Spinefarm/Search and Destroy
With the band’s split in 1998, it took 14 years for them to spread their various music wings (including the excellent International Noise Conspiracy) and re-set their personal lives before reconvening for live shows and then delivering the strong comeback album Freedom in 2015. It showed they were still vital and able to conjure up fire-in-the-belly forward thinking heavy music.
War Music solidifies the band’s return to active duty but it’s a more refined and compact take on the modern rock album. Trimmed of any excess, it rips and roars across ten songs in 35 minutes. There’s little diversion into synth interludes or overly prog workouts. Instead it keeps things locked tightly around the precise and knotty guitar riffs and that rhythm section that still kicks and drives with metronomic muscle.
Not everything works though. Malfire swaps intensity for more melodic commercial rock shapes and it just sounds overplayed. Likewise the punk-pop melody of the chorus in I Wanna Watch The World Burn. The second half of the album is where they really find their feet, Turn The Cross tumbles violently with tangled breakneck playing from all band members. It sounds truly thrilling, a band on knife edge, right on the lip of the wave. They follow that with Damaged II, a song that would fit on any Rage Against The Machine album. When they re-enter the maelstrom after coming to a halt momentarily it’s like the swing of a sledgehammer. The Infamous Left is an exercise in old school thrash metal before the band closes the album out with the stomp and swagger of Economy Of Death.
The themes of War Music are still the same with Dennis Lyxzén howling and screaming about protest, struggle, revolution and inequality. With Refused it’s the sound though. That hurricane of distortion. militant rhythms and the combination of primal physicality and intelligent application in the band’s intoxicating noise.