NEWS: Golden Fang release the first single from their new album

Sydney band Golden Fang announce the release of ‘Don’t Take Your God To Town’, the first single from their fourth studio album, Here. Now Here. (produced by Jay Whalley of Frenzal Rhomb), due out on August 7th, 2020.

Golden Fang, a melodic guitar band that captures the joys and contradictions of life in Sydney’s Inner West, are an indie rock group in the truest sense – independently releasing their own unique blend of rock music since 2014.

Cast an ear back across the last three decades and you’ll hear the influence of the Pixies, The Drones and Straitjacket Fits mixing sonically with the dirty grooves of the Bad Seeds and The Cruel Sea. Like local Sydney acts such as Peabody, Bluebottle Kiss and Crow, Golden Fang are a band that know how to harness poetry and visceral rock ’n’ roll.

Receiving its world premiere on UK indie website Backseat Mafia, ‘Don’t Take Your God To Town’ announces its arrival with clanging guitar chords and a primitive rhythm before it blossoms into sweet and reticent vocal and guitar melodies. Musically there’s both a tumbling swagger and a haunting shoegaze quality, courtesy of the guest vocals of artist Donna Amini, that gives it a beguiling, contradictory sound.

‘Don’t Take Your God To Town’ is in tune with bands such as the Pixies, Nick Cave and even a touch of the Tindersticks – you get the picture: intelligent, driving music with a touch of gothic grit and a hint of late night smoky bars, a squinting eye and clenched teeth. Melodic malevolence at its finest. Golden Fangs indeed.”
– 
Arun Kendall (Backseat Mafia)

Of the song, singer/guitarist Carl Redfern says, “‘Don’t Take Your God To Town’ was a song that took me a while to write. It started out specifically being about a dysfunctional personal relationship but eventually ended up being less specifically a dark groove and meditation on the feeling of dread and hopelessness I, and I’m sure many people, feel when looking at the seemingly endless parade of grifters and corrupt fanatics that infest social media and public life. The abandonment of reason in the denial of climate change, the horror-show of border policing and the sobering realisation that “we’ve” lost all these battles.”

From the melancholic, melodic classicism of opener ‘Clouds Go Round’ to the gritty power-pop of ‘Bad Actors’, the cowbell suburban hoedown of ‘Cowboy For Love’ (a love song dedication to good friend and confidant of the band – Jo Meares) to the punk rockabilly rave of ‘Jonny Your Money’s No Good’ and on through the dark gothic dissonance of ‘Tonight We’re Gonna Party Like It’s Dunedin 1989’ and the wandering autumnal psychedelia of ‘Gold Chains And Card Games’ – the range and depth on display across Here. Now Here. marks it as a cohesive statement of modern Australian guitar rock.

In recording sessions at his Pet Food Factory studio in Marrickville, NSW, during Australia’s black summer of 2020, producer Jay Whalley (of Frenzal Rhomb)has captured the sound of a band that doesn’t hide its rough edges. It celebrates the energy and swagger of their live shows and the artful belligerence of Redfern’s lyrics and delivery. The earthy quality of his voice and questioning lyrics add a layer of irreverence and intimacy to the music as it weaves and crashes around him.

“It’s the first album we’ve done where the line up has had a sense of stability about it and where we were writing and working on the songs with an eventual album being the main focus while putting the songs together,” explains Redfern. “For Here. Now Here. we allowed ourselves a bit more time so that we could get things as we wanted them rather than how they ended up on the day! In that regard I think we can say it’s our most considered album.”

“Musically the album has a harder or darker edge than our previous work but draws water from some of the same wells as we have on previous albums with songs about anxiety, personal reflection and nostalgia with a healthy dash of humour thrown in. We cycle through lots of songs pull them to pieces, chop them up and mould them till we’re left with a collection of tunes that everyone is happy with. We’re kind of like a rock n roll Rotary Club,” grins Redfern.

NEW MUSIC: Chappaqua Wrestling – Football

Brighton UK duo Chappaqua Wrestling make a bold dash for indie guitar heaven on their new single ‘Football‘.

Chiming guitar chords ring out, stepping through a melody that conjures up the sound of New Zealand indie rock of yesteryear, the skewed pop-nugget quality of Sonic Youth’s most accessible moments and the melodic brilliance of Australia’s Underground Lovers. The jangle is balanced by a warm guitar fuzz while a keening, nonchalant vocal rides the sonic wave.

Great stuff all round from Charlie Woods and Jake Mac, who have clearly also been influenced by fellow countrymen on labels such as Creation Records.

NEW MUSIC: The Earnest Spears – Liar

Straight outta the gates come The Earnest Spears with four-to-the-floor drums, wired, frantic, distorted and heavily reverbed guitar that flails and hammers in equal amounts. The vocals are pretty much indeciperable but hey, it’s all about the energy and the post-hardcore, psych-punk riff and pummel on ‘Liar‘, the first of a run of singles the Worcester, UK group have got coming in 2020.

Last year the quartet released their debut EP Sincere and Intense Conviction.

If you dig IDLES, Refused, METZ, Shame etc then these guys might be up your alley too.

