THE JOY OF HUMAN IMPERFECTION
Underground Lovers return with their second post-hiatus album Staring At You Staring At Me and a run of live shows. The band’s Vincent Giarrusso talks with Chris Familton about the theme of the album and harnessing the human element in machines.
As is their trademark, Underground Lovers have created a new album that draws from a wide range of styles – acoustic songwriter, electronica, shoegaze, psychedelia and indie rock. They marry those sounds together with seamless synchronicity but never lose their grasp on the art of songwriting. “At the end of the day it’s about songs and songwriting and we’re really interested in the emotion of songs and how they can evoke feeling,” reflects Giarrusso.
“The initial idea for this album was just a bunch of songs about Melbourne – St Kilda, Richmond, Warrandyte. As we started structuring the album we realised it was about the things we always write about which is male/female relationships within a chaotic and unbalanced world. Those ideas drove it. There are lots of ideas and themes that recur in our music over the years. That’s just how it works,” Giarusso reveals. “Having a few years between albums gets you thinking more and thinking deeper about what you want to do. I think that comes across on the album. It’s quite complex at times even though we’re always striving for simplicity.”
The album title refers to a world where human contact is diminishing and as well as exploring that subject lyrically, it’s also reflected sonically in their songs. “Instead of people looking and staring at each other they’re looking at screens. We tried to get that idea across in the technology we used. We all come from the school where we think that computers are dumb instruments and just tools to use and that they have to suit your needs instead of you following what they do. Whenever we use loops we try to make them as manual as possible so we are in control and it still has some human imperfection.”
The realities of life, full-time jobs, having to organise six people and waiting times for German-pressed vinyl meant Staring At You Staring At Me has has a long gestation process, explains Giarrusso. “It was hard to get six people together when everyone is busy. We recorded it over six months and we didn’t know how it would turn out until the end. We pushed ourselves and found a new sort of structure for the long-play which was surprising for us. That kept it fresh.”
The great story behind Underground Lovers is that after a nine year hiatus, which Giarrusso puts down to the “twists and turns of human life” and describes personally as a tough time, the band are still creatively as strong as they ever have been.
“When we came back together it was brilliant. It just the same as it ever way which was fantastic. It was worth the wait. We’re getting a lot of young people coming to shows which is exciting. They’re saying they like our new stuff better than the old stuff which is great and surprising!”