NEW MUSIC: Okkervil River – Don’t Move Back To LA

Okkervil River_Press Shot 2_Credit TBC

Okkervil River continued the momentum they gained from touring their last album, Away (2016) and recorded this new batch of Will Sheff songs for In The Rainbow Rain, due out on Friday, April 27 on ATO Records via [PIAS].

On the album, Sheff has penned songs that present a declaration of hope, exploring the bravery of optimism and the beauty of community.

In The Rainbow Rain is a ten-song collection written by Sheff with contributions from his new band mates, Benjamin Lazar Davis (bass), Will Graefe (guitar), Sarah Pedinotti (keys) and Cully Symington (percussion) – the same iteration of Okkervil River that joined Sheff on the Away tour. “It was my favourite touring experience I’ve had since 2003, the first time we went over to Europe,” recalls Sheff. “I felt like a kid again. I realised how phenomenally lucky I am that I’ve been able to play music for this long.

1. Famous Tracheotomies
2. The Dream And The Light
3. Love Somebody
4. Family Song
5. Pulled Up The Ribbon
6. Don’t Move Back To LA
7. Shelter Song
8. How It Is
9. External Actor
10. Human Being Song



VIDEO: Dictaphone Blues – Bully

DB Wall Smile_preview

Aucklander Edward Castelow has unveiled a new pop-tastic sound with the first single from his new EP due out next month. The video has been floating around the internet for a few months now but it’s worth revisiting or checking out for the first time if you haven’t seen/heard it. In the past Edward has written in more of an indie/alt-pop style, more similar to The Shins than the day-go pop of ‘Bully’. Here it’s all about the production and that sugary melodic, musical rush.

ALBUM REVIEW: Kyle Craft – Full Circle Nightmare


This is Kyle Craft’s second album; his first set a high bar with its songs of underground heroes and misfits and now he’s taken that momentum and set one dizzying and rambunctious musical snowball in motion.

Craft is still mining the same stories he relishes and excels at, singing of junkies and angels, late night bars, existential crises and the overwhelming worlds of love and lust. He packs a plethora of words into his songs like a pop-up jack-in-the-box, rhyming couplets and lyrics tumbling out with unabashed emotion and enthusiasm as he swings from sweet crooning to bluesy howls. The deal breaker is his voice which serves as the perfect delivery method for his voluminous tales. There’s more than a touch of Dylan-esque fantastical imagery, stream of consciousness and kaleidoscopic word association that allows his rock ’n’ roll songs to embrace psych-pop and country soul – like Syd Barrett dancing with The Band.

Heartbreak Junky finds the best balance between frantic musical rush and measured poeticism while Belmont (One Trick Pony) comes off as a cross between Jack White and Jet. “Stranded down on Silver St, just throwing bottles at the Delta Queen” is one of many fine lines on Slick & Delta Queen as Craft paints his compelling vignettes. It sums up the wild streak of creativity that Craft is riding for all its worth on Full Circle Nightmare.

Chris Familton

PREMIERE: Hoolahan – Instant Gain

Hoolahan Press #1 Gatefold

After a 10 year break, Sydney quartet Hoolahan returned to active duty last year with the release of their Wayne Connolly-produced album Casuarina.

We’re pleased to premiere the video clip for the second single from the album, ‘Instant Gain’. It’s a song draped in chiming guitar, keening and bittersweet vocal melodies and the kind of brisk rhythm you might find propelling a song by The Chills. Precise, refined yet heartfelt songwriting par excellence.

The band will be launching the single at a show at the Marrickville Bowling Club, Sydney on March 9th.

The Hoolahan Story

Songwriters and childhood friends Tim Kevin and David Orszaczky grew up together in Canberra, swapping tapes and learning guitar via the pause/play button. Soon after moving to Sydney they formed Hoolahan with Harry Roden and Neil Bateman.

After a handful of early singles, the band’s debut King Autumn was the first album released on Sydney’s revered Ivy League label. Now hailed as a lost classic, upon release it earned glowing reviews and national airplay.

Following King Autumn’s release the band toured nationally, playing the Big Day Out festival and performing with the likes of You Am I, Grant McLennan and Robert Forster, Ash, The Vines and Swervedriver. Hoolahan split in 2007 but remained close friends.


