Jamie Hutchings’ new band Infinity Broke is something of a return to the noisier exploratory guitar rock that he mastered so well with Bluebottle Kiss. As well as featuring Scott Hutchings and Rueben Wills the quartet also includes Jared Harrison (Bluebottle Kiss) on drums and as they enter the final stages of pressing up vinyl copies of their debut LP they’ve just released a clip for … Continue reading INFINITY BROKE | New video + new single
Noisy psych guitar pop is in abundance in New Zealand at the moment and the cream of the crop like Popstrangers, Surf City and these fine gentlemen, T54, are improving with each new release. Flying Nun is a natural home for the band as they deal equally and unassumingly in melody and adventurous sonics, soaking up the influence of their predecessors like 3Ds, JPS Experience … Continue reading ALBUM REVIEW: T54 | In Brush Park
EMA (Erika M. Anderson) has a new album The Future’s Void coming out in Australia on April 4th (7th USA) and if this first single is anything to go by she’s headed in much more of an electronic direction. Satellites is full of bursts of static, distorted synths and vocal hooks that could easily pass as something from the visceral end of a Depeche Mode’s … Continue reading WATCH: EMA | Satellites (2014)
Three years after their debut album, Surf City return with another batch of songs that maintain the dense, opulent melodies and archetypal kiwi indie sonics but now built around a more confident compositional core. From the outset the band fall straight back into the deep end of their hooky, slacker vocal delivery with oohs and doo doos aplenty. Their songs are deceptively simple, based around … Continue reading ALBUM REVIEW: Surf City | We Knew It Was Not Going To Be Like This
This is Cave and cohorts fourth live album, capturing them at in interesting junction in their career with Grinderman running its course, Push The Sky Away being the first album to not include founding member Mick Harvey and unlike some of its more varied predecessors it is for the most part considered and restrained in its delivery. Live from KCRW continues that mood, even when … Continue reading ALBUM REVIEW: Nick Cave & The Bad Seeds | Live From KCRW
Batpiss kicked things off with a blistering set of punk rock riffs and barked/screamed vocals with rhythmic deviations and a melodic interplay between the guitar and bass elevating them above generic thrashers. One song dropped the BPM considerably, for part of it at least, with the resultant dark and doomy groove sounding like Earth and a sign that the band can match their live intensity … Continue reading LIVE REVIEW: METZ @ Goodgod Small Club, Sydney (05/12/13)
Callinan is still spreading the good word on foreign shores (including CMJ) and getting great praise for his shows and album Embracism ahead of a return to Australia to play Laneway and support for Savages in January. He has also just released the video for one of my favourite Embracism tracks, the slow, bruised grace of Landslide. Continue reading WATCH: Kirin J Callinan | Landslide
It has been a six years since Jamie Hutchings put Bluebottle Kiss on indefinite hiatus to focus on what has become a successful solo career with each solo release met with growing critical acclaim. Now Hutchings has returned to a fuller, noisier and more rhythmically intense sound with his new band Infinity Broke which features ex Bluebottle Kiss drummer Jared Harrison alongside regular Hutchings collaborators … Continue reading NEWS: Jamie Hutchings unveils new band Infinity Broke
When you first hear 12 Omeros you are immediately welcomed and drawn in by the beautiful meandering rhythms of ‘(You’ve Got Your) Face On Straight’. The song smoothes out the stress lines with its meandering slouch and slither approach, not dissimilar to dub in the hands of some neurotic city dwellers and they then cheekily set you up for more of the same hazy comfort music with … Continue reading ALBUM REVIEW: Sharpie Crows | 12 Omeros
by Chris Familton The years roll by but New Zealand seems to have the consistent knack for throwing up bands that continue the lineage that was formed in the early 80s while still carving out a niche for themselves in the overcrowded world of left-of-centre guitar rock. Popstrangers have already released a stellar record this year and now Ghost Wave have turned potential into an … Continue reading ALBUM REVIEW: Ghost Wave | Ages
by Chris Familton Recorded at Terminal 5 in New York in July 2011, Live In NYC marked the release of Jane’s Addiction’s most recent studio album The Great Escape Artist. As with most live albums you are left with a ‘you had to be there’ feeling but as far as aural representations of live shows go this is a dynamic, visceral and sonically engaging recording. … Continue reading ALBUM REVIEW: Jane’s Addiction | Live In NYC
by Chris Familton On his debut album Daughn Gibson painted a fascinating world soundtracked by Americana, electronica and gothic balladry. The artwork for that album was subdued black and white and fittingly, in line with the music within, the cover of Me Moan is a darker themed explosion of pink and purple sexual and religious imagery. Gibson has taken the basic musical premise of All … Continue reading ALBUM REVIEW: Daughn Gibson | Me Moan
Doubtful Sounds 