Protomartyr immediately stood out from the rest of the anguished post-punk pack when they first emerged four years ago with their debut album All Passion No Technique. They went from strength to strength over their next two albums, twisting Joe Casey’s mantra rants over caustic punk, dark indie guitars and tumbling drums before arriving at their most realised set of recordings to date.

Relatives In Descent stands as their most exploratory and wide-ranging album in that they’ve pulled apart their sound, and reconstructed it with the same elements but a new and revitalised sound. Greg Ahee’s guitar is less all-encompassing. Now it slashes with intent on ‘Here Is The Thing’, spirals in woozy circles on ‘My Children’ and sparkles with chiming funk stabs in ‘Corpses in Regalia’. That diversity allows the rhythm section to conjure all manner of grooves; from the rapid fire jerkiness of opener ‘A Private Understanding’ to the catchy melodic swagger of ‘Caitriona’ and the taut post-punk propulsion of ‘Don’t Go To Anacita’. Elsewhere there’s the introduction of subtle strings and synths that take the songs to endlessly intriguing places.

Joe Casey is often the focal point of Protomartyr with his nihilistic blue collar vibe and barking vocal delivery akin to a transatlantic Mark E. Smith. Here he maintains the speak/sing/howl approach but lyrically he’s followed the lead of the rest of the band and upped his game. Thematically the album takes a look at contemporary America under the mismanagement of Trump and the state of society that Casey’s witnessed from tour van windows and coast to coast trips. It paints a dystopian vision of gluttony, excess and despair but you can still hear the glimmer of hope and humanity in the songs, framed and enhanced by the life-affirming creative intellectualism of Protomartyr.

Chris Familton

Read our recent interview with Joe Casey of Protomartyr