NEW MUSIC: Scowl – Lord Porno

Interesting angles in aggressive music is what floats our boat and Kent UK trio Scowl tick that box with this track, their second single, charmingly titled ‘Lord Porno’. In the punk-fuelled chorus the widescreen wall of distorted guitars crash and careen between the speakers while the rhythm section ushers the song along in the verses with a rolling, tumbling post-punk feel. Over it all, the singer howls and castigates the listener with a sense of anthemic desperation.

As the band explains, the song (named after bassist Sadie’s first band) “is an anthem, borne out of the deep seated anger and frustration one feels when you come to terms with a situation that’s irreparable.”

For fans of Eagulls, Slaves, Idles.

NEW MUSIC: The Holy Soul – 747

Sydney band The Holy Soul are back with ‘747’, the new single from their forthcoming Robyn Hitchcock-produced LP Get Old! Coming six years after their superb album Fortean Times, the track has a heavy psych garage feel with a bassline that lurches and rumbles with melody and menace in the verses before the song blossoms out of the shadows into a damn sweet descending, jangly chorus.

SHOWS:

Tickets: https://linktr.ee/DY_R

NEW MUSIC: The Lonesomes – Dog Days

‘Dog Days’, the brilliant new track from The Lonesomes starts off as post-punk by numbers with it’s straight drums, bass pulse and doom-laden shadowy vocal but then, after the straight-line/tension-build it all goes snaky riffs and a lull in proceedings before a dark 80s video game synth takes over proceedings and ratchets up the intensity, kicking the song into sonic pulverising overdrive. Intense and manic like a robot on a spiralling bender, it all crashes down in monolithic hard rock chords before the final oxygen-depleting run to the finish line.

The Lonesomes are a trio from the Gold Coast, QLD and as vocalist/drummer Matt Callan explains, the songs direction a marked change for the band. “We wanted to write an atmospheric track, that kept toying with the idea of gradual additions of sound. Starting the song with a robotic drum-beat that just rolls along and a bass line that follows the same structure as each element gets added the song gets more intense and climaxes into a wall of heavy sound. We wanted to create a dark sense of unease in the track, A car in a forest driving through the fog, coming or going, running from something or towards it. Nobody knows. As dumb as it sounds that’s the visual we got from it straight off the bat.”

NEW MUSIC: Pansy – Woman of Ur Dreams

Wonky, wobbly guitar lines tumble and cascade out of the speakers with a li-fi charm on this new track from Pansy. It’s got that ramshackle vibe that reminds me of Australia’s RVG and Blank Realm. A 60’s backbeat and garage/surf-pop chime and jangle makes this a real gem.

More than three years ago, Vivian McCall, of the band Jungle Green, began transitioning, a process which inspired the songs that make up her self-titled debut album as Pansy. It comes out on the Earth Libraries label on April 2nd.

NEW MUSIC: Loco Tranquilo – Golden Flower

Here’s a really nice upbeat slice of indie folk-rock from San Francisco artist Loco Tranquilo (Julian Gervasi). Surf guitars wobble, shimmer and jangle over the bubbly punch of the rhythm section. Gervasi adds the psychedelic folk vibe with a vocal style reminiscent of Devendra Banhart – that free-spirited, trippy, grinning-at-the-sun kind of sound.

Recorded at Coyote Hearing Studios in collaboration with local producer Mackenzie Bunch (French Cassettes and Tino Drima) – it comes from his upcoming concept album being released later this year through eclectic, post-genre label Text Me Records.

Loco Tranquilo’s soft and dreamy melodies were apparently inspired by nights spent on top of coloured mountains making songs about the stars, being inspired by the beauty of nature, and meeting fellow musicians and artists on a bohemian journey towards California.

NEW MUSIC: Mt. Mountain – Peregrination (Official Video)

Perth, WA quintet Mt. Mountain released their new album Centre last week and earlier this year this great clip for the record’s second single ‘Peregrination’ was posted on YouTube. It shows the slow-build mastery of dynamics and interplay that the band have built into their music. Elements of post-rock, stoner, psych, Krautrock and more. They all intertwine and combine to form a wonderfully immersive and hypnotic listening experience where the power comes from the metronomic groove, not needing to hit a multi-pedal crescendo – but knowing they can if they want.

They say of the song: “‘Peregrination’ is a classic example of how we write together. Songs like this one generally start off as a ‘jam song’ that evolves slowly over months of playing with no real direction in place until it finds its own structure. At the end of recording, the path to get there has been stretched so long that there is barely any recollection of how the song came into existence in the first place.”

Mt. Mountain is Stephen Bailey (vocals/organ/flute), Thomas Cahill (drums), Glenn Palmer (guitar/synth), Brendan Shanley (bass), and Derrick Treatch (guitar). Centre is the band’s fourth album.

Centre is out now via Fuzz Club Records

NEW MUSIC: Mt. Mountain – Aplomb

Mantra-like, hypnotic, fluid and rolling. That’s the first impression of Mt. Mountain‘s new track ‘Aplomb‘. It sits in the psych rock camp but it possesses a looseness that’s a defining factor in what makes the song so great. Propelled by some fine bass playing and guitar that is equally important as a rhythmic tool, singer Stephen Bailey intones lyrics over the Krautrock moodiness and warm cymbal splashes below.

The song is the first single from the Perth band’s forthcoming new album Centre (Feb 26th, 2021). The band have shared stages with notable down-under comrades like King Gizzard & The Lizard Wizard and ORB, as well as a long list of international heavy-hitters including Sleep, MONO, Thee Oh Sees, Acid Mothers Temple and Moon Duo.

NEW MUSIC: Public Body – Table Manners

This new track from Brighton UK-based Public Body jerks and twists, shudders and pivots in all the right places. Conjuring up a fractured collection of frantic post-punk rhythms that somehow all come together in a head-nodding, nerve twitching song that digs in deep, both sonically and in its subject matter – capitalism and government hierarchy.

‘Table Manners’ is the fifth in a run of singles the band has released in 2019/2020. Last week the band announced they’ve recorded a new EP which is great news after such a strong bunch of tunes so far.