Composer Kaitlyn Aurelia Smith has recently released her new album The Mosaic of Transformation, featuring these two exceptional tracks ‘The Steady Heart’ and ‘Carrying Gravity’. Over a push/pull rhythm track, Smith weaves dream fragments of vocals amid a wafting, gossamer haze of twinkling synths and textural pads on ‘The Steady Heart’.
‘Carrying Gravity’ begins with strings before taking an almost Oriental sound and filtering it through delicate arpeggios that hang like warm pulses in the air.
“I guess in one sentence, this album is my expression of love and appreciation for electricity,” says Smith. While writing and recording, she embraced a daily practice of physical movement, passing electricity through her body and into motion, in ways reflecting her audio practice, which sends currents through modular synthesizers and into the air through speakers. Not a dancer by any traditional definition, she taught herself improvisatory movement realizing flexibility, strength, and unexpectedly, what Smith calls “a visual language” (the term was introduced to her by filmmaker Sean Hellfritsch) stemming from the human body and comprised of vibrational shapes. Understood as cymatics, as she says, “as a reference for how frequencies can be visualized,” much like a mosaic.