LIVE REVIEW: Jen Cloher, Tiny Ruins @ Red Rattler, Sydney

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Jen Cloher, Tiny Ruins
Red Rattler Theatre, Marrickville, NSW Australia
20th September, 2018

A sold out Sydney show is a great way to kick off a solo tour for Jen Cloher and as she revealed during her set, this was her first ever solo headline gig. A surprising event given the career Cloher’s established over the last dozen years.

Hollie Fullbrook is better known as the central figure in Tiny Ruins but tonight she was performing solo, still in the hazy midst of jet lag following a European tour. It made for a fascinating set as she played old favourites such as Chainmail Maker, Me At The Museum, You In The Wintergardens and Hurtling Through, alongside her new single How Much, her first on Cloher’s Milk! Records label. Blaming the jet lag she admitted feeling nervous and at one point had a lyrical memory failure but recovered gallantly. It was a chance to see an artist at a transitional point with a new album pending, on a new label, singing songs we’ve never heard, stripped back to their essence.

Jen Cloher fitted into the Marrickville warehouse aesthetic in her green mechanic overalls. She was “at work, playing her block of wood”. It was more than work of course, as evident in the emotion she displayed when introducing songs with stories from her life. There were memories of her Jim Morrison teenage obsession, stealing money from her parents to fuel her Galaga addiction while pretending to be an 11 year old boy called Jon, a beautiful tribute to her mother who that day had been posthumously honoured at Auckland University as part of the Suffrage 125 commemoration and more. The stories were laced with humour and honesty and gave the songs context and added depth. 

With just an acoustic guitar Cloher transformed her more rock-leaning recordings into solo reveries that never lost their spirit and energy. It emphasised her strength as a lyricist, allowing the words to cut through in the acoustic setting, riding her near endless array of sweet and melancholic melodies. Tracks such as Sensory Memory, Kamikaze Origami and Strong Woman from last year’s self-titled album drew cheers from the warm and enthusiastic crowd but we were also treated to some dips into the back catalogue with David Bowie Eyes, Needs, Mother’s Desk and Eden With My Eve. 

Fullbrook returned to the stage for the encore and the pair played a touching version of Save Me From What I Want, a song that Cloher recorded with Mia Dyson and Liz Stringer. It capped off a wonderfull night of music. Songs stripped back to their simple yet detailed beginnings as stories, carried on the strings of acoustic guitars.

Chris Familton

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