LIVE REVIEW: Ride @ Enmore Theatre, Sydney 2019

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Ride @ Enmore Theatre, Sydney NSW Sept 6th 2019

It’s been a long time between drinks for Australian fans of English band Ride but the timing felt just right with the band re-established for a couple of years now and with two solid new albums under its belt.

It’s most likely that the members of openers Shiva & The Hazards were probably not even born when Ride first emerged from Oxford in 1988. Listening to their music with that in mind casts their sound in an interesting light given how in thrall they are to bands such as Verve, Oasis and The Stone Roses. Unfortunately they were given the demoralising support band treatment with flaccid lighting and a sound mix that imagined a rock band without bass guitar and a lead guitarist whose tone sounded like it was being transmitted through a portable AM radio. They persevered unperturbed and seemed to be enjoying the thrill of a big stage gig. A song of theirs such as recent single ‘Angkor Wat’ is a strong release in it’s recorded form, ticking all the boxes of psychedelic English indie rock albeit 20+ years past its heyday, but on the Enmore stage it all sounded too disconnected and lacking warmth and depth. That said there was generous applause from those early arrivals hugging the stage barrier.

Ride have always had the ability to sound both intimate and widescreen on their albums but in the live realm they’ve made the decision to focus firmly on the latter, employing colourful stadium lighting and maximum projection, mainly from Mark Gardener. You got the sense that the newer songs they played were written with that in mind. Big riffs, repeated and pushed out into the room with emphasis on dynamics over texture. Of those new ones the two that resonated most strongly were the Primal Scream’ish ‘Kiill Switch’ and ‘Future Love’, an absolute gem of a song, easily the equal of the best in their catalogue. Live, its jangling riffs and near perfect vocal harmonies lit up the room and provided relief from the more overwrought moments on the setlist.

Of course nearly everyone was there to hear songs that thrillingly illuminated a particular corner of their musical youth nearly 30 years ago. Songs from the seminal Nowhere album and its follow-up Going Blank Again. The dense and agile baggy noise of ‘Seagull’, the chiming perfection of ‘Vapour Trail’, the cascading heavy-lidded hypnotism of ‘Dreams Burn Down’ and the interstellar gospel psychedelia of ‘Polar Bear’ from their debut album all gloriously lived up to expectations, as did ‘Leave Them All Behind’ and the dystopian light-headedness of ‘Chrome Waves’ from Going Blank Again. ‘Twisterella’ from the same album was great to hear but it hasn’t aged as well as their other songs, sounding timestamped and with a whiff of nostalgia about it.

As a band they were firing on all cylinders, tight and in the pocket. It was overwhelmingly evident that they’re the sum of their parts, even if Mark Gardener takes on the frontman role, clearly relishing his position as interlocutor for the band. Listen closely though and it quickly became clear how essential Andy Bell’s guitar playing is. Those riffs that define the golden moments in the songs, the twists and turns that add the colour and sheen that made Ride the great band they were (and still are). Steve Queralt (bass) and Loz Colbert are an underrated rhythm section too. The former with feet planted and rooted to the spot, playing it straight for the most part, occasionally delivering defining bass lines such as the central hook of ‘Seagull’. Colbert too is essential, the anchor and the engine in perpetual rhythm and motion.

Ride in 2019 are a band who have navigated the reunion process better than most. They’ve reignited the creative spark of their songwriting and recording and put together a show that pleases fans new and old. They remain vital and energised, and even though they at times overcooked the ‘rock show’ aspect of the gig, the songs and sounds they built their audience and acclaim on remain intact, and gloriously so.

Chris Familton

NEW MUSIC: Ride Release Two New Songs

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Ride have been hard at work in the studio since they reunited for live shows back in 2014. The as yet untitled new album is due out soon and already this week they’ve released two new songs. The first, ‘Charm Assault’ finds them in full throttle glammed-up rock mode while the second, ‘Home Is A Feeling’ is authentic early Ride in its sound and a promising hint of the range of the new record.

The album, scheduled for release this summer, sees the band reunited with Wichita Recordings co-founders Mark Bowen and Dick Green, who worked with Ride during the band’s early years on Creation Records. It also brings the band back together with mixer Alan Moulder (Arctic Monkeys, Smashing Pumpkins, The Killers) who mixed their seminal 1990 album Nowhere and produced its follow up Going Blank Again.

 Mark Gardener says: “‘Home Is A Feeling’ to me is like a slow, wide-screen, sonically, layered, slowed motion warm wash. Like returning home as dawn rises totally exhausted and spangled after a long… long… big, great night out.

Andy Bell says: “Out of all the new songs ‘Home Is A Feeling’ comes closest to the early Ride sound. We felt comfortable going vintage on this tune because the album we are making has a pretty broad sonic scope. It’s a short and sweet, melodic tune, with stacked harmonies, reverbed-out guitars, slowed down drums, and a huge distorted bass sound. Erol put his sage-scented electronic wizards hat on to sample up some of our harmonies and make them into a synthesiser preset, which we ended up using on this and some of the other tunes too. We wanted this song to sound jet lagged, so everything on it was recorded with varispeed, either faster or slower than real time. It’s like 1966 Beatles meets 1988 MBV… in other words, Ride.