Suede are this deep into their career and have flirted equally with the charts and the arthouse that they have earned the right to be the masters of their own destiny. Hence they’ve realised that the best Suede albums have a mix of grandiose, sweeping music and dissertations on the minutiae and unease of modern life. The Blue Hour is the third album in a … Continue reading ALBUM REVIEW: Suede – The Blue Hour
A new track and clip from Melbourne quartet Diana Radar. ‘Growing’ is their third single this year, taken from an upcoming LP or EP from recording sessions engineered by Lachlan Wooden (Primary Colours, Archie Roach), and mastered by Mikey Young (Total Control, Eddy Current Suppression Ring). ‘Growing’ is a tumbling cache of sparkling and jangling guitars and melodically rolling bass. It has that New Order, Smiths … Continue reading NEW MUSIC: Diana Radar – Growing
So far this is our favourite track from the new Interpol album. The record shows flashes of their early brilliance and though it doesn’t hold up across all tracks it’s well worth spending some time with these songs. ‘If You Really Nothing’ is Banks doing falsetto over trademark Interpol slashing guitars and tumbling drums. Continue reading NEW MUSIC: Interpol – If You Really Love Nothing
It’s hard to believe but Mudhoney are now in their 30th year of active service and on Digital Garbage, their 10th album, they show they’re still the kings of fuzzed-out punk and garage rock. Their disdain for everything fucked up about the world is still vital and biting and they don’t hold back one iota. No topic is out of bounds as they rail against … Continue reading ALBUM REVIEW: Mudhoney – Digital Garbage
Here’s some coruscating post-punk with angular sheets of guitar, drums that push and pull under the anguished howl of singer Robyn Trachsel from the band Asbest. They’re a trio out of Switzerland, probably the first Swiss band we’ve featured here at DS. Their sound caught our ear as it reminded us of the kind of existential heavy yet intelligent punk rock of Die! Die! Die!, … Continue reading NEW MUSIC: Asbest – They Kill
Press play and the first thing you’ll hear on the new Low album is the equivalent of a digital sandstorm. Slowly but surely, out of the static and sonic scree comes the voice of Alan Sparhawk, sounding like a ghost trying with all his might to re-engage with the physical world. It’s a fascinating way to open an album; a new approach for Low and … Continue reading ALBUM REVIEW: Low – Double Negative
Psychedelia out of France from The Rebels of Tijuana. This track, ‘Erotique’, comes from their new double album Asile recorded on analog tape at the Back To Mono Studio with Christian Hierro and due out on October 5th. Gallic pop drips all over this track as it digs a psych garage rock groove and follows it with swing and verve. Great video clip too. The band have … Continue reading NEW MUSIC: The Rebels of Tijuana – Erotique
The sonic alchemist that is Darren Cross (Jep and Dep, Gerling) has released the second single from his new LP Peacer. ‘Sur La Vague (Drive Me Nuts)’ is a persistent ear-worm of a track. Over a Krautrock rhythm he weaves a mantra-like vocal peppered with hovercraft synths and saxophone. It’s that sweet blend of downbeat and uptempo – a kaleidoscopic, left-of-centre, pop nugget that brings … Continue reading NEW MUSIC: Darren Cross – Sur La Vague (Drive Me Nuts)
Darren Cross has just released his second solo LP PEACER, a 100% self-recorded and independent album that finds him balancing the day-glo deconstructed indie guitar pop of his years as the main-man in Gerling and his more recent dark avant-folk leanings. The first single and video from the album is ’90’s High’, a song with a strong sonic link to that peaking rush of Gerling … Continue reading NEW MUSIC: Darren Cross – 90’s High
Peter Bibby is back with a video clip for his new single ‘Work For Arseholes’. It comes from a brand new record called Grand Champion which is set for release on September 28th via Spinning Top Records. ‘Work for Arseholes’ is a song about bad habits, self-reflection and pride, for better or worse. “I wrote it to make myself feel better about being a thirsty, … Continue reading NEW MUSIC: Peter Bibby – Work For Arseholes
Over the last 30 years you’d be hard pressed to find an artist who has equally embraced music that appeals equally to the commercial pop world and the more discerning and eclectic listener. Damon Albarn really is a man for all seasons, a polymorphic, post-modern songwriter with an insatiable creative streak that has seen him find success, primarily in Blur and Gorillaz, but also with … Continue reading ALBUM REVIEW: Gorillaz – The Now Now
Johnny Marr has proven himself time and time again. Whether it’s the legacy of The Smiths, his collaborative work with Electronic, The The, Modest Mouse and countless other projects, a fascinating autobiography or just his commitment to always moving forward. He’s now three albums deep into his solo career and Call The Comet finds him settling into his most natural and cohesive sound to date, … Continue reading ALBUM REVIEW: Johnny Marr – Call The Comet
Doubtful Sounds 