LIVE REVIEW: My Disco @ Newtown Social Club

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My Disco, Marcus Whale, Hviske @ Newtown Social Club, 11 February 2017

Minimalism shaping grand emotion was the order of the night at NSC for My Disco’s last stop on their summer tour. From the headliners down through Marcus Whale and opening duo Hviske, there was a common thread of space, intensity and the blurring of technology and organic instrumentation to create dramatic musical pieces.

Hviske are Kusum Normoyle and Ivan Lisyak and they generated a densely rhythmic mix of techno and cold wave electronica that hit the occasional peak but for the most part settled into a rewarding mix of hard surface sounds and minor melodic excursions. Live, Normoyle’s vocals were the weak-point compared to the more layered and integrated sound on their recordings and she seemed unsettled and distracted, never fully immersing herself in the music.

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Marcus Whale

 

Marcus Whale’s solo work seems to go to another level every time I see him live. Flanked by two drummers with stripped down kits (tom, snare, ride cymbal) and performing over backing tracks Whale took us deep into his album Inland Sea, his voice urging, consoling and serenading the audience with conviction and passion. The closest comparison is Bjork’s more recent work crossed with avant hip hop and dark electronica. A compelling performance.

My Disco have progressively peeled back the layers of their sound with each new album, whilst simultaneously ratcheting up the tension and their avant garde leanings. They are still a band of guitar, bass and drums but they now sound like a raw machine, ominous and commanding with their instruments often bathed in as much silence as coruscating noise, relentless drones and repetition. King Sound set the scene with Liam Andrews intoning those two words like an android with a glitch in its system while guitarist Benjamin Andrews scattered shards of distortion across the audience at high volume. The heartbeat of the band is still Rohan Rebeiro who brings the most humanistic element to their music, he controls the machine with his blend of doom and jazz-tinged tribalism. Their intensity and commitment to their sonic aesthetic is what defines My Disco, from throwing in an overlong drum solo to the complete lack of audience interaction, they have their own musical eco-system which made their set feel like we were temporary visitors to their fascinating, hypnotic and shadowy world.

Chris Familton

LIVE REVIEW: METZ, My Disco, Low Life @ OAF, Sydney (10/02/16)

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Low Life ambled on stage and lurched into a 30 minute set of songs that swung from Black Flag punk to Bauhaus goth dirges, often within the same song. You got the feeling the songs could fall apart at any time yet the rhythm section was solid – allowing the guitars to dispatch primitive punk bar chords, heavily chorused textures and squalls of feedback. Low Life created a curious and often strangely captivating collision of sounds.

My Disco swung the pendulum about as far to the other side of the spectrum as possible. As their career has progressed, their music has evolved into a minimalist experiment in texture and impact. They stood silent and still for minutes before the first doom-laden explosion tested the PA’s limits. Notes were sparse and an avant-garde aesthetic was omnipresent through their set as the guitar sounded more like a modem in wood-chipper than a traditional distorted rock instrument. It was a dramatic and intense set that maintained the audience’s attention and did serve to build the musical tension in the room before Metz arrived to release it – but ultimately My Disco felt like the artful ugly duckling and a mismatch on this particular bill.

METZ came on like a dropped match in a fireworks factory after the stark austerity that preceded them. They’re a perfectly balanced trio, the sum strength of its punk rock parts. Over an hour they barely let up, with sweat-soaked shirts, fogged-up glasses and neck veins bulging. They unleashed wave after wave of primal military grade rhythms that were pummelling yet still with a measure of groove, that had the more energetic punters engaged in a loose-limbed middle ground between dancing and moshing. Spit You Out, Headache, a new song Eraser and so many others surged and thrashed like a mutant Nirvana, Jesus Lizard and Big Black hybrid. METZ laid sonic waste to the mid week malaise and renewed faith in the power of raw and passionate rock ’n’ roll.

Chris Familton

NEW MUSIC: My Disco Return With New Single And Album

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Melbourne trio My Disco have been fairly quiet of late but now they’re about to unleash their new album and going on the sound of first single ‘King Sound’ they’ve stripped things back even further to a dark, minimal and stealth-like piece of musical machinery. Brutal, brooding and clinical it captures the airspace between post-rock and dark electronica perfectly.

The new LP Severe has been produced by film composer Cornel Wilczek and will be released via Temporary Residence on October 28th. You can pre-order and find out more info HERE