SONIC KICKS: Darren Cross

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Defiantly independent and creatively driven, Darren Cross is always seeking new ways to translate his ideas and influences into music. Whether it was in the heady days of indie/electro guitar punks Gerling, as a DJ and electronic music producer, as one half of folk noir duo Jep and Dep (with Jessica Cassar) or as a solo artist.

Under his own name he’s released two solo albums that have both blended and negotiated a harmonious co-existence between neo-folk acoustic guitar and Kraut/psych pop songs from a parallel universe. _Xantastic was Springsteen and Kraftwerk meeting at the crossroads while last year’s PEACER found Cross broadening his palette into more meditative folk and hypnotic cosmic dance vibes. It’s a wonderful collection of songs, always pushing and pulling and questioning musical conventions. The possibilities are endless in Cross’ world and his genius resides in the ability to pull the disparate melodies, rhythms and lyrical ideas into conventional song formats.

You can catch Cross on tour with fellow sonic traveller Jamie Hutchings through NSW in March and April as well as a show at the Petersham Bowling Club on March 10th with The Finalists and The Ramalamas.

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SONIC KICKS: THE ALBUMS THAT SHAPED ME

 

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The first album I bought.

Maybe The Young Ones with Cliff Richard… it had ‘Living Doll’ on it. I thought the Young Ones were so cool!!

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An album that soundtracked a relationship.

Tortoise – TNT – I guess being in a band is a relationship right? This was Gerling’s interstate driving album. Such a great album and such a buzz that we supported Tortoise twice. Disco dancing with half of them after the shows was a rite of passage to me anyway!

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An album that inspired me to form a band.

Probably AC/DC – T.N.T. but seeing Angus Young on Rage doing a live guitar lead at an early AC/DC concert that sounds like the foundation of ‘Thunderstruck’ really blew me away. AC/DC were the bad gang’s music at my high school.

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An album that reminds me of my high school years.

As a whole, probably Nirvana’s Nevermind, but that’s boring! I also really loved Living Colour’s VIVID. ‘Cult of Personality’ really blew me away. My friend gave me cassette of the album.

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An album I’d love to hear live and played in full.

David Bowie’s Blackstar, but it’s impossible now. I loved the album when it first came out, just before David died. I love the songs and the especially the production. Always next level. A great gift to leave us. x

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My favourite album cover art.

My Bloody Valentine – Loveless. it looks exactly like the album sounds. Also Pavement’s Slanted and Enchanted– The artwork on my new album PEACER is a nod to those two albums! Early 90’s – all about magenta man!

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A guilty pleasure album.

Cyndi Lauper – Essential Collection. I actually just did some shows in Europe and the album was on a plane music playlist! I forgot how great she is – her vibe, songs, voice and look. So great!! Not too guilty I guess, but yeah she’s done a few of those TV talent shows that made me wanna puke but 80’s Cyndi is top notch!

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The last album I bought.

Sleaford Mods – Austerity Dogs on vinyl. My friend in Berlin played this too me just recently at 4am after I had just played some shows on my latest Euro tour. I bought it the next day. Fucking amazing. FIZZI are my fave band this week.

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The next album I want to buy.

Best of Tony Joe White. Another friend in Berlin did the same thing – whacked the record on the record player at 6am after a solid night of boozing! I know BT from Love Police toured him in Sydney a few time but I never made it before he passed away! Such a great album. Super groovy, almost Krautrock beats sometimes. A converted disciple I am now!

Doubtful Sounds Presents: The Ramalamas, Darren Cross, The Finalists @ The PBC

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Hey, we’re putting on a gig! Yep, we go to so many gigs and we know a good lineup when we see one so we’re putting on a Sydney show with three great acts. There’s a personal disclaimer with this in that I play bass in The Finalists.

Head to The Petersham Bowling Club on Sunday March 10th and you can catch the cosmic country, psych rock ‘n’ roll of The Ramalamas, the sonic alchemist that is Darren Cross (think a future folk version of Leo Kottke meets lo-fi, psychedelic, avant pop) and newish Sydney group The Finalists who blend twelve-string Rickenbacker jangle with post-punk and indie psych rock.

Plus a specially curated DS playlist between bands.

