell, ebb and flow to the track, almost akin to an entity slowly breathing. Guitars, effects and a saxophone shape an immersive listening experience.

NEW MUSIC: Heron – Splashdown

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Guitar notes and chords splash and chime out of a billowing ether of reverb as Heron’s song ‘Splashdown’ slowly emerges, blinking into existence. There’s a patient quality to the track with the intro taking a calm two minutes to blossom into a fuller sound when measured drums entering the equation.

The post-rock band from the heart of the Pennsylvania Wilds have a second full-length album coming soon. For the moment there’s plenty to explore in this immersive and meditative track that spreads its wings over nearly eight minutes. They combine the dreaminess of Sigur Ros with the electric grace and grandeur of Explosions In The Sky.

 

NEW MUSIC: Kidsmoke – Passenger

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Welsh quartet Kidsmoke may have taken their name from a Wilco song (maybe?) but other than a lazy affable strum and an affinity for melody, these four from across the Atlantic make music that is much sunnier, breezier and indie-pop centric. There’s a refreshing simplicity and economy to their songwriting as hooky guitar lines ring out across jangly chords and vocals that bind it all together. They eschew anthems for a more studied intimacy and romanticism in their sound. You can hear the influence of The Smiths, Real Estate, Beach Fossils etc.

‘Passenger’ is the second single to come from their forthcoming debut LP.

NEW MUSIC Möss Fölk – Misery Mothers

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Blistering thrash metal with a super-solid bottom end of distorted bass on this track from Worcester, Massachusetts band Möss Fölk. The riffs are relentless while the vocal totally hits the spot for us – raw, punk-metal and visceral without getting too cookie monster. The killer blow comes at 1:09 where everything drops away to reveal the grungy bass before everything collapses back in on top of it with glorious chugging heaviosity.

The track comes from their four track demo which is available to download for free on their Bandcamp page.

 

NEW MUSIC: Henrik Von Euler – F-dur

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As much as we love manic post-punk, sweet alt-country tunes and arch indie-rock, we also love to bliss out to relaxing ambient sounds. Not the cheesy lift music or Muzak or hippie-lite new age bullshit. We’re talking experimental, avant garde composition, whether it be electronic, acoustic or a combination of the two. Think Eno, Harold Budd, Fenenesz, Caretaker or Hiroshi Yoshimura.

This elegant track from Swedish producer Henrik Von Euler this the spot for us with its meditative qualities but in the background there lurks both beauty and distant ominous clouds on the horizon. It’s tranquil yet possessing some darker mystery beneath the surface.

We know little about Von Euler other than he runs the label Flora & Fauna and has been a part of the Swedish electronic scene for over fifteen years with numerous releases on labels all over the world. This track comes from his recently released EP Hemskogen.

NEW MUSIC: Japanese Television – Bloodworm

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Galloping ramalama psych rock hurtles straight out of the gates on this instrumental track from wild and eclectic London quartet Japanese Television. It’s like a manic sideshow ride with a streak of reverb-laden surf rock blasting out of battered amusement park speakers. The song careens along with patches of spiralling space rock sending bent organ notes exploding skyward. You think it’s over and it all kicks off again with a Krautrock urgency.

Head over to Spotify and you can also check out their 2016 self-titled EP.

‘Bloodworm’ was recorded in an old isolated village hall onto an 8 track tape by Kristian Bell of The Wytches who had set up the makeshift studio from scratch to manifest the live sound they were after. The band said; ‘’The track only had a working title when we started recording it, we’d played it out live for the first time the night before. The name comes from a book we found in a collection of second-hand novels in the corner of the village hall. The cover of the book has a giant worm wrapped around a ruined Big Ben, which seemed to fit pretty nicely with the mood we were trying to capture! Another weird fact is that a character in the book shares the name of our guitarist, Tim Jones. He is in the book for a single page, at which point he gets eaten by a Bloodworm.’’

 

NEW MUSIC: Tindersticks Soundtrack ‘High Life’

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Tindersticks and Stuart A. Staples are custom built for soundtrack work, such is their ability to conjure such exquisite and restrained mood and atmosphere, both musically and vocally. They’ve worked on a number of film projects in the past and this latest one by Staples is for the movie High Life, directed by Claire Denis – who Staples has worked with on seven of her other films. His soundtrack and sound design compositions on High Life earned him the George Delerue Award for Best Music at the Gent Film Festival.

Below you can watch the video for ‘Willow’, with lead vocal from actor Robert Pattinson, and listen to the instrumental piece ‘The Garden’ which rises and falls with dramatic tension and poise, a brooding cousin to late period Talk Talk experimentations with its droning bed and searching brass.

Most of the music for High Life was made before the filming. The conversation with Claire started maybe as far back as 2012. There were many ideas I wanted to explore and I appreciated the foresight of Claire and the producers in offering me support and encouragement to do this. As well as work with usual collaborators Dan McKinna, Neil Fraser and Earl Harvin, this afforded me purely experimental recording sessions with David Coulter, Thomas Bloch, David Okumu, Julian Siegel, Seb Rochford and the BBC singers. Several long sketches / pieces were created from these sessions that the eventual score was formed from or informed by. 

And then there was ‘Willow’. a seed of a song shared by myself and Dan Mckinna that eventually grew to be the conclusion of the High life with Robert Pattinson, the lead actor, singing the song in character to his daughter Willow, a theme that runs through the film.

~ Stuart A. Staples

 

NEW MUSIC: Karyme – خونمون

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This pulsing, kinetic instrumental track from Australian producer Karyme caught our ear this week. Elements of jazz, trip hop and downbeat electronica combine on a track that sounds like it’s in constant motion. A playful bass-line keeps things anchored as drums push and pull and synth pads provide melodic beds of texture and sonic bliss.

خونمون [kho͞onamo͞on] the first single from Karyme’s full length release, Full Cream.