NEW MUSIC: Lewis Goldmark – Twilighting

Lewis Goldmark is the name of the new project from Liam Judson, best known for his work with Belles Will Ring and his production work with bands such as Rolling Blackouts Coastal Fever and Cloud Control. ‘Twilighting‘ is his debut single and the first taste of a full-length album, set for release in 2020.

The single is a warm and wistful slice of indie guitar pop. There’s a nostalgic and atmospheric psychedelic streak winding through the chiming six-string action that recalls the more subtle moments of Sonic Youth. There’s also a super-catchy chorus that hits the melodic heights of bands such as The Chills.

“Twilighting is a way of me describing the moment just before sleep where your brain wanders off into the craziest thoughts and you accept them – only to realise how crazy they are if you happen to snap out of it and wake up. The fact that you don’t see them as strange thoughts when they’re happening is interesting to me. It’s the twilight of going to sleep. The guitars are meant to glow and represent the purple and pinks of late sunset.”

NEW MUSIC: Seatbelts – Sinful City

The jangly art-pop factor is high on this new track from the new project based around James Madden and Ryan Murphy of Liverpool indie pop quartet, Hooton Tennis Club. The horns are the clincher, giving it a soft soul sound before a fuzzed out guitar solo brings the song to an abrupt halt. Infectious as hell too. Reminds us a bit of a cross between The Phoenix Foundation, Parquet Courts and The Coral.

‘Sinful City’ explore the themes of capitalism, modernisation, and escapism touched upon on Seatbelts’ previous EPs. Big city living has its drawbacks – one can fnd themselves in high demand. How is our sense of self influenced by the temptations found in the shimmery delights of the modern city? “A lifestyle on constant trial… Despair and desperation take hope”, sings James Madden (vocals/guitar), his urgent vocal delivery painting a picture of an inner drama unravelling: a final attempt to seek beauty, hope, and clarity within a sinful metropolis.

NEW MUSIC: IDLES – A Hymn

IDLES have released ‘A Hymn’, a new single and accompanying video clip from their forthcoming new album Ultra Mono, set for release on 25 September 2020 on Partisan Records.

The music video features the band driving with their parents through their hometown streets to the shops, providing a grey window into suburban English life that matches the song’s heavyhearted churn.

Frontman Joe Talbot says of the song: “‘A Hymn’ is a hymn that rejoices in the sinister flesh-eating virus of the pedestrian. It sings the tune of normal’s teeth sinking into your neck as you sleep stood up with your eyes open. Amen.”

Pre Order / Pre Save

I want to be loved Everybody does I find shame in the crack-like corpse un-cadaver reign I want to be loved Everybody does I find shame gripped tight like your withering fame We made it Shame.

Hot Zumba classes at the new church I lost ten pounds for the wedding I played happy til my teeth hurt Sofa surfer extraordinaire Lambert’s ash in my falling hair, yeh.

I want to be loved Everybody does I find shame cuts rips real nice as we change lanes We made it I want to be loved Everybody does We made it We made it

Shame.

Teletext has a place in my heart Ten percent discount, I’ll show you how Gregory’s birthday in a placid town, wow Janine held the flag with white knuckles I’m burning the Astra til the wheels buckle, yeh.

I want to be loved Everybody does

Shame Shame.

NEW MUSIC: Buddy Glass – Wasted Habit

Sydney songwriter Buddy Glass (Bruno from Peabody) is back with a brand new single and video, his first since he released his self-titled solo album in 2014. ‘Wasted Habit’ comes from his forthcoming new album Wow & Flutter, due out September 4th on Glass Half Empty Records.

‘Wasted Habit’ is a hard-strummed acoustic and densely fuzzed out electric shakedown. There’s desperation and anxiety in the frantic twitch and thrash of its sound, like clinging on for dear life as you hurtle towards the inevitable.

“I recorded the vast majority of the album on 4-track cassette in the back room of my house in Marrickville, in between dogs barking and babies crying – but this track was done on a digital 8-track machine I’ve had for over 20 years.”

Buddy Glass on ‘Wasted Habit’:

“It’s a song about knowing the outcome of a situation before it happens, but nothing you try to say or do stops you from taking the steps necessary to fulfill that outcome, even when that means a raw deal for everyone involved. It’s like being in a car crash but also witnessing it from the outside. It’s essentially about determinism over free will. The video clip features me flailing and dancing around in a cat mask in a David Lynch-style room. My friend said it was like Ian Curtis trying to dance like Peter Garrett. I hope that’s accurate.”

NEW MUSIC: Peter Bibby – Whyalla

Great new song from the esteem larrikin-rock exponent Peter Bibby. The verses sound like S.P.U.D/Solid Gold Hell from 90s Auckland. Countered by the sweet chorus, the song goes everywhere else across 6 minutes. Recorded with the band Dog Act.

‘Whyalla’ is simultaneously a love letter and a cursing damnation to regional Australia. Its spoken-word bridge lays down tall tales about some of its most notable legends, while the chorus draws you in like a mozzie to the zapper, only to get promptly shocked once again by the song’s churning riff. “I wrote this song a few years back after my mate Racoo asked me to write a song for an Australian road trip compilation she was putting together.  I don’t think it saw the light of day.  I had a lot of help from Wikipedia,” says Bibby of the track. 

‘Whyalla’ comes from Bibby’s new album Marge, out Fri September 18th via Spinning Top Records.