Petersham Bowling Club
The Green Room (downstairs)
Sunday March 10th
3PM $10

 

NEW MUSIC: Darren Cross – Sur La Vague (Drive Me Nuts)

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The sonic alchemist that is Darren Cross (Jep and Dep, Gerling) has released the second single from his new LP Peacer. ‘Sur La Vague (Drive Me Nuts)’ is a persistent ear-worm of a track. Over a Krautrock rhythm he weaves a mantra-like vocal peppered with hovercraft synths and saxophone. It’s that sweet blend of downbeat and uptempo – a kaleidoscopic, left-of-centre, pop nugget that brings to mind LCD Soundsystem and Fujiya & Miyagi. It’s also brilliantly enhanced with a suitably skewed and maniacal video clip.

For the full #DARRENCROSSPEACER experience, head to his Bandcamp page to buy the album on vinyl/CD/digital.

If you are in Sydney you can get along to Cross’ album launch at the Golden Age Cinema & Bar in Darlinghurst tomorrow night (September 6th). Music kicks off at 9pm. Entry is free.

NEW MUSIC: Darren Cross – 90’s High

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Darren Cross has just released his second solo LP PEACER, a 100% self-recorded and independent album that finds him balancing the day-glo deconstructed indie guitar pop of his years as the main-man in Gerling and his more recent dark avant-folk leanings.

The first single and video from the album is ’90’s High’, a song with a strong sonic link to that peaking rush of Gerling guitar shapes and dance beats but also tinged with a kind of melancholic hangover. It all amounts to a catchy and thrilling first taste of the album if you haven’t checked it out yet. For more info and to purchase the album on vinyl/CD/digital, head to:

https://darrencross.bandcamp.com/album/peacer

ALBUM REVIEW: Jep And Dep – They’veBeenCalled

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This is album number two for Darren Cross (Gerling) and Jessica Cassar and it finds them expanding their monochromatic and ethereal world into darker corners where mystery slowly reveals itself and both hope and despair are around every slow bend.

Their debut was clearly a interpretation of folk music but here they use even more swooning strings, piano and billowing reverb to add a ghostly and dreamy warmth to the songs. The pair share lead vocals and counter each other with some wonderfully arranged harmonies that add to the haunting qualities of their music.

On ‘Poor Little Rich Kids’ Cassar’s voice hovers in the aether behind Cross’ closely mic’d vocal. Cassar’s performance on the exquisite ‘Cruel Moon’ is reminiscent of Portishead at their most organic. Her voice is high and keening, pastoral even, when combined with Cross’ finger-picked guitar. It’s one of those sweet-sounding songs that has a dark undercurrent flowing just beneath the surface. Elsewhere, ’Helpless City’ has an ominous quality, like Nick Cave warning of approaching doom from the Bang Bang Bar stage in David Lynch’s Twin Peaks.

From rich kids drowning to a captive’s lament, a city’s cultural decline to romance in jeopardy, there’s a gothic sheen to They’veBeenCalled that both soothes and unsettles. Throughout, melodies cascade like slow rain on a window pane and as the closer ‘This Is Not The End’  dissolves into gentle static, the overriding mood that lingers is one of beauty bruised but not vanquished.

Chris Familton

NEW MUSIC: Jep and Dep – Cruel Moon (video)

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Jep and Dep are back with ‘Cruel Moon’, the first single from their forthcoming second LP, due out this August. Over the last couple of years they’ve developed a cohesive and atmospheric style, built on strong monochromatic imagery in their photos and videos – the perfect marriage to their sparse, sometimes lush, always compelling folk-noir sound.

Jessica Cassar and Darren Cross take a strong conceptual approach to their craft and so we chatted with Cassar to find a bit more about the songwriting and video-making process.

SONGWRITING AND RECORDING

“Like all of our songs, ‘Cruel Moon’ was a collaborative effort between the two of us. We always write our songs together. The difference with ‘Cruel Moon’ is that I sung all vocals and Darren played the guitar unlike our other songs were we might sing separate parts or harmonise. We didn’t feel ‘Cruel Moon’ needed much more that as we felt the vocals and guitar were equally strong and spoke to each other beautifully. In terms of recording, Darren produced the whole album and composed most of the arrangements, adding his signature ambient sounds. The song (and the album) has a pretty creepy vibe as we recorded it between 12-5am as Darren’s studio was wedged between a years worth of constant renovations from the neighbours. Recording at that time fucking annoyed us at first, but it actually turned into a positive and contributed to the song (and albums) overall darkness.”

