ALBUM REVIEW: Julia Holter | Loud City Song

by Chris Familton Over the space of a few years Julia Holter has quickly established herself as a composer, songwriter and singer with a special talent for creating sonically exquisite music. Hers is a musical style that channels classical, jazz, folk, electronica and the avant-garde and Loud City Song stands as her most fascinating and fully realised album to date. There is a feeling akin … Continue reading ALBUM REVIEW: Julia Holter | Loud City Song

REVIEW: Bad//Dreems | Badlands EP

by Chris Familton Mix small town pessimism, youthful optimism, suburban nihilism and a lo-fi aesthetic and you have some of the ingredients that make the essential sound of Bad//Dreems on their superb Badlands EP. The Adelaide natives have been teasing/threatening us for a while now with a string of singles (Chills, Tomorrow Mountain and Caroline) and now those songs plus another trio of equally terrific … Continue reading REVIEW: Bad//Dreems | Badlands EP

LIVE REVIEW: Wavves, Unknown Mortal Orchestra @ The Standard, Sydney (25/07/13)

by Chris Familton This was a night where two bands rooted in guitar music came together from quite different directions. Wavves drew the notably larger crowd on the back of their notoriety and accesibile punk pop while Unknown Mortal Orchestra drew from the well of classic psych rock and soul music. One band caressed and cajoled their melodies while the other shouted and bashed out … Continue reading LIVE REVIEW: Wavves, Unknown Mortal Orchestra @ The Standard, Sydney (25/07/13)

ALBUM REVIEW: Daughn Gibson | Me Moan

by Chris Familton On his debut album Daughn Gibson painted a fascinating world soundtracked by Americana, electronica and gothic balladry. The artwork for that album was subdued black and white and fittingly, in line with the music within, the cover of Me Moan is a darker themed explosion of pink and purple sexual and religious imagery. Gibson has taken the basic musical premise of All … Continue reading ALBUM REVIEW: Daughn Gibson | Me Moan

NEWS: Universal announce ‘In Utero’ 20th Anniversary Reissue

For many In Utero is their favourite Nirvana LP where the band carved out their most unique collection of songs and felt like they were developing into something truly special outside the hype and platitudes of press and mass appeal. Indeed their reaction to that and everything else that was happening in Cobain’s world ran deeply through the record. Universal Music Enterprises will commemorate the … Continue reading NEWS: Universal announce ‘In Utero’ 20th Anniversary Reissue

ALBUM REVIEW: Eleanor Friedberger | Personal Record

by Chris Familton Eleanor Friedberger has followed up her 2011 debut album relatively quickly and for that we should be thankful as it continues where that record left off with razor sharp observations of life and love in her typically infectious and deceivingly poetic manner. The four year hiatus of The Fiery Furnaces has been a golden period for Friedberger, allowing her to spread her … Continue reading ALBUM REVIEW: Eleanor Friedberger | Personal Record

ALBUM REVIEW: Queens of the Stone Age | …Like Clockwork

By Chris Familton Just over a decade after their defining and most successful album Songs For Deaf, Josh Homme and gang return with their sixth studio record in the highly anticipated …Like Clockwork. Since that 2002 peak the band have increasingly explored darker, more eclectic musical territory and while much of it was brave, genre defying and often fascinating there was always the nagging question … Continue reading ALBUM REVIEW: Queens of the Stone Age | …Like Clockwork

ALBUM REVIEW: Beaches | She Beats

by Chris Familton Melbourne quintet Beaches produce an excellent debut album five years ago that reinforced the continued relevance of creative guitar music. Thankfully the group have again convened to collectively pen a new batch of free-ranging, sonically psych-imbued songs that highlight their ability to compose songs rich in melody across an expansive musical terrain. In some ways Beaches are an instrumental band. Sure they have … Continue reading ALBUM REVIEW: Beaches | She Beats

ALBUM REVIEW: Fat Freddy’s Drop | Blackbird

by Chris Familton Fat Freddy’s Drop don’t rush things with this only their third full length album in 14 years (excluding a pair of live albums). That steady approach is also one of the defining aspects of their sound and their propensity for slowly evolving electronic, soul, dub and funk workouts that equally nurture listener’s limbs and ears. Blackbird is without doubt their most cohesive … Continue reading ALBUM REVIEW: Fat Freddy’s Drop | Blackbird

ALBUM REVIEW: Smith Westerns | Soft Will

by Chris Familton Smith Westerns still feel like newcomers pushing to assert themselves amongst a group of already established friends but they are now up to album number three, a fact that nullifies any flash in the pan claims for the band. On Soft Will they continue to mine the same vein of power pop and glam infused indie guitar pop but there is a … Continue reading ALBUM REVIEW: Smith Westerns | Soft Will

ALBUM REVIEW: Kirin J Callinan | Embracism

by Chris Familton Finally the debut solo album from Sydney’s mercurial Kirin J Callinan sees the light of day. As a member of Mercy Arms and subsequent sonic game changer for Jack Ladder he has become a familiar figure on the local music scene. After the disconcerting music clips that preceded it this felt it was going to be a special album and indeed the … Continue reading ALBUM REVIEW: Kirin J Callinan | Embracism