NEW MUSIC: Black Camaro – Out In The Rain

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This track from Las Vegas quintet Black Camaro kicks off with a mean streak of post-punk, tumbling and angular rhythms courtesy of a great bass-line. Things straighten up after that – more melodies, ringing guitars and atmosphere enters the fray. It’s knotty, dynamic and burns a hole in your synapses with its blend of dark vibes and the lighter elements courtesy of the guitar and electronic sounds they utilise.

‘Out In The Rain’ comes from their brand new LP Protocol Of Dreams. Out now on streaming platforms and Bandcamp.

NEW MUSIC: Sorry, Marshal – Neenah

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Good tune this one! ‘Neenah’ is by Sorry, Marshal, the musical project of Greg Pamer from Baltimore, Maryland. It has a really nice light touch whilst still utilising a rush of distorted guitars. It’s both indie rock and shoegaze but the melodic song-based end of that genre’s spectrum. Super catchy stuff and it comes from his four-track EP1 which you can find on Bandcamp and other streaming services. I’m hearing a bit of Wedding Present and some of the 90s indie bands out of New Zealand in the sound of it.

 

NEW MUSIC: Manorlady – Ready Go Fade Away

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Guitars that rock and guitars that caress at the same time are often hard things to come by. Shoegaze made an art form of it and so many bands still mine that vein of beautiful noise. Some mix it with psych rock, others with dream pop or post-punk.

Manorlady were raised in the Mojave desert of Eastern California but now they’re based in Santa Cruz.  They’re a three-piece and based on this track they’ve got a really nice balance of noise and melody happening and they don’t stretch it into overindulgence. There’s some 90’s alt-rock (on the same astral plane as Smashing Pumpkins), My Bloody Valentine and Cocteau Twins in the mix and it works well.

They’ve got a new album called No Bitter Ends on the way, due for release at the end of March. Hit their Bandcamp page to preorder a copy if you like what you hear.

NEW MUSIC: Primer – TVI

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Primer is the work of Michigan vocalist/producer Alyssa Midcalf who is also one half of Parts. The melancholic yet uplifting synth sound of TVI comes from her debut solo album Novelty, out March 1st on the Detroit label Young Heavy Souls.

The song works so well in the way that it doesn’t rely on the synths as a retro/nostalgic tool, they’re emotive and essential to the tone and resonance of the song.

NEW MUSIC: Sungaze – New Familiar

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Kick off the week with a dose of shoegaze courtesy of North American group Sungaze. It’s the warm season in this part of the world and this track, ‘New Familiar’, suits the weather perfectly with its warm, bucolic strum, hazy and blissed-out vocal and the light-tripping rhythm section. There are touches of Ride and The Charlatans in the dreaminess of the band’s sound.

NEW MUSIC: Stray Fossa – Swells

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Great sounds out of Charlottesville, VA on this track ‘Swells’. Stray Fossa are a trio who deal in atmospheric and dreamy indie rock. This one rids along on a melancholic afterthought of a vocal, backed by billowing guitar textures, synths, effects and a rhythm section that maintains a warm and steady pulse. It’s one of those immersive tracks to get carried away by. Romantically bruised guitar music.

NEW MUSIC: Marble Arch – I’m On My Way

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More new shoegaze sounds today! This time it’s courtesy of Frenchman Yann Le Razavet who, as Marble Arch, records music that draws heavily on the likes of New Order and Ride. He makes it sound effortless with cascading melodies, obscured vocals and synths and guitars that blur into one billowing vapour of 80s indie pop.

Marble Arch have a full album on the way in 2019.

NEW MUSIC: Sail Into Night – Glass

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We get sent a ton of music submissions and there’s so much uninspiring music that when something of the quality and resonance of Sail Into Night hits your headphones it really stands out.

This is the first music we’ve featured from Dubai, U.A.E. and the group is essentially the project of Pakistani duo Nabil Qizilbash and Zara Mahmood who have been writing together for three years. ‘Glass’ is a wonderful slow-burn of a track, built on Velvets meets JAMC slow-core drums, guitars that draw from shoegaze and American indie jangle and tone, droning harmonium and the intertwining voices of Nabil and Zara that wind gently around each other like hazy wisps of incense.