PREMIERE: The New Single from Dave Graney & Clare Moore

Dave Graney and Clare Moore

Dave Graney & Clare Moore (The Moodists – Dave Graney and the Coral Snakes and currently Dave Graney and the mistLY) have been making music together since the late 70’s with shared involvement in over 30 albums.

Doubtful Sounds are pleased to premiere their brand new single ‘Song Of Life’, with an accompanying clip featuring footage of the sartorially elegant pair in Luxembourg last year. The song follows their 2017 album Let’s Get Tight.

‘Song Of Life’ is a lush and slinky, jazz-tinged slice of lounge pop. It sashays out of the shadows on a low, loose and liquid groove, recalling everyone from David Sylvian to Morphine, Style Council to Serge Gainsbourg.

Dave Graney & Clare Moore 2018 Tour Dates:

  • Feb 7th Dave Graney and Clare Moore at Smiths Alternative in Canberra, ACT
  • Feb 8th Dave Graney and Clare Moore at DisGracelands, Wollongong, NSW. SOLD OUT!
  • Feb 9th Dave Graney and Clare Moore at the Agrestic Grocer, Orange, NSW
  • Feb 10th Dave Graney and Clare Moore at the Metropole Guesthouse in Katoomba, NSW
  • Feb 11th Dave Graney and Clare Moore at Dangar island Bowling Club, NSW,
  • Feb 16th – Dave Graney an the mistLY at the Grand Hotel, 124 Main st – Mornington, Victoria
  • Feb 17th – Dave Graney solo at the Gem bar , Wellington st Collingwood.
  • Wed 21st Feb, a WORKSHY event at Geelong Library in Victoria
  • Thursday Feb 22nd, a WORKSHY event at Avid Readers in Brisbane.
  • Friday Feb 23rd Dave Graney and Clare Moore at the Bison Bar in Nambour, Qld
  • Saturday Feb 24th Dave Graney and Clare Moore at THE JUNK BAR in Ashgrove , Qld – SOLD OUT 4pm matinee show now added! SOLD OUT
  • Sunday Feb 25th Dave Graney and Clare Moore at THE JUNK BAR in Ashgrove, Qld.(4pm SOLD OUT
  • New Show added for 7pm Sunday 25th )
  • March 11th Dave Graney and the mistLY at SOUNDS IN THE SECRET GARDEN – the Events Foundry,74 Brougham st, Geelong.
  • Sundays in April – Dave Graney and the mistLY at the Croxton Hotel front room – Coburg, Victoria
  • April 28th – Dave Graney and the Coral Snakes – Dashville/Gumball Festival – NSW
“The Serge Gainsbourg/Lee Hazelwood/Jim Morrison/Scott Walker/Skip Spence/Ern Malley/Lenny Bruce of Australian music. A genius songwriter with effortless presence and command, and yet also an invisible chameleon, a reflecting surface, an anonymous conduit.” – Stewart Lee

NEW MUSIC: Tropical Fuck Storm – You Let My Tyres Down


Tropical Fuck Storm (TFS) have released the video clip for their splendid new single ‘You Let My Tyres Down’, complete with red wine, robes, rivers and spaghetti. The B-side is a cover of ‘Back To The Wall’ by The Divinyls, sung by Fiona Kitschin and Erica Dunn.

‘You Let My Tyres Down’ is a mutant swamp-pop blazer, surveying Melbourne’s suburban underbelly with a free flow of hair-raising imagery (“I grew up around her family / And they were such a bunch of losers / Anchored only to each other / On a sea of vodka cruisers”).
As Gareth Liddiard explains, “You Let My Tyres Down is basically about the real word; ordinary life, and how drab and featureless it seems until you write it down, and then you see it’s pretty wild. They say that good books make shit movies and shit books make good movies. So if you’re depressed and you feel like your life resembles a shit book, congratulations.”


Also announced is their debut LP, A Laughing Death In Meatspace which will be released on May 4th on Mistletone / TFS Records.

LIVE REVIEW: Pissed Jeans @ OAF, Sydney 2017


Pissed Jeans, BB & The Blips, L.A Suffocated @ Oxford Art Factory 6th Dec 2017

After the unfortunate dropout of the original support acts, relative unknowns La Suffocated and BB& The Blips stepped in to warm the crowd and set the scene for Pissed Jeans’ first show on Australian soil.