THE VIDEO

“We have not collaborated too many times with our clips, partly due to finances but mostly because we enjoy making our videos. As Jep and Dep’s aesthetic is pretty strong and signature it was important for us not to compromise on that and have people understand that. Having said that, collaborating with other artists is never just about you, it’s a joint effort with many ideas coming together, so it was just as important for us to be a bit more flexible. You can see that coming through with ‘Cruel Moon’ as it takes more of a narrative and traditional flow we had not experimented with before, which ended up working well for the film-noir inspired clip the team (Isabella Andronos, director) came up with.”

THE NEW ALBUM

“We plan to independently release our second album in August, much like we did with Word Got Out. We feel this album has solidified our “folk-noir” sound and pushed us much further into a Lynchian, noir-core realm. It’s far more minimal than Word Got Out and far more haunting.”

Jep and Dep officially launch the single at Golden Age Cinema & Bar in Surry Hills, Sydney on May 25th.

ALBUM REVIEW: Jep and Dep – Word Got Out

Rating8a0668997781_10Writing and recording widescreen and cinematic music, where mood and atmosphere is paramount, and conveying it with minimal instrumentation shows both great restraint and ambition. That is exactly the musical world that Jessica Cassar and Darren Cross (Gerling) have created on their debut album Word Got Out.

The cover image of the pair stepping out of darkness and into an unknown light sums up the approach they’ve taken both artistically and aesthetically, from the black & white artwork to the rich noir romanticism in their songs that reads like a Wim Wenders tale of lovers entwined or one of Jim Jarmusch’s alternative realities.

The core of the album rides on Cross’ acoustic guitar and the duo’s voices that complement each other so wonderfully well. These aren’t just sweet duets, they speak of doomed relationships, dark corners and emotional shadows and Cassar’s voice negotiates those different moods with great versatility, swinging from a folk coo (‘My Man’) to an anguished and impassioned plea (‘Bobby’) or the gently soaring melancholia on ‘Wake Up Call’. Cross almost plays a supporting role, an echo or a counterpoint, a conversational partner or a sparring one. He delivers his words in a weary tone with a similar happy/sad quality to that of the masterful Townes Van Zandt.

There is drama aplenty in these songs yet they never shy away from a hook. ‘Babe Come Down’ buries itself in your short term memory with its catchiness, second single ‘Granted’ swirls and billows on a bed of stirring strings while ‘Bobby’ could be a lost Motown single by The Supremes in a parallel monochrome universe. ‘Tears In The Rain’ possesses the brilliant central line “You can’t hide your tears in the rain” which comes over like a gothic Lee and Nancy or Cave and Minogue if they were able to kick back and write songs together without the veil of celebrity killing the party.

Ten songs in thirty minutes and nothing outstays its welcome. This is an album built on the back of well-written songs and arranged, sung and played with an eye for detail and the concise deployment of subtle theatricality. It conveys emotion, transports the listener and creates captivating vignettes that pull you in deeper and deeper on each listen.

Chris Familton

Buy Word Got Out via Bandcamp

 

NEWS: Jep and Dep announce debut album, tour and new single

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Sydney duo Jep and Dep have had quite the year beginning with an opening slot before Johnny Marr before going on to play shows with Matt Walker, Mia Dyson, Hatz Fitz and Cara, Kristen Hersh, Raised by Eagles, Tracey McNeil Band and Lindi Ortega as well as their own headline gigs across nearly every reputable venue in Sydney and other parts of the country.

Over at our Americana blog Post To Wire we said of the pair:

They’re a dark, folk-noir Johnny and June with a sound that might cast them serenading a saloon in a David Lynch directed spaghetti western.

Their first single was the mesmerising ‘Babe Come Down’ and now, ahead of the release of their debut LP Word Got Out on October 23rd, they’ve released the clip for new single ‘Granted’. The song is another gem, building swirling  romantic tension akin to Cave and Minogue before rich widescreen strings and cymbals swoon into view with grand elegance.

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