NEW MUSIC: The Wednesday Night – The Perfect Scene

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Sydney group The Wednesday Night follow up their 2018 LP Music Club Volume Two with their new single ‘The Perfect Scene’.

Over tumbling drums and bass that wanders with curiosity and a free spirit, Laura Murdoch relays the scenario of a perfect scene (of two tales) through a hazy lens of psych-pop melancholy. Like Mazzy Star filtered through a tougher 60s aesthetic, the guitar of Rob Young hangs in the air, all shimmering, ringing chords and atmospheric melodies, particularly the chiming, six-string sparkle of the chorus.

Murdoch and Young, the core of The Wednesday Night, say of the new single…

“The Perfect Scene paints two dark film noir tales. The stories hang in limbo with no resolve, encircled in reverse looped guitars so you’re not sure if it’s the beginning, the end or even if the tales intertwine. Either way, you get the eerie feeling we’re all in it together.”

‘The Perfect Scene’ is out now via Half A Cow Records

LIVE REVIEW: Belles Will Ring

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Belles Will Ring + Le Pie + The Wednesday Night @ Factory Floor, March 17th, 2017

Three shades of psychedelia ruled a wet and windy Sydney night as Belles Will Ring triumphantly returned after a five year absence from the stage.

The Wednesday Night recently released their debut LP and through shifting lineup changes have been refining their live show, becoming more nuanced and hypnotic in their sound. Based around Rob Young and Laura Murdoch, the five-piece know how to dig in and work a garage pop groove as expertly as they can psych-out on girl-group vocals and tranced repetition.

Le Pie took the girl-group aesthetic further with her 50s bubblegum look, bathed in pink from her dress to her Stratocaster guitar. From tentative beginnings their set got better and better and when Le Pie sang without her guitar the songs seemed to gain more focus and a stronger connectivity with the audience. Think gauzy, atmospheric psych-lite pop where Mazzy Star meets Dum Dum Girls.

Belles Will Ring seem like a band built on strong personal and musical connections. From the first song they locked in, exchanged self-knowing and happy smiles, lifting the mood of the Factory Floor into the realm of celebration and inspired uninhibited dancing. Aidan Roberts and Liam Judson sit at the core of the band and over the years they’ve honed a symbiotic musical relationship both as singers and guitarists, whether syncing their Byrdsian harmonies or playing riffs that counter and complement each other, almost as if they’re egging each other on to dig deeper and further afield on their instruments. The band are way more muscular and freewheeling on-stage. The songs revel in what sound like tangents but are cleverly composed and arranged space-rock freak-outs as they urge the songs onwards and upwards. The unabashed enthusiasm and energy of the band has been missed on the Sydney scene and their return shows that pop music can be raw, intelligent and layered while still remaining direct and uplifting. Let’s hope the Belles keep ringing.

Chris Familton