ALBUM REVIEW: King Creosote – Astronaut Meets Appleman

Scotsman Kenny Anderson has long dwelled on the fringes of indie and experimental pop music, releasing over forty albums that traverse a large expanse of creative terrain. His latest finds him exploring graceful and emotive music, drawing on electronic and organic instrumentation and positioned between the terrestrial and ethereal. The results are often moving and transportive, the unifying element being Anderson’s rich Scottish burr of … Continue reading ALBUM REVIEW: King Creosote – Astronaut Meets Appleman

EP REVIEW: Sere – Sere

Sere hit the ground running on their debut self-titled release. It’s a three track EP but it could easily be considered a mini album with its 24 minute runtime and the varied terrain they cover. The doom quota is high from the Auckland quartet yet never in a super-serious, studied manner. These guys can hammer down but they also show a desire to expand the … Continue reading EP REVIEW: Sere – Sere

ALBUM REVIEW: Terry – Terry HQ

Terry – It’s not the kind of name that screams rockstar or great commercial ambition and as such it’s a fitting moniker for this Melbourne quartet comprised of members of skewed rock ’n’ roll, underground royalty bands such as Total Control, UV Race and Dick Diver. They operate firmly in the realm of woolly and wonky, lo-fi indie rock with a healthy strain of blank-faced … Continue reading ALBUM REVIEW: Terry – Terry HQ

ALBUM REVIEW: Trust Punks – Double Bind

Auckland band Trust Punks return with their sophomore album and in the process they’ve tightened their sound, ratcheted up the tension and broadened their interpretation of post-punk. On 2014’s Discipline they mixed jangling guitars and sparkling, ramshackle melodies and, though those are still a key part of the mix, they’ve now emboldened their sound with a brasher rhythmic attack while bringing in seemingly contradictory sounds … Continue reading ALBUM REVIEW: Trust Punks – Double Bind

ALBUM REVIEW: Sophie Hutchings – Wide Asleep

In recent years there has been a wealth of composers that fall into the loosely-aligned world of modern-classical, post-ambient, avant-electronic and instrumental post-rock. They draw from all of those styles and explore their compositional meeting points. Locally, our leading light is Sophie Hutchings and on her third album she again finds new and fascinating ways to create cerebral and emotionally rich and ornate arrangements – led … Continue reading ALBUM REVIEW: Sophie Hutchings – Wide Asleep

ALBUM REVIEW: Community Radio – Look Now You’re Cursed

Boasting two members of Sydney band Youth Group, the debut album from Community Radio finds them capturing the essence of their elegant and skewed indie guitar pop. The melodies are endlessly autumnal, melancholic and often heavy hearted while the guitars chime and weave hypnotic, riffing patterns. The rhythm section show plenty of inventiveness making this an album on which all instruments sound like they’re simultaneously … Continue reading ALBUM REVIEW: Community Radio – Look Now You’re Cursed

ALBUM REVIEW: Bryan Estepa & The Tempe Two – Every Little Thing

Bryan Estepa returns with album number five and it continues the rich vein of effortless 70s singer/songwriter vibes, a dose of soulful yacht rock and the sweet and lonesome side of country music. Every Little Thing finds Estepa reconfiguring his band (The Tempe Two) to a trio of bass, drums and guitars and it was a good call, it suits his songs perfectly. It allows … Continue reading ALBUM REVIEW: Bryan Estepa & The Tempe Two – Every Little Thing

ALBUM REVIEW: Witch Hats – Deliverance

Their third album and first in five years, Deliverance is a consistently impressive encapsulation of the evolution Melbourne’s Witch Hats have shown across their records. There’s plenty of dark, lurching rock ‘n’ roll with howling dirges and claustrophobic angst. The bass is deep and heavy, anchoring the songs as they stagger off into Stooges proto-punk, and nihilistic post-punk. The key is the melodies that still burn … Continue reading ALBUM REVIEW: Witch Hats – Deliverance

ALBUM REVIEW: The Mystery Lights – The Mystery Lights

The popularity of psych and garage rock in recent years shows no sign of abating and that’s a good thing when top shelf exponents such as NewYork five-piece The Mystery Lights rise to the top. They’ve got the 60s sound down pat with heavy-on-the-reverb, fuzzed-out guitars, droning organ, and a soulful, punk-injected push and pull rhythm section. Singer Mike Brandon has a thin, taut and … Continue reading ALBUM REVIEW: The Mystery Lights – The Mystery Lights

ALBUM REVIEW: M. Craft – Blood Moon

Martin Craft has created a holistic and moving third album. Born from time spent on the edge of the Mojave desert, these piano-based meditations on time, space and nature feel both intimate and expansive with hushed, dreamy vocals that blossom into much larger orchestrated sections. There are all manner of ambient environmental sounds in the mix, lurking below the surface of the recordings and adding … Continue reading ALBUM REVIEW: M. Craft – Blood Moon

ALBUM REVIEW: Marcus Whale – Inland Sea

Marcus Whale (Collarbones) has made an impressive artistic statement with his debut solo album. Released digitally, with an accompanying physical book, Inland Sea explores queer and colonial Australian history through a dark and oblique gauze of minimal electronica. It veers between militant tech-heavy drums and glitchy whirs of atmospheric sounds that can draw a timeline back through artists such as Bjork and Photek. There’s an … Continue reading ALBUM REVIEW: Marcus Whale – Inland Sea

ALBUM REVIEW: Steve Gunn – Eyes On The Lines

At the forefront of the loose scene of guitar adventurists that include Cian Nugent, Ryley Walker and Chris Forsyth, Steve Gunn is another who has figured out how to expand his sound to a full band and incorporate his lazy psych-rock vocals. The touchstones of Richard Lloyd and Tom Verlaine (Television) are obvious in the sparkling, spiralling guitar phrasings while on tracks such as Nature … Continue reading ALBUM REVIEW: Steve Gunn – Eyes On The Lines