ALBUM REVIEW: Cable Ties – Far Enough

Cable Ties

Far Enough

Poison City Records

Cable Ties’ debut album introduced a band built on fiery punk passion and melodic post-punk intensity. Now, three years later, they taken that template and made the loud parts louder, the hooks catchier and pushed their visceral and primitive 70s rock shapes more to the fore.

Sonically, the band’s sound still recalls the stinging guitar leads and interesting song shapes of Sleater-Kinney and the brittle energy of Bikini Kill, but things are most interesting when they counter the short sharp bursts of punk energy with deep digs into repetition and heavy riffing. Krautrock insistency combined with the distorted wash of guitars on the seven minute Lani and the pummelling, deconstructed noise aspects of the equally long Anger’s Not Enough make for hypnotic listening.

Jenny McKechnie’s howls of critique and dissent still ring loud and clear, blending with the personal when she sings lines such as “My uncle Pete, he’s complaining ‘bout the Greenies, he says they’ve gone too far and I say Pete, they don’t go far enough.” She’s been writing political songs since she was singing folk songs in her bedroom but now she has the perfect vehicle for them. Far Enough is the sound of a band locked in total unison, taking chances and playing with righteous clarity. Anger is indeed an energy.

Chris Familton

NEW MUSIC: Champion Motorist – Dear Liars

‘Dear Liars’ is a new track from Melbourne post-rock duo Champion Motorist. Andrew McLaughlin (guitar & synths) and Paul Shea (drums) are clearly at the atmospheric post-metal end of the post-rock spectrum and this track, from their new EP Slight Return, travels a magnificent arc from the scene-setting tension and slow build dynamics through to the four minute mark, where that dissipates into the aether before returning with even more crunch and muscular intent.

McLaughlin spent a decade treading the boards with Melbourne group Radiant City after having played in band with Shea when they were younger. Reconnecting after twenty years, these songs apparently came quickly. You can hear it too, in the way they favour simplicity and a steady sense of order and control in their compositions.

Bands such as Smashing Pumpkins, Mogwai and Russian Circles come to mind when listening to Champion Motorist. Check out the full EP over on their Bandcamp page.

NEW MUSIC: Wilding – Swipe Right

Cosmic psych pop is the order of the day on this new track from Melbourne artist Wilding. He’s got a brand new album called The Death Of Foley’s Mall out now on Half A Cow Records and ‘Swipe Right‘ is one of a series of character-study songs Wilding wrote about people who live in his neighbourhood of Coburg, Victoria.

This single has a a brilliant build and momentum through it and guitar and synth layers that fold in and on top of the track. Fizzing melodies and an infectious thread run through the song, recalling British acts like Blur and Supergrass. There’s also a jerky undercurrent that brings to mind Talking Heads.

The Death Of Foley’s Mall is out now.

NEW MUSIC: Sunny Disposition – Rain On Your Parade

Melbourne band Sunny Disposition have that certain Australian indie rock of the 00s sound in their veins. That mix of jangly guitars, angular shapes on the fretboard, jerky, curious rhythm section explorations and a fine balance between raw emotion and intellectual musings in the lyrics and vocal delivery. ‘Rain On Your Parade‘ twists and sonically wrestles with itself quite wonderfully and brings to mind Antipodean bands such as Purplene, Jebediah and elements of Something For Kate.

Sunny Disposition formed in the early-2000s and actively played regular live shows in Melbourne and Sydney. They released their debut EP ‘Drifting by a Scene” in 2005 and have now reconvened to release their new EP Full Of Reasons, recorded over a decade ago.

NEW MUSIC: The Fainters – Guide Me To Beauty

The jangle is strong on this one, the new single from Melbourne band The Fainters. Vocals flow like Belle & Sebastian branded honey as the band sit back on the beat and let the guitars chime over high-in-the-mix drums. ‘Guide Me To Beauty’ has a loose, melancholic feel that works a treat.

Just as you think it’s going to roll on in the same fashion there’s a soft distortion that enters the fray giving some grit and sonic caffeine. Lovely, unassuming stuff all round.

NEW MUSIC: The Finch Cycle – Forty Minus Zero

There’s a wonderfully warm and rolling feel to this new track from The Finch Cycle. It’s post -rock at its core but it also dials into that beautifully emotive 90s/early 00s indie rock sound of Australian bands such as Bluebottle Kiss – when it was as important for the guitars to lull and serenade as much as they needed to swerve and coruscate. The trombone gives the track an additional depth and melancholic tone and is a key ingredient to why the track works so well for us.

Forty Minus Zero‘, and it’s single partner ‘Ale Of Steam (live)’, are the debut release from The Finch Cycle (Melbourne VIC), an instrumental project for Bradley Murray (ex owner of Wireless Records and member of the band Sunny Disposition) who recorded it in a single day, in a converted barn, on a cattle farm estate, Rochford, Victoria, Australia.

Bradley Murray – guitar 
Daniel Zugna – guitar 
Kirsty Letts – guitar 
Andrew McLaughlin – guitar 
Brendan Bartlett – trombone 
Joe Magee – bass 
Michael Evans-Barket – drums