ALBUM REVIEW: King Creosote – Astronaut Meets Appleman

Scotsman Kenny Anderson has long dwelled on the fringes of indie and experimental pop music, releasing over forty albums that traverse a large expanse of creative terrain. His latest finds him exploring graceful and emotive music, drawing on electronic and organic instrumentation and positioned between the terrestrial and ethereal. The results are often moving and transportive, the unifying element being Anderson’s rich Scottish burr of … Continue reading ALBUM REVIEW: King Creosote – Astronaut Meets Appleman

NEW MUSIC: Kim Gordon Releases Debut Solo Single ‘Murdered Out’

Kim Gordon has kept pretty busy in the last couple of post-Sonic Youth years. She’s continued to work on visual art, collaborated with in Body/Head, released her acclaimed Girl In A Band autobiography and now, with little buildup, she’s released her first single under her own name. Murdered Out was recorded with producer Justin Raisen and is built on a huge lurching drum beat courtesy … Continue reading NEW MUSIC: Kim Gordon Releases Debut Solo Single ‘Murdered Out’

NEW MUSIC: Lambchop –The Hustle

Lambchop have been fairly quiet of late with their last LP (Mr. M) coming out in 2012. In the intervening years the band, among other things, performed their landmark album Nixon in full and head honcho Kurt Wagner released an electronic album (The Diet) under the name HeCTA with Lambchop members Ryan Norris and Scott Martin in 2015. They’ve now announced that a brand new Lambchop LP … Continue reading NEW MUSIC: Lambchop –The Hustle

SONIC KICKS: Show Me Where It Hurts

Show Me Where It Hurts are a Rhodes electric piano, drums and vocals duo from Auckland, New Zealand. Both musicians have been key players on the Auckland scene for the last two decades with Josh Hetherington fronting Thorazine Shuffle and Ronny Haynes drumming with bands such as Pash and Fagan And The People. The pair have just released their debut self-titled EP (stream/buy below) which follows … Continue reading SONIC KICKS: Show Me Where It Hurts

INTERVIEW: Bryan Estepa

Bryan Estepa has embraced fatherhood, is approaching middle-age, and now, five albums into his solo career, he finds those life events being reflected in his songwriting and approach to the music business.  On the day of his launch gig for his new album Every Little Thing, Estepa is surprisingly calm, even when having to be interviewed via video in his car as he momentarily escapes … Continue reading INTERVIEW: Bryan Estepa

EP REVIEW: Sere – Sere

Sere hit the ground running on their debut self-titled release. It’s a three track EP but it could easily be considered a mini album with its 24 minute runtime and the varied terrain they cover. The doom quota is high from the Auckland quartet yet never in a super-serious, studied manner. These guys can hammer down but they also show a desire to expand the … Continue reading EP REVIEW: Sere – Sere

ALBUM REVIEW: Terry – Terry HQ

Terry – It’s not the kind of name that screams rockstar or great commercial ambition and as such it’s a fitting moniker for this Melbourne quartet comprised of members of skewed rock ’n’ roll, underground royalty bands such as Total Control, UV Race and Dick Diver. They operate firmly in the realm of woolly and wonky, lo-fi indie rock with a healthy strain of blank-faced … Continue reading ALBUM REVIEW: Terry – Terry HQ

ALBUM REVIEW: Trust Punks – Double Bind

Auckland band Trust Punks return with their sophomore album and in the process they’ve tightened their sound, ratcheted up the tension and broadened their interpretation of post-punk. On 2014’s Discipline they mixed jangling guitars and sparkling, ramshackle melodies and, though those are still a key part of the mix, they’ve now emboldened their sound with a brasher rhythmic attack while bringing in seemingly contradictory sounds … Continue reading ALBUM REVIEW: Trust Punks – Double Bind

ALBUM REVIEW: Sophie Hutchings – Wide Asleep

In recent years there has been a wealth of composers that fall into the loosely-aligned world of modern-classical, post-ambient, avant-electronic and instrumental post-rock. They draw from all of those styles and explore their compositional meeting points. Locally, our leading light is Sophie Hutchings and on her third album she again finds new and fascinating ways to create cerebral and emotionally rich and ornate arrangements – led … Continue reading ALBUM REVIEW: Sophie Hutchings – Wide Asleep

ALBUM REVIEW: Community Radio – Look Now You’re Cursed

Boasting two members of Sydney band Youth Group, the debut album from Community Radio finds them capturing the essence of their elegant and skewed indie guitar pop. The melodies are endlessly autumnal, melancholic and often heavy hearted while the guitars chime and weave hypnotic, riffing patterns. The rhythm section show plenty of inventiveness making this an album on which all instruments sound like they’re simultaneously … Continue reading ALBUM REVIEW: Community Radio – Look Now You’re Cursed

ALBUM REVIEW: Bryan Estepa & The Tempe Two – Every Little Thing

Bryan Estepa returns with album number five and it continues the rich vein of effortless 70s singer/songwriter vibes, a dose of soulful yacht rock and the sweet and lonesome side of country music. Every Little Thing finds Estepa reconfiguring his band (The Tempe Two) to a trio of bass, drums and guitars and it was a good call, it suits his songs perfectly. It allows … Continue reading ALBUM REVIEW: Bryan Estepa & The Tempe Two – Every Little Thing

ALBUM REVIEW: Witch Hats – Deliverance

Their third album and first in five years, Deliverance is a consistently impressive encapsulation of the evolution Melbourne’s Witch Hats have shown across their records. There’s plenty of dark, lurching rock ‘n’ roll with howling dirges and claustrophobic angst. The bass is deep and heavy, anchoring the songs as they stagger off into Stooges proto-punk, and nihilistic post-punk. The key is the melodies that still burn … Continue reading ALBUM REVIEW: Witch Hats – Deliverance