IMG_1177L.A Suffocated only played a handful of songs, with a low-key vibe from behind their table of electronic devices. The duo displayed a nice blend of modern rhythmic drive and nostalgia 80s synth sounds, brushed with a rough-edged and slightly industrial atmosphere. Vocals appeared on a couple of songs and showed potential to drag their instrumentals into fully fledged songs.

BB & The Blips took us into prime punk territory with a full band and one gear (fast) approach. The guitars were thin and nervy sounding around their drummer who was the binding glue for the band. Front-person BB was a dynamic and commanding presence, prowling, bouncing and shimmying front of stage. Her vocals provided the colour and spirit to the songs – all yelps, screams and exuberant sweet/sour melodies. Fun punk rock with a conscience.


The enigma that is Pissed Jeans – are they serious or taking the piss, are they post-punk/metal/sludge rock? – sauntered on stage and kicked off an hour of wholly entertaining, brutal and hip-swinging heavy music. The answer to the aforementioned question is obviously ‘all of the above’. From their name to their lyrics and stage performance they both honour and deconstruct the myth and cliches of rock and hardcore music. As the band laid down malevolent riffs and tumbling, mangled and constantly shapeshifting rhythms, front-person Matt Korvette played the role of the rock star and anti-rock star, both posturing and showing disdain for convention. He tore -t-shirts, humped mic stands, used the stage curtain as a towel and feigned tears as they staggered and vicariously stumbled through their back catalogue, with a particular focus on their recent album Why Love Now. Moshing ensued, a stage invader ate concrete as he launched himself back into the parting audience and the band laid waste to a cover of Guns n Roses It’s So Easy that was more reverential than one might expect. That’s the glorious dichotomy of Pissed Jeans.

Chris Familton

TOUR NEWS: Suzie Stapleton returns to Australia

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photo by Steve Gullick

Sydney-born alternative artist Suzie Stapleton is heading to Australia in March for a long awaited homecoming tour. This is Stapleton’s first time back to Oz since relocating from Melbourne to London in 2015. Over the past three years she has been captivating UK & European audiences with her electric live performances, midnight vocal, and guitar-driven noir soundscapes whilst touring with artists such as Mark Lanegan, Mick Harvey, and Jim Jones & The Righteous Mind.

The tour coincides with the release of new single “Negative Prophet”, an isolated protest in an oversaturated world where the powerful feed on the powerless. Spurred on by Stapleton’s delicate, blues- tinged guitar lines the song builds with layered ebow and loops, along with bass and bowed double bass performed by guest musician Fred Lyenn Jacques (Mark Lanegan Band / Lyenn). As the cathartic din reaches a crescendo Stapleton howls “Oh God, do you believe in me?” – a sentiment of hopelessness that reverberates loudly in the current sociopolitical climate. The track was recorded and produced by Stapleton in her home studio and mixed by engineer Drew Smith (PJ Harvey, Ed Harcourt).

Stapleton’s Other recording credits include appearing as guest vocalist on Lydia Lunch & Cypress Grove albums “Under The Covers” (2017) and “Twin Horses” (2014) as well as ongoing involvement in The Jeffrey Lee Pierce Sessions Project (feat. Iggy Pop, Nick Cave, Debbie Harry, Thurston Moore +). Stapleton first appeared on the project’s 2014 album “Axels & Sockets” and a fourth and final album in the series is currently in production.

These shows will be solo performances though an album is anticipated later in the year with Stapleton’s UK band which features bassist Gavin Jay (Jim Jones Revue/Righteous Mind) and drummer Jim Macaulay (The Stranglers).

“An unmissable opportunity to see one of the most exciting emerging talents on the London scene before she hits the big time” Louder Than War (UK)

“What she actually sounds like – more than anything – is Suzie Stapleton. The emerging wave of assertive and gifted female artists is both urgently needed and one of the few bright spots in an otherwise ever more worrying world.” Tom Robinson, BBC/Fresh On The Net (UK)

“The truth is that Suzie Stapleton is streets ahead of so many singer/songwriters that success seems inevitable. I can only assume the majors are scampering with intent toward her right now.” I-94 Bar (AUS)

Australia 2018 ALL DATES - WEB