by Chris Familton Recorded at Terminal 5 in New York in July 2011, Live In NYC marked the release of Jane’s Addiction’s most recent studio album The Great Escape Artist. As with most live albums you are left with a ‘you had to be there’ feeling but as far as aural representations of live shows go this is a dynamic, visceral and sonically engaging recording. … Continue reading ALBUM REVIEW: Jane’s Addiction | Live In NYC
by Chris Familton This was a night where two bands rooted in guitar music came together from quite different directions. Wavves drew the notably larger crowd on the back of their notoriety and accesibile punk pop while Unknown Mortal Orchestra drew from the well of classic psych rock and soul music. One band caressed and cajoled their melodies while the other shouted and bashed out … Continue reading LIVE REVIEW: Wavves, Unknown Mortal Orchestra @ The Standard, Sydney (25/07/13)
By Chris Familton Just over a decade after their defining and most successful album Songs For Deaf, Josh Homme and gang return with their sixth studio record in the highly anticipated …Like Clockwork. Since that 2002 peak the band have increasingly explored darker, more eclectic musical territory and while much of it was brave, genre defying and often fascinating there was always the nagging question … Continue reading ALBUM REVIEW: Queens of the Stone Age | …Like Clockwork
by Chris Familton Melbourne quintet Beaches produce an excellent debut album five years ago that reinforced the continued relevance of creative guitar music. Thankfully the group have again convened to collectively pen a new batch of free-ranging, sonically psych-imbued songs that highlight their ability to compose songs rich in melody across an expansive musical terrain. In some ways Beaches are an instrumental band. Sure they have … Continue reading ALBUM REVIEW: Beaches | She Beats
by Chris Familton This feels like the big one for the Wellington sextet, even before it was released there were ads and editorial appearing in international music magazines like Uncut and MOJO and a real sense of coming of age has been in the air. Not that they haven’t already arrived, their preceding albums all contain absolute gems of literate guitar pop (Hitchcock, 40 Years, … Continue reading ALBUM REVIEW: The Phoenix Foundation | Fandango
by Chris Familton Glass Towers have been fine tuning their brisk indie guitar tales of young love, lost and won for a couple of years and they played an almost seamless set of cascading guitar melodies and energetic enthusiasm, particularly singer/guitarist Ben Hannam who manages to combine the sound of Robert Smith, Morrissey, Alex Kapranos and Ian McCulloch in his wounded yelp. They lacked any … Continue reading LIVE REVIEW: Toy, Glass Towers @ Oxford Art Factory, Sydney (19/06/13)
by Chris Familton Now into their third decade Primal Scream have carved out a varied eclectic career that has taken in punk, pop, electronic, psychedelic, krautrock, rock n roll and americana influences, sometimes playing them straight and other times twisting and mutating combinations of them into new and exciting forms. More Light is their most cohesive attempt at bringing all the facets of their music … Continue reading ALBUM REVIEW: Primal Scream | More Light
by Chris Familton Kurt Vile’s last LP Smoke Ring For My Halo made good all the promise he had showed in flashes on his earlier albums and so, with expectation hanging heavy in the air he has gone and taken that template, tightened its sound and expanded its possibilities on the superb 69 minute Wakin On A Pretty Daze. Ten minute opener Wakin On A … Continue reading ALBUM REVIEW: Kurt Vile | Wakin On A Pretty Daze
Melbourne quartet Beaches return with their second album She Beats, out May 3rd on the ever excellent Chapter Music label. Their debut was a brilliant mix of bittersweet psychedelic rock woth shades of krautrock and jangly guitar pop. They’ve refined that mix even further on their new single Send Them Away which sounds very reminiscent of New Zealand’s The Bats. I’m really looking forward to … Continue reading NEW MUSIC: Beaches | Send Them Away
by Chris Familton Everyone heading to the Sydney Entertainment Centre would have been sure of one thing – that they were about to experience arguably the greatest rock vocalist of the last forty years. For many there would have also been doubts about whether they were going to get a trip down Led Zeppelin memory lane or whether Robert Plant would be exploring his fascination … Continue reading LIVE REVIEW: Robert Plant & The Sensational Shape Shifters @ Sydney Entertainment Centre (28/03/13)
by Chris Familton Bruce!, a name so good it warrants an exclamation mark, hail from the Wollongong area and brought some of their no-frills rock up to the big smoke. They played hard, fast and exceptionally tight rock and showed their record collections are probably populated with albums by bands like Misfits (who they covered), Clutch and Queens of the Stone Age. Having three vocalists … Continue reading LIVE REVIEW: Endless Boogie @ Goodgod Small Club, Sydney (27/03/13)
by Chris Familton Melbourne garage rock renaissance man Mikey Young has his hand in a plethora of projects both as a producer and as guitarist in Eddy Current Suppression Ring and Total Control. Here Ooga Boogas expand on the sound of the last Total Control album by taking a trip into new wave, 70s punk and the type of agitated funk that everyone from Talking … Continue reading ALBUM REVIEW: Ooga Boogas | Ooga Boogas
Doubtful Sounds 